Saturday, February 10, 2018

Haggar the whore-ible (or, enjoying the carnal pleasures of the sexy, gay, Final Fight-esque brawler, Strange Flesh)

I don't often write about "adult" games here.

Of course, I don't often play such games, either, and that's not because I'm a prude or because I otherwise turn my nose up at them.

Actually, I love playing games that titillate--especially if that titillation is aimed at the LGBT community.



Unfortunately, few games featuring content that's both adult and gay ever ping my radar. Besides the one discussed here, the only others that have done so in recent years are the steamy visual novel, Coming Out on Top, and the surprisingly sexy bullet-hell shmup, Sugar Shooter. (I've also written about the beef-tastic JRPG called Ana Holic!, but I've yet to play it.)

Given all of the above, it shouldn't be surprising to hear I was more than a bit excited when I first became aware of Strange Flesh (via this eye-opening--not to mention NSFW--teaser image) just before its release in late October.

At least, I was excited until I discovered the game was an old-school beat 'em up in the same vein as Double Dragon, Final Fight, Golden Axe, River City Ransom--you know the drill.

You see, although I've long been intrigued by side-scrolling brawlers like the ones I just named, I've rarely enjoyed playing them. Or maybe I should say I've only enjoyed playing them to a point. A few stages in, I'm bored to tears and ready to tackle something--anything--else.



Still, I decided to give Strange Flesh a chance. An hour or so later, I walked away. Not because I'd grown tired of it, as I seemingly always do with these kinds of games, but because I'd beaten it.

Granted, Strange Flesh only offers up four stages, so finishing it isn't the most noteworthy of accomplishments. I actually appreciated its brevity, though. Far too many games these days--free or otherwise--require you to dedicate hours upon hours to them. Encountering one that asks for about 45 minutes of your time is refreshing.

You know what else I found refreshing about Strange Flesh? Its graphics, soundtrack, and gameplay. All three components are so convincingly "late 1980s beat 'em up" it's hard not to be astounded by them.

Actually, that statement needs to be amended just a bit. After all, while the bulk of Strange Flesh acts, looks, and sounds like a game that came out alongside Golden Axe and Final Fight, neither of those quarter-munchers (nor any of their counterparts, as far as I'm aware) feature gameplay, graphics, or music that could be considered "adult."



Strange Flesh, on the other hand, is full of such content. Hell, you'll see something eyebrow-raising every few steps as you play through this PC game. (Download it or launch its browser version at greatestbear.com.)

After you punch, kick, and tackle the game's "figments" and "projections" (all of the action here takes place in the player's mind), you, uh, "finish them off," too--and you do so in various ways that would make most moms blush, or worse.

Speaking of which, a little disclaimer: if regularly witnessing pixelated depictions of gay sex (some of which are kinkier than others) turns you off, you should stay far away from Strange Flesh.

Which isn't to say that's all there is to this title. The core gameplay is both smooth and satisfying, even when controlled via keyboard-button presses. (Note: this is how I played through Strange Flesh. Three times.) In fact, I'd go so far as to say that if Strange Flesh were fornication-free, it would be well worth a look by all fans of the genre.



As things stand, though, it's hard to give it a blanket recommendation. Although I'm sure some straight folks will get a kick out of it, many more likely will find it disgusting or distasteful. I have the feeling the same could be said of a sizable portion of the LGBT community.

Still, I can't be the only person in the world who finds the idea of playing a pervy, gay Double Dragon clone thrilling. To anyone who feels similarly, I say: give Strange Flesh a try.

See also: Strange Flesh's spot-on instruction manual

Tuesday, February 06, 2018

Nice Package! (Nangoku Shounen Papuwa-kun, GameBoy)

No one's ever going to accuse Dragon Quest publisher, Enix, of jumping on the GameBoy bandwagon.

After all, it took the company over three years to release its first GameBoy title--and even then it was a game, Dungeon Land, someone else developed.


It took another year-plus for the game highlighted in this post to see the light of day. Admittedly, Enix didn't make it either. (Bizarre factoid: Enix only ever published the two titles named here for the original GameBoy.)

So, who is responsible for the development of this appealingly unique puzzler? That would be Daft.

Don't feel bad if this is the first you're hearing of Daft. I was completely in the dark about the company before I started researching this write-up. (I always assumed Enix both developed and published this version of Nangoku Shounen Papuwa-kun.)



If you're any kind of "retro gamer," though, you've probably at least heard of one of Daft's other products, though--that being the quirky Super Famicom platformer, Hameln no Violin Hiki (aka Violinist of Hameln).

As for Nangoku Shounen Papuwa-kun, it's based on Ami Shibata's 1991 manga series of the same name. To be frank, I know nothing about said series and, as such, have no idea as to why the powers that be at Daft or Enix decided to translate the IP into a puzzle game for Nintendo's first portable game system.


What I do know: Nangoku Shounen Papuwa-kun is a fun little brain-teaser.

This is no Tetris or Puyo Puyo clone, however. In fact, I can't think of another puzzle game that plays anything like Nangoku Shounen Papuwa-kun.

Explaining how it works through words isn't an easy task, so check out this gameplay footage--or this footage--if you're curious to know more.


The good news: it only takes a few minutes of puttering around to figure out what you're supposed to do. After that, it's smooth sailing.

Another piece of good news: even people who don't know a lick of Japanese should find Nangoku Shounen Papuwa-kun both accessible and enjoyable.

With all of that out of the way, what do you think about the game's outer box, cartridge, and instruction manual, all of which are showcased throughout this post?


I especially like its colorful cover art. In fact, that's what initially drew me to the game--well, that and the Enix logo printed along its lower edge.

Have any of you played Nangoku Shounen Papuwa-kun? If so, what do you think of it? Even if you haven't played it, though, what do you think of the game's packaging?

See also: previous 'Nice Package!' posts about Bubble Ghost, Burning Paper, Noobow, Peetan, Penguin-kun Wars Vs., and Shippo de Bun

Wednesday, January 31, 2018

Ten questions with Space Dave! (and Woah Dave!) creator Jason Cirillo

So many amazing indie games are hitting the Switch eShop these days that it's getting hard to keep up with all of them.

A relevant case in point: although I adored Woah Dave!--a frantic, Mario Bros.-esque platformer released for 3DS, PC, PS4, Vita, and Wii U back in 2014 and 2015--I totally blanked on its spiritual successor, Space Dave!, until right before it hit the Switch eShop late last week.

Oh, well, all that matters now is it pinged my radar just in time. And, boy, am I glad it did, as I've become thoroughly smitten with Space Dave! in the four-plus hours I've spent with it thus far.

Don't worry, I'll share some impressions of the game in the next week or so. Today, though, I'm sharing the contents of a little tête-à-tête I recently had with its creator, Jason Cirillo.

Before we get to that, I need to make something clear: although proper references to both Woah Dave! and Space Dave! end in exclamation points, I'm going to remove them from here on out in an attempt to make this post as readable as possible.



The Gay Gamer: After the success of Woah Dave, I’m sure a lot of people felt, as I did, that you’d follow it up with a direct sequel. What made you go off in a different direction and make a game inspired by the fixed-shooter genre instead?

Jason Cirillo: The initial idea was that these games would all be arcade homages brought into the modern era. Woah Dave, for example, pulls systems from some of my favorites like Mario Bros., Bubble Bobble, and Space Panic. I wanted to do another homage-style game that pulled from an entirely different set of games. That's kind of how Space Dave was born. Some of the inspirations, like Galaga and Space Invaders, are fairly obvious, while some others, like Gaplus and Missile Command, might not be. There might be more games in this series that are totally different genres as well, who knows. There might also be a direct sequel to Woah Dave yet to come. It would have Woah Dave in the title.

The Gay Gamer: Did any more modern games serve as Space Dave’s inspiration?

Jason Cirillo: I'm not sure there's a specific title, though the more modern tower defense genre has crept in there quite a bit. Japanese bullet-hell shooters also were inspiring, though I don't do much of the fancy bullet patterns like they do.



The Gay Gamer: Do you think someone has to be a fan of old, fixed-shooter games like Space Invaders to enjoy Space Dave? Or, what are the aspects of Space Dave that you feel will or could appeal to people who maybe have never even heard of Space Invaders?

Jason Cirillo: I think it helps to be a fan, though I don't think it's necessary. I playtested the game with lots of people who aren't necessarily big retro game players, and they enjoyed it a lot. Lots of them like Space Dave better than Woah Dave. I don't think you'd have had to have heard of Space Invaders to enjoy it. Not to be cheeky, but in 1975, the entire world hadn't heard of Space Invaders. That proved to not be a problem for its eventual release!

The Gay Gamer: Which aspects of Space Dave did you create, and which aspects did other people create?

Jason Cirillo: I am the creator and director of the game, and I coded the original prototype of the game. I also did the music, sound, and graphics. When we went to console, we brought in a programmer familiar with the environment necessary to port it to work on Nintendo Switch. Our programmer, Garrett Varrin, is known for his work on Shütshimi as well, and he not only coded the Switch version, but he also lent a lot of great ideas to the game itself and really added a lot to the fun factor. The game definitely would not exist without his fantastic work on it.



The Gay Gamer: Did you encounter any particular challenges while planning, designing, or developing Space Dave? If so, what were they and how did you overcome them?

Jason Cirillo: The big problem was just trying to not be a straight-up Space Invaders or Galaga clone. I wanted it to clearly and unapologetically be inspired, like Woah Dave was, but I wanted it to be new. Making it feel new was the challenge. But I enjoyed that challenge a lot. I tried to overcome it by going back to what made Woah Dave work. I looked for opportunities where strategies could be developed and implemented. Putting in new gameplay elements that players could learn to use to their advantage was one way, like having the ground you walk on be a volatile element was a big part of that. Making stronger enemies that can more easily kill you become stronger allies to work for you was interesting, too. There's a fair amount of risk and reward in the game that makes it feel fresh.

The Gay Gamer: What are you proudest of when you look at and play the finished product?

Jason Cirillo: I'm proud that I made a game that I liked and that I wanted to play and stuck by that as my mission. Really, that's the only way I know how to make games. I'm always proud of finishing a project and seeing it in the hands of people who are having fun with it. That's always a really good feeling.



The Gay Gamer: I know Space Dave just came out, but how is it selling so far? Is it matching your expectations, exceeding them, not meeting them--or maybe something else entirely?

Jason Cirillo: It's doing way better than we expected, to be honest. Woah Dave also did really well--frankly, also better than we expected--so I think I expected there would be a little cultish following for Space Dave. Still, I'm blown away with how well it's actually done so far.

The Gay Gamer: Do you have any plans to port Space Dave to other systems at this point, such as PS4 or 3DS?

Jason Cirillo: No solid plans for other consoles at the moment, but I am very open to it. We're probably bringing it to Steam.



The Gay Gamer: How about Woah Dave? Is there any chance it’ll follow Space Dave onto Switch sometime soon?

Jason Cirillo: When we get a lot of demand, we listen. And we have gotten a lot of requests for Woah Dave on Switch. So, there's a really good chance.

The Gay Gamer: You recently asked people on Twitter which other genres they’d like you to explore in future Dave games. Did that help you at all? And did you already have an idea as to which other genres you’d like to tackle before you sent out that tweet?

Jason Cirillo: Yes, the responses I got from that question on Twitter did help. Some really fun ideas there for sure. I have a few old arcade games I'd like to pull from in another Dave game, though I'm not sure I am ready to spill the beans just yet on that. I'd love to just go berzerk in the third installment and have a lot of fun with it.

See also: previous 'ten questions with...' posts featuring auntie pixelante, Peter Bartholow (of Indivisible fame), the guy chiefly responsible for the English fan translation of Ripened Tingle's Balloon Trip of Love, the guys who created Wizorb, and the makers of THE 'DENPA' MEN 2

Monday, January 29, 2018

I can't believe I'm saying this, but I'm so obsessed with Miitopia that I've got to quit it cold turkey

It isn't often that I find myself having to quit a game cold turkey to escape its clutches and move on to other titles.

In fact, the only games that put me in that awkward position before Miitopia were Animal Crossing (all of them) and Pocket Card Jockey.

Oh, and maybe Tomodachi Life.

Considering Miitopia shares a bit of Tomodachi Life's DNA, I guess I should have seen this current bout of obsession coming.

Instead, before I bought it, I imagined I'd traipse through Miitopia in a breezy 20 or 30 hours and then turn my attention to all of the Switch games that are piling up in front of me.

Well, I blew past the 30-hour mark some time ago. This weekend, I blew past the 70-hour mark.

To say Miitopia is one of those games that regularly prompts you to say, "just one more level," may be the understatement of the year.



Here, it's not simply about beating more more level; it's also about leveling up your party members one more time, or unlocking one more weapon or outfit, or wrapping up one more post-game quest.

Every time I think I'm satisfied with where I'm at or what I've accomplished, another outfit, weapon, or quest pops up to entice me to play for a few more minutes. And of course those "few more minutes" almost always stretch out to 30 and beyond.

I'd be fine with that if I thought the end was near, but I have a feeling it's not. As things stand, I'm pretty sure I could put at least another 30 hours into the game, and that's assuming I find a way to ignore the three post-game quests Miitopia offers up each day (after you've beaten its main campaign).

So, rather than spend the next week or two finishing Miitopia's last real chunk of content, I'm going to put it on the back burner--perhaps for good, perhaps nots--and turn my attention to the many Switch and Vita games I've been itching to play since early last month.

Have you ever found yourself in a situation like this, by the way--where you were so obsessed with a game you had to yank yourself away from it? If so, please share your story in the comments section below.

Monday, January 22, 2018

Eight Nintendo Switch games I'm looking forward to playing in 2018

Although I am by no means finished buying or playing 3DS or Vita games, there's little doubt in my mind that most of the money I spend on this hobby in 2018 will be directed toward Switch titles.

The eight Switch games discussed here aren't the only ones I'm looking forward to playing this year, by the way. They're just the ones I'm most itching to experience.

As such, don't be surprised if I eventually publish a follow-up post to this one that details some of the other Switch titles I hope to tackle by the time 2019 rolls around.



Bayonetta 2--I wish I could tell you why I've yet to try the first Bayonetta title. I've had an Xbox 360 for years, after all. The best explanation I can offer up is Microsoft's second console has never quite clicked with me, and as a result I've rarely felt like buying games for it. (The only retail Xbox 360 game I currently own is Deadly Premonition.) Well, I'll soon have my chance to try both the original Bayonetta and its sequel, and you can bet I'm going to take advantage of it. Here's hoping I find the gameplay in these titles as fabulously appealing as their saucy protagonist.



Dark Souls: Remastered--Here's another widely heralded game I've long ignored because of my lack of love for the Xbox 360 (and my lack of a PS3, period). That's not a comment on my interest in the title, though. In fact, I've wanted to see what all the fuss was about since Dark Souls first made a splash in 2011. Thanks to Namco Bandai's decision to bring the recently announced "remastered" version of the game to Switch, I'll be able to do just that this coming spring. What do you think: will I enjoy it, or will it completely overwhelm me?



Dragon Quest Builders 2--I considered writing about the upcoming Switch port of the first Dragon Quest Builders here, but I've chatted about that game (which I pre-ordered as soon as Amazon allowed it) enough on line, so let's talk about its in-the-works sequel. To be honest, I don't know much about it at the moment. As long as Dragon Quest Builders 2 offers up a few new twists on the original's charming, Minecraft-esque gameplay, though, I doubt I'll regret my purchase.



Gal Metal!--What can I say? I tend to like music and rhythm games. I even enjoyed Wii Music, for crying out loud. That lack of taste (some might say, at least) may serve me well after my copy of this curious import arrives on our doorstep in a few weeks. Although there's little question Gal Metal! looks great, there are a lot of questions surrounding its gameplay, which appears eerily similar to the much-maligned Wii game mentioned earlier. Granted, the move-your-Joy-Cons-like-drum-sticks controls at the center of Gal Metal! should be far more accurate than the ones showcased in Wii Music, but that doesn't mean they'll be fun. Oh, well, even if the game disappoints, I'll still have a snazzy piece of cover art to ogle.