My favorite games of 2019 that weren't actually released in 2019

Although the number of old games I play often competes with the number of new games I play in any given year, I'm pretty sure the scales tipped in favor of the former in 2019.

As such, I thought I should write up a post about my favorite games of the last year that, you know, weren't actually released during the last year.

A Witch’s Tale (DS)--Truth be told, I bought this Nippon Ichi-made RPG simply because I liked how it looked. I'd heard the rest of it wasn't very good, though, so dragged my feet on playing it. Now that I've not only started but finished it, I'm here to say all the folks who suggested I'd hate A Witch's Tale were wrong. It's no Mother or Undertale or, um, Bravely Default, as you might expect, but I still found it both fun and unique. Regarding the latter, A Witch's Tale is completely touch-based--you don't use your system's directional pad or buttons for anything. Also, there's no overworld to explore here. Instead, you jump between a small hub town and six larger areas that sport curious themes. Oh, and you fill your party with an assortment of odd-looking dolls rather than with other humans, which I found to be a particularly interesting change of pace.

Cave Noire (GameBoy)--Although I've played this Japan-only GameBoy game before, none of those experiences lasted more than an hour at most. I'm not sure why that is, as I usually love roguelikes. At any rate, I stuck with it quite a while longer than that this year. My thoughts on the four or so hours I devoted to Cave Noire in 2019? I adored them. They allowed me to discover just how much it differs from your typical example of the genre. For starters, the dungeons you explore here are delightfully bite-sized and perfect for brief bouts of gaming. Also, conquering them requires you to meet various goals, like collecting a certain amount of money or saving a specific number of caged fairies. Speaking of which, I have yet to beat all of Cave Noire's challenges, but I hope to do so in 2020--with the game's exceptional soundtrack egging me on all the way.

Crimson Shroud (3DS)--If I were to tag a theme to my last year with video games, it'd be something like "playing games I stupidly ignored in the past." Actually, though, I haven't ignored Crimson Shroud. In fact, I bought it upon release--only to play it in fits and spurts until earlier this year. Once again, I'm not sure why I failed to stick with it up to now. Its dice-centric battles, inspired by tabletop RPGs like Dungeons & Dragons, are right up my alley. As are Crimson Shroud's gritty aesthetic and cinematic soundtrack. Some of its late-game tussles grated on my nerves, I have to admit, but they barely put a dent in my enjoyment of this novel adventure.

Ever Oasis (3DS)--Unless something drastic happens between now and midnight on Jan. 1, this GREZZO-developed RPG will end up second among my most-played games of 2019. That's pretty cool, and surprising, considering I bought Ever Oasis expecting it to disappoint me (at least a bit). Obviously it didn't. Although it wasn't as Secret of Mana-esque as I was told it would be, I thought its real-time battles were even better than those of Squaresoft's 16-bit classic. I also appreciated Ever Oasis' enormous selection of whimsical weapons--its humungous hammers shaped like cacti and pinecones and other odd objects, in particular. The main complaint I can aim at this 3DS cart: its town-building component wore out its welcome well in advance of the finish line.

Final Fantasy Tactics A2 (DS)--Despite the fact that I love the original Final Fantasy Tactics dearly, I've never played its portable spinoffs. Or I hadn't played them before I stubbornly set out to beat Final Fantasy Tactics A2 this summer. Over 65 hours later, I met that objective--and then promptly returned the cartridge to its blue-sleeved case. Did I do so happily, or grouchily? It's hard to say. Only one aspect of A2 made me grouchy, but it was a doozy: the final battle. I loved pretty much everything else about it, though--from the graphics, to the music, to the focus on quests over story. Speaking of that last point, I know a lot of people wish Final Fantasy Tactics A2 had a better story. I'm not one of them. Most RPG stories are bloated, boring messes, in my opinion, so I'm fine with the one in Final Fantasy Tactics A2 doing the bare minimum to move things along.

Ghost Trick (DS)--I feel like I've said this a lot over the last few weeks, but I have a bad habit of avoiding games that garner too much hype from the masses. Capcom's Ghost Trick is but one example of a title that's met this sad fate. My loss, right? I'd certainly say so after playing through it on a tear this autumn. I had no idea the core gameplay in Ghost Trick was so ... puzzle game-ish. That alone increased my interest in it tenfold, though I found its art style, animation, dialogue, and music more than a tad captivating, too. I guess what I'm trying to say here is that, while it took me a while to play Ghost Trick for the first time, it won't take me quite so long to play it a second or even third time.

Last Window: The Secret of Cape West (DS)--I loved Hotel Dusk: Room 215 when I played through it a number of years ago. I expected to play through this follow-up shortly after, but you know how it often goes with best-laid plans. Oh, well, all that matters is I finally tackled it. And that I enjoyed nearly every minute of my time with Last Window. I especially liked that the setting was so different from that of Hotel Dusk. I'm unable to say the same about the new cast of characters, but you can't have everything, right? At least Last Window's soundtrack lived up to my sky-high expectations after the brilliant Hotel Dusk OST knocked me off my feet.

See also: my favorite games of 2019 and, uh, my other favorite games of 2019, too

My favorite games of 2019 that aren't The Liar Princess and the Blind Prince or Lapis x Labyrinth

I may have declared Lapis x Labyrinth and The Liar Princess and the Blind Prince my favorite games of 2019, but that doesn't mean they're the only games I enjoyed this past year.

In fact, here are seven titles I also had a blast playing at some point in the past 12 months.

Dandy Dungeon (PC, Switch)--I named another Onion Games joint, the brilliantly bleak shmup, Black Bird, one of my favorite games of last year. I nearly did the same this year with the company's Dandy Dungeon. What stopped me? The main reason is that I failed to finish it--or, rather, that I walked away from it at one point and never returned to it.

Although I can tell you exactly why I dropped it (I went on vacation and didn't take my Switch), I can't tell you why I didn't pick it up again. Maybe it did the unthinkable and became too repetitive? I say that's unthinkable because I usually don't mind a bit of repetition in games. I mean, you're talking to a guy who happily spends hours grinding in pretty much every RPG he plays--even when it's not needed. But there's a forced grind to this one that perhaps wore on me a tad.

Still, I was full-on obsessed with Dandy Dungeon during the 22 hours I'd put into it before that point, as this post proves. Its gameplay loop, which adroitly combines dungeon-crawling and loot-gathering with time-sensitive puzzle-solving, is both exhilarating and amusing. Actually, amusing describes several other elements of Dandy Dungeon, too, including its graphics, soundtrack, and story. Wait, remind me why I'm not playing this brilliant game right this second?

Heroland (PC, PS4, Switch)--I'm still working my way through this one, an odd, mobile-game-esque RPG made by folks who previously worked on Fantasy Life, Magical Vacation, and Mother 3, but I've spent enough time with it (about 12 hours now) to know I like it a great deal.

My first impressions of Heroland weren't favorable, as the opening hour or two were filled with blather and early battles veered far too close to they-play-themselves territory for my liking. Both areas of complaint improved by leaps and bounds as I continued to plug away at the game, I'm happy to report. Especially the fights.

In case you haven't heard, you don't directly control your parties in Heroland. Instead, you guide them--by periodically giving orders either to the whole group or to an individual member. It's kind of a bummer at the start, but their tactical nature eventually makes itself obvious, and that's when my opinion of this FuRyu product turned toward the positive for good.

Helping matters along tremendously: the game's earworm-enducing soundtrack and appealingly unique look.

Kirby’s Extra Epic Yarn (3DS)--I'm fully aware that both the original Kirby’s Epic Yarn and this barely enhanced 3DS port have their fair share of detractors. For me, though, they're the video game equivalent of comfort food. They're what I turn to when I want to relax, or when I'm longing for the "good old days."

The accessibly enjoyable gameplay of these titles is a big reason for that, of course, but their cozy graphics and whimsical soundtracks play major roles, too. I guess that's why I gobbled up Extra Epic Yarn when it came out this past spring, and it's also why I'm now naming it one of my favorite games of 2019.

Phoenix Wright: Ace Attorney (3DS, mobile, PS4, Switch)--I wish I could tell you why I waited until the release of Gyakuten Saiban 123: Naruhodo Selection (that's the Japanese title of the Phoenix Wright: Ace Attorney Trilogy) to finally play my first Ace Attorney game. Whatever the case may be, I'm glad I got my act together and went through the long-running series' opening entry earlier this year.

Its brilliantly crafted characters and story as well as its eclectic soundtrack were the clear standouts for me, but I liked pretty much every other component of Phoenix Wright: Ace Attorney, too. OK, so Capcom could've done a better job on the revamped visuals. And the game stumped me on several occasions. Neither of those things dampened my enjoyment of this visual novel, though. Hopefully they also won't keep me from digging its follow-ups when I tackle them in 2020.

Romancing SaGa 3 (mobile, PC, PS4, Switch, Vita, Xbox One)--There was a time not so long ago that I thought Romancing SaGa 3 might squeeze its way into the running for full-on favorite game of 2019. In the end, I put it here instead.

As for what prompted me to consider it a GOTY contender, that would be its tastefully updated graphics, its appropriately epic soundtrack, and its open-ended, quest-focused design. I also had a blast with its battles--or at least I did at first. The different formations, the odd party members, and especially the "sparking" of new abilities thrilled me for a good while, but at some point Romancing SaGa 3's fights lost a bit of their luster. I think it's because they happen a smidge too frequently (despite not being random, technically) and because the aforementioned sparking doesn't happen frequently enough.

Don't worry, I'm not giving up on it despite that disappointing turn of events. I'll definitely return to my playthrough, currently at the 26-hour mark, sometime next year.

Tobu Tobu Girl Deluxe (GameBoy Color)--I may have stubbornly avoided giving this homebrew GameBoy game a go until several months after its initial, non-deluxe release, but once I broke the seal in that regard I quickly made up for lost time.

If you haven't read any of my other write-ups or interviews related to this Tangram Games-developed title, it's a glorious mix of Nintendo's Balloon Kid and Ferry Halim’s Winterbells, if that makes any sense whatsoever. The same can be said of Tobu Tobu Girl Deluxe, which came out in late October. It's basically a colorized and otherwise slightly tweaked version of the original, though it also tosses in a new infinite mode for good measure.

If I had my way, I'd be ably to play both iterations of Tobu Tobu Girl on my Switch (or even my trusty 3DS), but since that's unlikely to happen in an official capacity, I'll keep plugging away at it on my hacked Wii. It's not the optimal solution for me, but the alternative--not playing this classic-in-the-making at all--is just not an option.

World of Final Fantasy Maxima (PC, PS4, Switch, Xbox One)--I started through this enhanced version of World of Final Fantasy early in the year with fairly low expectations. Though I'd heard good things about the original release from folks whose opinions I respect, I couldn't help but think it wasn't going to be my cup of tea. Without mincing words, the non-chibi character designs horrified me and the battles--featuring party members with captured enemies stacked perilously on their noggins--baffled me.

Well, neither of those niggles bothered me at all after I spent a couple hours with the game. Which isn't to suggest World of Final Fantasy Maxima is without issues, mind you. In fact, I've found it strangely rough around the edges for a Square Enix product so far.

Still, Maxima's many charms--including the baffling battles I mentioned a few sentences ago, curiously enough--have outweighed its handful of blemishes to this point (my playthrough is hovering at 26 hours), so I'm hopeful that will continue when I circle back to it in the new year.

See also: 'My favorite games of 2018 that aren't Black Bird or Sushi Striker'

My favorite games of 2019: Lapis x Labyrinth and The Liar Princess and the Blind Prince

If you had told me this time last year that I'd declare Lapis x Labyrinth and The Liar Princess and the Blind Prince my favorite games of 2019, I'd have laughed in your face.

Back then, these Nippon Ichi Software-made games were barely on my radar. I wasn't even sure I was going to buy the localized version of Lapis x Labyrinth. And though I'd already placed a pre-order for The Liar Princess and the Blind Prince by that point, I had a sinking feeling I wouldn't enjoy it.

All those fears flew out the window within minutes of starting The Liar Princess and the Blind Prince, and within a few hours of doing the same with Lapis x Labyrinth.

Warming up to and falling in love with The Liar Princess and the Blind Prince was easy. Everything from the start screen, to the opening cinematic, to the introductory tutorial, to the music that accompanied them set the perfect tone for what was to come.

So, what was to come? About five hours of blissful platforming and puzzle-solving.

Actually, it isn't the platforming and puzzle-solving in The Liar Princess and the Blind Prince that's blissful. It's the whole package.

On their own, neither of the above-mentioned components are overly impressive. The platforming in this game pales in comparison to that of Celeste, Hollow Knight, or even Super Mario Bros. The same can be said of its puzzle-solving elements and those of that sub-genre's stand-outs.

These shortcomings are easy to excuse when they're combined with The Liar Princess and the Blind Prince's story, characters, and atmosphere, though. In that context, they feel like two important-but-far-from-vital parts of a charmingly interactive fairy tale.

Still not seeing why I consider The Liar Princess and the Blind Prince to be one of my two favorite games of 2019? How about this: I can't stop thinking about it. Even after finishing it twice.

Also, I've spent more time thinking about The Liar Princess and the Blind Prince this year than I've spent thinking about Ghost Trick, Last Window, or Mother 3. If that's not a ringing endorsement, I don't know what is.

Lapis x Labyrinth hasn't had the same long-term impact on my psyche, but it sure affected me while I raced through it this past summer.

That's chiefly because this side-scroller is one of the most visceral--or maybe I should say instinctual--titles I've ever experienced. In fact, once I came to grips with Lapis x Labyrinth's controls and gameplay loop, I made it through the remainder of its frantic, frenetic adventure almost on auto-pilot.

A case in point: after a surprisingly short getting-to-know-you period, whenever "ENCOUNTER!!!" flashed on the screen to alert me of yet another enemy swarm (spoiler: this happens a lot), my fingers basically took over and did what was needed to rid the stage of them.

To be totally honest, I'm not used to feeling so skillful or powerful while playing a game. I usually feel like an oaf--particularly during side-scrolling action titles (a category that aptly describes Lapis x Labyrinth) that require perfect jumps or precise timing.

As such, you might think Lapis x Labyrinth's stressful, stay-on-your-toes action would've worn me out after a while. It didn't. On the contrary, I loved it. So much so that I stuck with it long enough to see its credit roll and put nearly 30 hours into it along the way.

It just hit me that what I've said so far may help you understand why I named Lapis x Labyrinth one of my favorite games of 2019, but it doesn't really help you understand what it's all about or even how it plays.

I'll try to tackle that in an upcoming post. For now, though, hopefully the following description will do the trick. In my mind, Lapis x Labyrinth is one part Etrian Odyssey, one part Muramasa: The Demon Blade, one part Mystery Dungeon "monster house," and one part slot machine.

Actually, I could toss in a couple more games here, like World of Final Fantasy, but I figure that would make things more confusing.

Honestly, it's too bad NIS America didn't put a Lapis x Labyrinth demo on the PlayStation Store, the Switch eShop, or even Steam. Telling people it's an exhilarating, side-scrolling, treasure-collecting dungeon-crawler only goes so far with most folks.

Still, if what I've said here, or what you see here, piques your interest at all, you could do a whole lot worse than take a chance on Lapis x Labyrinth at some point in the new year.

See also: 'Black Bird and Sushi Striker, my favorite games of 2018'

Mini-reviews of the 19 games I finished in 2019, part two

My last post featured mini-reviews of 10 of the 19 games I finished this year. Here are some similarly succinct write-ups for the remaining nine titles I completed in 2019.

Last Window: The Secret of Cape West (DS)--I first played and finished Hotel Dusk: Room 215 back in 2015. I wish I could give you a good reason as to why it took me until 2019 to play and finish this follow-up, which released in 2010. The best I can come up with is I wanted to savor the experience and felt like I couldn't do so until this year. At any rate, I loved Last Window--much like I loved Hotel Dusk. Although these two point-and-click murder-mystery titles are strikingly similar, they're just different enough to be equally enthralling. There's no question in my mind that I'll replay both--many times over--in the coming years.

The Legend of Zelda: Link’s Awakening (Switch)--Given my love of the GameBoy, it probably seems strange that I didn't play Link’s Awakening back when the original version released in 1993. I did download the GameBoy Color DX version from the 3DS eShop a few years ago, but I only put a couple of hours into it before walking away for some reason I can't remember. So, what did I think of this Switch remake? I liked it. I wouldn't say I loved it, though. That's mainly because I regularly had to refer to a guide to figure out what to do or where to go next. I also found the game a bit disjointed. All in all, it was far from a turd, but it also didn't live up to my expectations--or to my previous, more positive experiences with the series' first release, A Link to the Past, or even A Link Between Worlds.

The Liar Princess and the Blind Prince (Switch)--I did more than finish this Nippon Ichi Software-made game once; I finished it twice. That's how much I enjoyed The Liar Princess and the Blind Prince. What was it about it this darkly cute puzzler-platformer that prompted such adoration? Its touching, fairy-tale-esque story was the chief culprit, though its unique gameplay, soothing tunes, and eye-catching art style played key roles, too. By the way, I'm far from done with this title, which also can be played on the PS4 and Vita (though the latter was a Japan-only release). In fact, I wouldn't be shocked if I beat it a couple more times in 2020.

Luigi's Mansion 3 (Switch)--I developed a bit of a love-hate relationship with the 3DS port of the original Luigi's Mansion when I played through it last year. Did the same thing happen when I played through Luigi's Mansion 3 this year? I'm sad to say it sort of did. On the love side, there are the Pixar-worthy graphics, the beautifully varied floor themes, and the surprisingly creative puzzles. On the hate side, there are the frustrating controls and the occasional lack of direction. In the end, I'm glad I bought, played, and finished Luigi's Mansion 3, but I'm not sure I'll ever return to it.



Mother 3 (GameBoy Advance)--Those of you who've known me for at least a little while should be well aware of the fact that I'm a late bloomer when it comes to Nintendo's  deservedly ballyhooed Mother series. I didn't play through its second entry, called EarthBound in my neck of the woods, until 2014. And I waited all the way until 2017 to do the same with the original Mother. I adored both titles, so I approached Mother 3 with the highest of expectations. Although I can't say it disappointed me, I can say I didn't like it as much as I thought I would. The chapter structure kind of turned me off, plus I thought it felt a tad padded. That said, I have every intention of replaying it at some point down the road--after I've replayed the first two Mother games, of course.

Phoenix Wright: Ace Attorney (Switch)--I hate to admit this, but sometimes the hype surrounding a game turns me off to the point that I stubbornly ignore it. That's what kept me from playing classics like EarthBound and Undertale for so long, and it's what kept me from diving into the Ace Attorney series, too. As was the case with those aforementioned titles, I'm now hitting myself for my stupidity. I can honestly say I loved nearly every minute of the 20-ish hours I put into the Phoenix Wright: Ace Attorney Switch port this spring. If I had known its characters, soundtrack, and writing were so brilliant, I would've raced through it when the DS port made it way stateside back in 2005.

Rhapsody: A Musical Adventure (DS)--I avoided this DS port of Nippon Ichi's PlayStation RPG from 2000 for ages because the word on the street was that it was filled with game-killing glitches and bugs. I finally threw caution to the wind and picked up a copy this summer, though--in part because my curiosity got the best of me, and in part because I desperately wanted to play a short game for a change. Well, guess what? The risk paid off. I had a blast with Rhapsody. Its colorful cast of characters--the fiendish Etoile, in particular--was the highlight for me, but I also got a kick out of its puppet-focused battles and its Easter-egg aesthetic.

Touch Detective (DS)--Despite my years-long fascination with developer BeeWorks' Funghi mascot, I didn't play the game that birthed it until early 2019. My thoughts after putting over seven hours into said DS title (which was just enough to reach its end credits)? Touch Detective is the definition of "mixed bag," though for me its positives outweighed its negatives. As for its bright spots: those would be its marvelously weird aesthetic, characters, and mysteries. Admittedly, that last component confounded me more than I'd usually like, but it didn't annoy me here as it often does in similar situations.

Unou no Tatsujin: Soukai! Machigai Museum (DS)--This game was renamed QuickSpot when Namco released it in North America. I bought a copy of the Japanese version--hey, it's got the better cover illustration--after some folks on Twitter recommended it. A few bucks and about a week later, I was done with it. Don't take that as complaint. I was done with it because I'd gone through all of its spot-the-difference stages (or whatever you call such things). Yes, this is a digital, dual-screened photo-hunt game. Sounds like I real snooze, I know, but it's actually quite nice--thanks in large part to all the lovely art packed inside it.

Mini-reviews of the 19 games I finished in 2019, part one

Back when I was a teenager, I finished a ton of games each year. These days, I'm lucky if I can beat even a handful.

Well, except for the last two years. In 2018, I finished 15 games. And I've finished 19 games so far in 2019.

I enjoyed every single one one of those games, so I thought I'd share mini-reviews of them in a pair of blog posts. Here's the first batch; look for the second in a few days.

A Witch’s Tale (DS)--I approached playing this role-playing game with the lowest of expectations thanks to the fairly terrible word of mouth that surrounds it. It didn't take me long to develop my own, far more positive opinion of A Witch's Tale, though. I'd never call this touch-heavy offering a classic, don't-miss DS RPG, mind you, but I think it's both unique and fun enough to warrant a playthrough or two if you still own (and use) one of Nintendo's dual-screened systems.

Another Code (DS)--You may have heard that this point-and-click adventure, known as Trace Memory in North America, is on the short side. Well, it is. In fact, it took me less than five hours to reach Another Code's end credits. That said, it packs a lot of intrigue, not to mention interesting puzzles, into the brief, coming-of-age journey of its heroine, Ashley Robbins. One thing I would recommend to folks who've yet to play any of now-defunct developer CiNG's DS games: start with this one, then move on to the far superior Hotel Dusk and The Last Window at a later date.

Crimson Shroud (3DS)--Although I bought this Yasumi Matsuno-helmed RPG the day it hit the 3DS eShop back in late 2012, I barely put more than a few minutes into it until early this year. I guess all the talk about it being inspired by tabletop games like Dungeons & Dragons intimidated me a bit? I needn't have worried. In the end, I found Crimson Shroud to be a thrilling change of pace. OK, so a few battles near the end aggravated me, but not so much they caused me to walk away in a huff. I did feel a bit, well, huffy after watching the game's initial ending sequence, but even that didn't ruin the otherwise-lovely experience for me.

Ever Oasis (3DS)--This 2017 release was made, in part, by Koichi Ishii, who also had a hand in such gems as Secret of Mana, that game's sequel (Seiken Densetsu 3), and one of my all-time favorite RPGs, SaGa Frontier. Ever Oasis resembles the first of those titles, but it's far from a copycat. Unlike that 16-bit classic, this overlooked 3DS gem includes town-building, material-gathering, and quest-fulfilling components. To learn more about those and other aspects of this game, check out the blog post I published a few months ago, "A whole lot of thoughts on Ever Oasis for the Nintendo 3DS."

Final Fantasy Tactics A2 (DS)--Here's another DS title I long avoided because of the negative word of mouth that surrounds it. Now that I've played it, I'm baffled as to why so many others pooh-pooh A2. Sure, its vibe is decidedly different from that of the original Final Fantasy Tactics, and it's quest-based rather than story-focused, but I found those changes refreshing rather than off-putting. Actually, the only issue I had with Final Fantasy Tactics A2 was its annoying final boss--and that's a complaint I could level at most Square Enix RPGs I've bothered to finish.

Ghost Trick: Phantom Detective (DS)--People have been begging me to play this Shu Takumi-directed adventure game from 2011 for ages. Now that I've done so, I can understand their passionate pleas. For whatever reason, I always assumed Ghost Trick was just Ace Attorney with a different coat of paint. Instead, it's more of a puzzler. With an amazing art style. And an impressive soundtrack. And a surprisingly touching story. What I'm trying to say here is: if you've yet to play it yourself, do so as soon as possible.

Katamari Damacy Encore (Switch)--As much as I love the original PS2 release of Katamari Damacy, I rarely pull that system out of the closet these days. I play my Switch all the time, though, so you know I jumped all over this port--especially since it's portable. (I pretty much only play portable systems at the moment.) The eight hours I spent with it were among my most joyous of the year, as far as the time I spent with games were concerned. As a result, I sincerely hope Bandai Namco gives us a Switch port of We Love Katamari in 2020.

Kirby’s Extra Epic Yarn (3DS)--I know a lot of people reacted to the announcement of this barely enhanced portable port of Kirby’s Epic Yarn with a shrug or a sigh (if not worse), but my own response was far more positive. Granted, I adore both the original Wii game and the 3DS system, so the idea of playing through the former on the latter sounded like a dream come true. And you know what? That's basically what it was for me. The only way I could've loved it more would've been if it had included new stages or been playable in 3D.

Kirby Triple Deluxe (3DS)--Despite my love of cute games, I've never been the biggest Kirby fan. I had such a good time with Epic Yarn, Return to Dream Land, and Planet Robobot, though, that I broke down and bought a copy of Triple Deluxe early this year. I didn't find it as thrilling as I found Epic Yarn or Planet Robobot, but I still had a blast with it. It felt like a portable Return to Dream Land, and that was more than fine with me.

Lapis x Labyrinth (Switch)--I hemmed and hawed a lot before buying this Nippon Ichi Software title. Why? The main reason was preview trailers made me think Lapis x Labyrinth's gameplay might not be my cup of tea. My reticence seems silly now. I loved nearly every second of the 30-ish hours I put into this frantic, side-scrolling dungeon-looter. I get the distinct feeling it's one of those "not for everyone" titles, but it definitely was for me.

See also: 'Mini-reviews of the 19 games I finished in 2019, part two'