Dear third-party developers and publishers, please greenlight Switch sequels to these games

Just over a month ago, I published a similarly titled post in which I discussed sequels I'd like Nintendo to greenlight for Switch.

This write-up, of course, is aimed at third-party developers and publishers.

Sadly, I don't have the highest of hopes that follow-ups to any of the games mentioned below will make their way to the Switch anytime soon, but I'm not going to let that keep me from blathering on about them here.

With that out of the way, keep reading to learn about 10 Switch sequels I'd like third parties to make before Nintendo's popular hybrid system gives up the ghost.



Cladun--I'm well aware that this retro-tinged series of dungeon-crawlers began life on Sony systems, but considering the one that put it on the map (the PSP) is long dead and its successor has one foot in the grave, prepping the next Cladun for Switch seems like the only viable option for developer System Prisma. Should the company do that, though, I hope it eschews the last release's ancient Japanese setting in favor of something a bit more in line with the series' first two entries.

Final Fantasy Crystal Chronicles--Specifically, I want a "real" sequel to the GameCube original. The Switch would be perfect for such a game, don't you think? And this time around, you wouldn't need to own a bunch of GameBoy Advances and related cables to experience its particular multiplayer pleasures. All you'd need are a couple of extra Joy-Cons--if your goal is to cobble together a proper four-person party, I mean. At any rate, please make this happen pronto, Square Enix.



Mr. Driller--The bigwigs at Bandai Namco have ignored this Dig Dug spinoff for a good while now. In fact, Drill Till You Drop and W, sold via the DS and Wii eShops, respectively, are the series' most recent console outings, and they came out all the way back in 2009. A fresh sequel for Switch would be perfect, if you ask me--especially if it allowed players to make use of the system's touch screen in handheld mode.

Opoona--Developer ArtePiazza has been dropping hints that Opoona may soon make a return, but no one seems to know what form the return will take. It could simply be an untouched digital release of the original game for Switch (and maybe other current consoles). Or it could be a mobile port of the same game. The best-case scenario, in my mind: a Switch sequel that addresses Opoona's many shortcomings but retains its sense of otherworldly awe. That said, I'd also take a remake--as long as it, too, fixes some of the Wii offering's issues.



Pac-Man Championship Edition--Oh, who am I trying to kid here? I don't really want Bandai Namco to push out yet another sequel to this 2007 release. I just want the company to make the first one available to Switch owners like myself. That's not too much to ask, is it? If it is, how about a Switch port of 2014's Pac-Man Museum?

Shiren the Wanderer--Actually, I'd welcome any sort of Mystery Dungeon sequel on Switch as along as it isn't another of the Pokémon-branded ones. Don't take that the wrong way--I don't have a problem with the Pokémon Mystery Dungeon series. I would, however, prefer to see a mainline entry come to the system first. OK, and new Torneko or Chocobo spinoffs, too. Once those are out of the way, Spike Chunsoft, feel free to churn out another Pokémon offshoot for Nintendo.



Slime MoriMori Dragon Quest--By nearly all accounts, Square Enix's last Slime MoriMori Dragon Quest game didn't do so well. It only saw the light of day in Japan, however, and it came out fairly early on in the 3DS' life. Had it launched later, and had it earned a Western (North American, especially) release, I think it may have fared better. Regardless, with the Switch lighting up the sales charts around the world, a fourth Slime MoriMori Dragon Quest title could finally see the kind of worldwide success this series has always deserved.

Super Monkey Ball--I know this Sega series has gone downhill since its second console release, but I'd welcome a new Switch entry with open arms if it returned to its glory days on the GameCube. The question is: does the company still have what it takes to produce a worthwhile Super Monkey Ball game? I'm not sure it does, but I'll give Sega the benefit of the doubt and cross my fingers that a new, thrilling adventure starring AiAi and co hit the Switch sometime soon.



Yomawari: Night Alone and Midnight Shadows--It's hard to say if this series of cute-but-creepy survival-horror titles has done well enough for Nippon Ichi Software to make another or if it's currently on the proverbial chopping block due to ho-hum sales. Should NIS make a third, though, I pray it'll add Switch to the mix of systems that can play it--and maybe port the first two titles to the hybrid as well?

Zoo Keeper--I have to be one of the few people around clamoring for this series of match-three puzzlers to continue on the Switch. I've thoroughly enjoyed every version of Zoo Keeper I've played to date, though--with the GBA and Japan-only 3DS games being my favorites--so I'd love to see what developer Success can concoct for Nintendo's latest handheld.

Are there any sequels you'd like third-party developers and published to make for Switch? If so, let me and others know about them in the comments section below.

Manual Stimulation: Bubble Ghost (GameBoy)

I'm sure I've said this before, but I'm saying it again anyway: some Japanese GameBoy instruction booklets are better than others.

Sadly, the Bubble Ghost manual is one of the "others."



It could be worse, I know. Much, much worse.

I mean, look at its logo, for starters. I'm talking about the main English one here, which is wonderfully and appropriately bubbly, although the Japanese one is awfully nice, too.



And of course the eponymous bubble ghost sitting smack-dab in the middle of it doesn't hurt matters.

Beyond those elements, there's the raspberry-colored ink that's slathered over a good portion of both the Bubble Ghost manual's cover as well as its innards.



Strangely, I'm pretty fond of the fuchsia-tinged screenshots that dot this booklet's pages.

I'm not as fond of the fact that those pages feature only a few illustrations. You'd think a game like this would come with a manual that's filled with drawings of the main character. It doesn't.



Granted, I'm not sure the folks at publisher Pony Canyon put a whole lot of energy into the creation of this booklet.

For a case in point, take a gander at that rather pointless map that takes up more than half of its second-to-last page.



Thankfully, Bubble Ghost's outer box and cartridge label go a long way toward making up for its manual's missteps.

To see what I mean, check out this blog post of mine: "Surprise! The Year of the GameBoy Continues: Bubble Ghost."



Have any of you played this version of Bubble Ghost? Or have you played any other version of the game-, which began life (in 1987) on the Atari ST computer? If so, share your thoughts on the game--or this GameBoy manual--in the comments section below.

See also: previous 'Manual Stimulation' posts about Astro Rabby, Noobow, Peetan, and Taiyou no Tenshi Marlowe

A few thoughts on three digital Switch games: Elliot Quest, Lovers in a Dangerous Spacetime, and Slime-san

I don't know about you, but I've spent a lot of time with a lot of different games in the last month.

For instance, I returned to Yomawari: Night Alone for Vita and started through that system's just-released ports of VA-11 HALL-A and Undertale in that time. Also, I both began and finished Golf Story and Super Mario Odyssey for Switch.

I'm still plugging away at the Vita titles, of course, but that doesn't mean I'm letting my Switch collect dust as I do so. In fact, I'm enjoying more Switch games than ever thanks to some kind publishers (which provided me with press codes for the following titles).

Speaking of which, here are a few thoughts on the trio of digital Switch games currently doing their darndest to gobble up my free time:



Elliot Quest--Many have heralded this game as a Zelda II: The Adventure of Link clone. Those are hollow words to me, as I don't have a high opinion of that particular NES "classic." Still, Elliot Quest's art style has appealed to me since I first laid eyes on it, so I promptly added it to my lengthy "play as soon as possible" list despite my lack of love for the first Zelda sequel.

As for what I think of Elliot Quest now that I've put about two hours into it: it's very nice--although perhaps not as compelling as I assumed it would be? I'm not entirely sure why I feel that way about the game, to tell you the truth. It may be due to its rather languid pace, or it may be its overall lack of tension. And it doesn't help, of course, that I'm not yet clear as to why I'm working my way through the sprawling stages of Elliot Quest's beautifully pixelated world.

Another element of Elliot Quest I don't exactly love: I keep getting stuck. I know that's supposed to inspire me to use my noggin, but the tactic only goes so far with me. If I spend, say, 45 minutes trying to figure out what I'm supposed to do or where I'm supposed to go to advance a game's story, I'm not going to stick with it for very long.

Which is a shame, as I really do appreciate a lot of what Elliot Quest offers. As I said earlier, it looks great, it controls well, and its basic gameplay is solid (if not spectacular). Despite all that, I'm not finding it as interesting as I expected to before I first booted it up and thus won't be surprised if I walk away from it long before I reach its credit roll.



Lovers in a Dangerous Spacetime--It should be clear with one glance at the screenshot above why this game has intrigued me ever since it was first made available to PC and Xbox One gamers back in late 2015.

Of course, a dayglow, 1980s-inspired aesthetic doesn't mean much if the accompanying gameplay sucks. Thankfully, Lovers in a Dangerous Spacetime impresses in that area, too. Rather than speed through levels like you do in most side-scrolling shoot 'em ups, here you alternate between slowly advancing your spherical ship through each labyrinthine stage and utilizing its bevy of weaponry to take out evil oncomers.

In a way, Lovers in a Dangerous Spacetime reminds me of both the Mii Force 3DS StreetPass title and an old NES cart called Solar Jetman. Given my love of those games, I guess I shouldn't be shocked that this one has sunk its claws into me as deeply as it has in the short time I've spent with it.

Granted, I'm tackling Lovers in a Dangerous Spacetime all on my own, and the vibe's sure to be different if at least one other person joins in the journey. (I believe four can play at once, if you have the right setup.) Regardless, I'm really digging how it feels like a thoughtful, methodical take on the ages-old shmup genre when experienced solo.



Slime-san--While Elliot Quest apes The Adventure of Link, this game apes Super Meat Boy. Or so I've heard, at least. I can't say if that's true or not as I've never played that supposedly masochistic platformer. At any rate, I've had my eye on Slime-san since I first heard it was coming to Switch, as it seems like the perfect play-whenever-you-have-a-few-free-minutes game.

Is it? Based on my experience with Slime-san so far, I'd say the answer is yes. In fact, you can easily breeze through a number of its levels in a few minutes--or at least you can if you're properly skilled. Some of Slime-san's bite-sized stages are absolutely brutal. Expect to die a lot. Expect to die so many times, and so often, that dying no longer means anything to you. That's not a critique, by the way; in fact, I like that dying in this game doesn't bother me in the least. If anything, it prompts me to chuckle and then grit my teeth in anticipation of yet another run at a particular level.

My only complaint about Slime-san: it ramps up in difficulty surprisingly quickly. Walking away from it for a bit has helped me overcome most of the obstacles (aka seemingly insurmountable stages) the game has thrown my way, but there's no guarantee that tactic will continue to help down the road. Oh, well, I'll deal with that issue if and when it becomes a reality. In the meantime, I'll chip away at it whenever the fancy strikes.

See also: 'seven 3DS, Switch, and Vita games I'm determined to at least start before the end of 2017'

Hirokazu 'Hip' Tanaka's first album is everything an EarthBound, Kid Icarus, or Metroid fan could want

I've been a fan of Hirokazu "Hip"--now apparently "Chip"--Tanaka ever since I discovered he was responsible for Kid Icarus' glorious soundtrack.

My admiration of and belief in his talents blossomed when I found out he also had a hand in crafting the music for classic Famicom and NES games like Balloon Fight, Wrecking Crew, Metroid, and the first two Mother (aka EarthBound) titles.

Tanaka now serves as the president of Creatures Inc., although that lofty position clearly hasn't caused him to turn his back on his first career.



His just-released (not to mention first-ever) album, Django, is the perfect case in point.

Its 13 tracks are everything a "Hip"--or "Chip"--Tanaka fan could want. My favorites: the chunky "Beaver" (listen to it and watch its video here), the jazzy, laid-back title tune, the ethereal "EMGR," and the blippy, breezy "Prizm."

Really, though, you can't go wrong with any of the game-inspired soundscapes offered up by Django. Speaking of which, you can listen to the whole album at chiptanaka.bandcamp.com.

See also: my '10 Most Influential Games' write-up about Kid Icarus

Seven 3DS, Switch, and Vita games I'm determined to at least start before the end of 2017

It's that time of year again, folks! And, no, I'm not talking about the winter holidays. I'm talking about the time of year where I wring my hands over all the games I failed to play this year.

Sadly, the games discussed below are just the tip of this particular iceberg. They're the ones I most want to experience before 2017 comes to an end, though, so that's why I decided to single them out here.

I guess I'll have to publish a follow-up post early in 2018 that reveals whether or not I actually spent time with these titles and, if so, what I think of them, eh?

In the meantime, here's a bit of commentary on why I so desperately want to put at least a couple of hours into each of these 3DS, Switch, and Vita games in the next month and a half.



Dragon Quest XI (3DS)--I was so excited about this game's Japanese release, and yet I forgot about it shortly after it arrived on my doorstep in August. OK, so it's possible my memory issues were aided  a bit by my wariness of the endless lines of barely decipherable Japanese text it'll surely throw at me. Also helping matters, or maybe I should say making them worse: the potential for this version of Dragon Quest XI, or even the supposed Switch port, to be released in North America sometime in 2018. Still, I spent good money on this Japanese 3DS copy, so I should at least attempt to play it before the year is out, right?



Hey! Pikmin (3DS)--This side-scrolling, platforming offshoot of Nintendo's popular Pikmin series hasn't exactly garnered rave reviews since it first hit digital and retail store shelves earlier this year. I had a lot of fun ambling through its demo, though, so I ignored the negative word of mouth and picked up a copy a month or so ago. Anyway, I have a feeling Hey! Pikmin will prove to be a good game to play in small spurts, so I'll do my best to at least boot it up over the upcoming holiday weekend.



The Legend of Zelda: Breath of the Wild (Switch)--Here's the first game of this post I don't yet own. I have a feeling that won't be true for much longer, though, as it's basically the only thing I asked my parents to buy me for my rapidly approaching birthday. Assuming a copy of Breath of the Wild does find its way into my hands soon, it'll be interesting to discover if the game's my cup of tea or not. I haven't often loved Link's three-demensional adventures, after all, with the Nintendo 64 version of Ocarina of Time being the lone exception. I'm completely enamored with this one's aesthetic, though, so hopefully that'll help it worm its way into my heart.



Skyrim (Switch)--At the moment, I feel like one of the few people in the world, or at least one of the few people in North America, who has yet to play some version of Skyrim. That's mainly because I've only owned one console capable of playing it--the Xbox 360--and the only boxed game I bought for it was Deadly Premonition. Even if I'd been more willing to build up a catalog for that system, though, I doubt I would've added this title to it. It just doesn't look like my kind of game, if you get my drift. That said, I'm currently finding it intriguing enough that I'll probably ask for it as a Christmas gift. Surely I'll have (mostly) burned myself out on Breath of the Wild by then?



Stardew Valley (Switch)--My original plan was to purchase this Switch port of Eric Barone's Harvest Moon clone as soon as I wrapped up my Golf Story playthrough. (Speaking of which, here's my Golf Story review.) Right after that happened, though, Super Mario Odyssey was plopped onto my doormat. And now I'm done with Odyssey, but Breath of the Wild and Skyrim are right around the corner. Maybe I should just bite the bullet and buy it this weekend, even if doing so wouldn't be the wisest way to spend my hard-earned cash. Worst-case scenario: I barely devote any time to it this year, but then thoroughly dig my teeth into it early next.



Undertale (Vita)--Do you ever buy a game and then forget you bought it? That's basically what happened with me and this recently published port of Toby Fox's genre-busting role-playing game. Actually, I've now forgotten I own this portable version of Undertale a few times. Which is pretty darn sad, as I've wanted to play it on my Vita ever since I worked my way through its first handful of hours on my laptop a couple of years back. Given my rejuvenated interest in the Vita--thanks in large part to the game that follows--I think it's a pretty safe bet I'll make it much farther than that this time around.



VA-11 HALL-A (Vita)--OK, so I'm already playing this one. In my defense, I started this post before I began the game. Regardless, I've been itching to play VA-11 HALL-A, which is best described as one part bartender simulator and one part visual novel, since I first became aware of it last summer. As I generally despise playing games on my laptop, I held out for this just-released Vita port. All I'll say here is it's been more than worth the wait. (Don't worry, I'll share some initial VA-11 HALL-A impressions in an upcoming post.)

Have you bought any games this year that you desperately want to at least start before 2017 ends? If so, let me (and others) know about them in the comments section below.

See also: 'Five long-awaited 3DS, Switch and Vita games I wish would be released already'