Manual Stimulation: Dungeon Land (GameBoy)

You may remember Dungeon Land is the Japanese GameBoy title I bought because it featured "enemy flan."

Or you may remember it because it was Enix's maiden release for Nintendo's first handheld game system. It's even possible you remember its magnificently colorful cover art.

And if you don't remember Dungeon Land, or if this post is introducing you to it, that's cool, too.

Either way, uh, here's that old game's instruction manual!



You might think I'm disappointed that Dungeon Land's manual isn't as salmon-y as its outer box.

That was my initial reaction to it, I've got to admit, but now that I've had some time to reflect, I actually quite like the black-gray-yellow scheme its designers used instead.



That's hardly the only interesting or impressive aspect of this booklet, however. For example, it also features a good number of eye-catching illustrations--like the ones you see in this spread.



The second page above seemingly details the game's story, by the way. (As far as I can tell, the text at the top says something along the lines of "About Dungeon Land.")

I can't tell you what those details are, sadly, as I can't understand them.



I'm sure it creatively explains why this title is part board game and part role-playing game, though. Or at least I hope that's the case.



Because it includes RPG elements, Dungeon Land has its share of fantastic enemy characters. You can see some of them--including the flan baddie I mentioned earlier--in the right-hand page below.



Even more "monsters" are showcased across the next spread. I think these are some of the game's bosses, actually--though don't quote me on that.



Whatever they are, I love them. I'm not sure why they have three names, unfortunately. Or maybe the three words above their heads aren't names at all? Maybe they just explain their three "phases" or something like that?

As you probably can tell, I haven't played much of Dungeon Land to date. That's because role-playing board games aren't a whole lot of fun when you don't understand much of the text they throw at you.



To be honest, it probably wouldn't be much fun even if I did know what was going on at all times. Maybe it's just me, but I rarely enjoy tackling digital board games on my own.

Still, I'm glad I own a copy of Dungeon Land. Who knows, maybe someday I'll rope another human being into playing it with me. Or maybe I'll learn enough Japanese to find out it's a blast even when experienced alone.

See also: previous 'Manual Stimulation' posts about Burning Paper, Noobow, Painter Momopie, Peetan, and Snow Bros. Jr.

Manual Stimulation: Lolo no Daibouken (GameBoy)

It pains me to admit this, but as much as I've always loved the idea of HAL Laboratory's Adventures of Lolo (or Eggerland) games, I've never been very good at them.

In fact, no matter which one I play, I only ever seem to get a handful of levels in before I bail because I become hopelessly stuck.

That includes, of course, the game that's the focus of this blog post, 1994's Lolo no Daibouken (Lolo's Great Adventure, basically).



Thankfully, I was pretty sure that would be the case when I bought the copy that provided me with the instruction manual you see here.

Speaking of this manual, it was one of the main reasons I picked up Lolo no Daibouken. So many Japanese GameBoy instruction booklets have blown me away in recent years; surely this one would continue that trend, right?



Sadly, I can't say it does. The Lolo no Daibouken manual is by no means a dud, but it's also not as fabulous as I expected it to be.



It certainly gets off to a good start, with the beautiful cover that can be seen in the first scan above.



After that, though, there's nary an illustration of Lolo or Lala to be found--other than the one that appears in the upper-left corner of nearly every page.



That's quite a missed opportunity on the part of publisher Imagineer, if you ask me. I can't help but wonder if the manual that accompanied the game's European release, which was published by Nintendo in 1995, is better in this regard or if it's similarly disappointing.



Oh, well, at least readers get to ogle a bunch of rose-tinged screenshots, right?



I say that somewhat facetiously, although I've also got to admit some of the screen grabs that are used near the end of the Lolo no Daibouken manual are pretty darn nice.



Unsurprisingly, perhaps, I like the ones of the game's enemies the best. Still, I would've preferred seeing those baddies depicted using good old pen and ink.

Now that you've had a chance to take it all in, what do you think of the Lolo no Daibouken instruction manual? And what do you think of the game itself--if you've ever played it?

See also: previous 'Manual Stimulation' posts about Bubble Bobble Junior, Penguin Land, Snow Bros. Jr., and Tumblepop

Manual Stimulation: Burning Paper (GameBoy)

Stop me if you've heard this before: I first became interested in Burning Paper because of its brightly colored box art.

I also found its Bomberman-esque protagonist to be intriguing.

Thankfully, there's more to this 1993 Japan-only release than its snazzy cover imagery. In fact, I think its gameplay which reminds of Qix mixed with Space Invaders, is even more impressive than its box art. I might say the same of the Burning Paper soundtrack, which features some surprisingly top-shelf tunes.



The game's instruction manual, showcased here, is worth mentioning, too. It starts off a bit slowly, but once it gets going, it doesn't look back.



Honestly, though, even the blander pages of the Burning Paper manual are easy on the eyes thanks to the complementary green and orange inks its designers decided to use while printing it.



The booklet's first few spreads explain Burning Paper's story, controls, and--uh, whatever the right-hand page above details. (Heads up: a visitor named Dan kindly translated the entirety of this manual into English. Check out the spoils of his hard work here.)



From there, it introduces players to the game's protagonist, Bomberman--I mean, Burningman--as well as its insect-inspired bosses.



Next, the Burning Paper instruction manual gives readers a glimpse of the enemies that inhabit this Japanese GameBoy game's bonus stages. Oh, and it offers up a rundown of its handful of collectible items, too.



The highlight of this impressively meaty booklet is the six-page salvo of enemy names, descriptions, and illustrations.



I don't know about you, but I think the first batch of baddies you encounter while making your way through Burning Paper's initial couple of stages are far better than the ones that come later.



Even so, this title, both developed and published by the little-known company, LOZC G. Amusements, is a delight. If you're still up for playing GameBoy games in one way or another, I'd highly recommend devoting a few minutes to this one as soon as you've got the time.

See also: previous 'Manual Stimulation' posts about Bubble Bobble Junior, Noobow, Peetan, and Snow Bros. Jr.

Manual Stimulation: Noobow (GameBoy)

Up until the early part of 2013, I had only a passing interest in Nintendo's GameBoy.

Oh, I owned one as a kid--got one as soon as I possibly could after it hit store shelves in the summer of 1989, in fact--and I loved it as much as anyone can love a bulky electronic gadget with a green-and-black screen.



After I sold my GameBoy system and catalog of carts a few years later, though, I rarely looked back. It just wasn't an experience I felt like revisiting, you know?

So, what happened in 2013? I came across a small blog post about the game highlighted here: Irem's Noobow.



That post included a short video of Noobow in action. I was hooked a second after I hit "start."

Over the next few months, I searched the Internet high and low for other Japan-only GameBoy games that had escaped my attention and that might appeal to me as much as Noobow.

All of that digital sleuthing resulted in me discovering import gems like Peetan, Painter Momopie and Osawagase! Penguin Boy. (OK, so that last one actually earned a Western release--as Amazing Penguin.)



Once I became aware of those titles, too, there was no going back. In the years since, I basically made it a goal to obtain complete-in-box copies of those Japanese GameBoy games and a slew of others (like Astro Rabby, Burning Paper and Cave Noire).

Curiously, each of the games I've mentioned so far were sold with stellar instruction manuals packed inside their colorful cardboard boxes.



Noobow's manual isn't as stellar as some of the others linked to at the bottom of this post, but I think it's still pretty nice.

Chiefly responsible for me calling it "nice" is that it sports a number of adorable illustrations of the eponymous Noobow, who apparently began life (and I believe continues to serve) as a mascot for a line of merchandise.



Strangely, this booklet doesn't contain even half as many illustrations as Noobow's outer box does, but at least almost all of the ones stuffed inside the manual are unique.

Also worth celebrating: the Noobow manual features three full pages of item drawings and descriptions.



If this is your first visit to this site, or if you haven't been visiting it for long, you need to know I love old game manuals that feature item drawings and descriptions.

Admittedly, the item drawings showcased here are on the rough side, but that just adds to their charm, if you ask me. (For another Japanese GameBoy manual that features rough item drawings, check out my post about the booklet made for the system's Bubble Bobble port.)



The second-to-last page of the Noobow instruction manual (see below) is supposed to be reserved for jotting down passwords, by the way. Whether or not the text a previous owner scribbled onto mine actually is a password, though, is up for debate.



Now that you've taken it all in, what do you think of the Noobow GameBoy instruction manual?

Also, if any of you have played this 1992 release, what do you think of it?

See also: previous 'Manual Stimulation' posts about Astro Rabby, Bubble Bobble Junior, Kaeru no Tame ni Kane wa Naru, Snow Bros. Jr. and Tumblepop

Photographic proof I may be more obsessed with the PC Engine than I am with the Wii at this point

And that's saying something, as I'm really into the Wii right now thanks to all the fun I'm having with Opoona and Tabemon. (Here are some Opoona impressions, for the curious.)

So what do I mean when I say I'm obsessed with NEC's little white wonder, aka the PC Engine? Well, I mean that beyond playing the many PC Engine games I've owned for years now, I've been buying new ones over the last month or two.

In fact, I've bought at least 12 PC Engine games in that time. All are HuCards. Most are RPGs.

Their titles aren't completely visible in the snapshots included to the right, so I'll spell them out for you (in order, from top to bottom) while also sharing little descriptions for those who aren't so versed in PC Engine HuCards.

War of the Dead--A post-apocalyptic RPG from 1989 that features battles focused on side-scrolling action rather than selecting options from drop-down menus. Oh, and War of the Dead's badass protagonist--a woman, amazingly--uses guns, grenade launchers and the like rather than swords and magic to mow down the ghoulies that get in her way. Given all of that, is it any wonder I've wanted to play this since I first pinged my radar?

Necros no Yōsai--I told you early I was really into HuCard RPGs right now. Well, here's another. This one was released in 1990 and offers players slightly more traditional battles than War of the Dead. I say slightly because they're (said to be) far more cinematic than what's typical for the genre and for the time. Not that I've played it yet, mind you. The Brothers Duomazov have, though, and I always trust their judgment.

Susano Oh Densetsu--Surprise! Another chip-based role-playing game. This one is based on the Japanese manga, Susano Oh, created by Go Nagai. Again, word on the street is Susano Oh Densetu isn't your typical RPG. Enemies are visible on the overworld screen and the fights they pick with you via your avatar seem to be pretty strategic. Toss into the mix the ability to use everything from axes to rocket launchers against your opponents, and you've got a game I'm very much itching to play.

Double Dungeons--I can't say I've been itching to play this HuCard dungeon crawler, but I have long thought it looked interesting, so I went ahead and purchased a copy when I came across a cheap one while perusing eBay recently. The differentiator here is two people can tackle a dungeon at the same time. I'll likely never have the opportunity to experience Double Dungeons that way, of course, but hopefully I'll enjoy my eventual playthrough all the same.

R-Type I and II--The R-Type II shown and discussed here isn't the arcade sequel (to the original R-Type, naturally) Irem released in 1989. Bizarrely, the company split the first R-Type into two parts while porting it to the PC Engine. Yes, that meant the game was released on two HuCards. Ridiculous, right? Still, I have fond memories of playing the North American version (on my beloved TurboGrafx-16) back in the day, so I picked up both Japanese chips during one of my impromptu eBay shopping sprees.

Gomola Speed--I've had my eyes on this strange, Snake-inspired PC Engine title for ages now, but it wasn't until I had a Twitter chat about it with Snow Kitten that I finally bit the bullet and bought a copy. It sports some great cover art, plus its gameplay looks like good, breezy fun, so I'll definitely give it a go sooner rather than later.

Daichi-kun Crisis: Do Natural--Here's a HuCard with which I've had an on-again, off-again relationship since I first became aware of it. My interest in it should be easy enough to understand once you glimpse its cover art, which shows an erupting volcano surrounded by a bunch of adorable cows. As for why it took me so long to add Daichi-kun Crisis to my ever-growing collection of PC Engine games: its gameplay looks, well, bonkers--and not necessarily in a good way. That's rarely stopped me from trying something, so here's hoping it pays off this time around.

Nazo no Masquerade--This is the kind of game I would've avoided like the plague before I started learning Japanese. (Read about my progress in this recent post.) Now, though, I use such titles as inspiration to keep me going. Not that I see myself successfully completing an adventure game like this one anytime soon. Still, I may boot up Nazo no Masquerade in the coming weeks just to see what I'm able to suss out, as I'm attracted to its "1920s mansion" setting.

Momotarō Katsugeki--No need to know Japanese for this game, which is a side-scrolling platformer starring that country's popular "Peach Boy." (Momotarō often is translated to Peach Boy.) Momotarō Katsugeki looks quite PC Genjin-esque to me, and seeing as though I've loved every PC Genjin (or Bonk) title I've played, I have a feeling I'll love this Hudson Soft-published effort, too--once I finally pop it into my trusty PC Engine Core Grafx II.

Momotarō Densetsu Turbo and Momotarō Densetsu Gaiden--These games also were made and published by Hudson Soft, and they also star the above-mentioned Peach Boy. They differ from Katsugeki in terms of gameplay, though. Both are Dragon Quest-esque RPGs full of turn-based battles and travels across exotic landscapes. The latter's supposed to be miles better than the former, so most would say I should start with Gaiden, but I'll probably do the opposite.

Have you played any of these PC Engine games? If so, let me (and others) know what you think of them in the comments section below.

Welcome to WonderSwan World: Tane wo Maku Tori

This Bandai-published WonderSwan game was one of the first I picked up--along with Engacho!--when I began collecting for this GameBoy competitor back in 2012.

Not that I was able to play it at that time. I didn't buy a WonderSwan system, a translucent black Color model, until three years later. (Here is the post I published about that momentous event, in case you're curious. And if you'd like to learn more about the WonderSwan Color hardware, check out this "Welcome to WonderSwan World" write-up.)

So what do I think of Tane wo Maku Tori now that I've spent some time with it? I like it--quite a lot, actually.

As for why that is, here are the main reasons:

* Tane wo Maku Tori is a puzzle game, a genre which the WonderSwan handles better than almost any other.
* To play it, you hold your WonderSwan system of choice sideways, in portrait or "TATE" mode. (Any title that allows this earns bonus points from me.)
* This 1999 release features an appealingly high-contrast aesthetic.
* It also offers up an eclectic soundtrack that veers from morosely moody to buoyantly blippy.

Tane wo Maku Tori's gameplay is noteworthy, too, although not always in the most positive way, if I'm allowed to be honest.

On the surface, at least, the puzzling action presented here is refreshingly unique. Your goal: to guide water droplets from the top of the WonderSwan's screen to a seed or seeds that are waiting at the bottom.

You do this to help the game's protagonist, the crow seen in the first screenshot above, fill his hometown with flowers before his migratory friend returns from the south. (That description was provided by shinjuforest.blogspot.com, by the way.)

As for how you guide the above-mentioned droplets from one end of the screen to the other, that's not so easily explained. The gist, though, is each water drop can take one of four paths down to the seeds scattered on the ground, with the paths in question represented by bamboo stalks, vines, construction girders and more. To complicate matters, these "vessels" are joined at various points.

Those connectors--tree branches, additional beams and the like--are all you control while playing Tane wo Maku Tori. Using the WonderSwan's left-most set of face buttons, you press up or down to move the "connecting bits" in that same direction, while pressing left or right changes which section of connectors are under your control.

So, you move the branches and beams and whatnot up and down to enable the water drops to land one of the seeds below.

Early on, that's all you have to worry about while playing Tane wo Maku Tori. After a few levels, however, enemies--in the form of water-loving bugs and slugs and other creepy-crawlies--throw a wrench into the works by joining the fray.

That's where things get a little messy, or at least that's where they tend to get messy for me. Trying to corral droplets while also keeping them clear of roaming baddies quickly becomes a real challenge--to the point that Tane wo Maku Tori often feels a bit too frantic for its own good.

Still, I'm glad it exists, as its many quirks allow it to stand out in the WonderSwan's dense field of puzzle games. Also, it's a puzzler that stars a sad crow; it would be kind of hard not to like such a thing, wouldn't you agree?

Have any of you played Tane wo Maku Tori? If so, share your own feelings about it in the comments section of this post. And feel free to share any advice or tips you may have with me there, too--I'm all ears!

See also: previous 'Welcome to WonderSwan World' posts and photos of Tane wo Maku Tori's lovely packaging

My 10 Most Influential Games: Panzer Dragoon (Sega Saturn)

Truth be told, I've never been a fan of rail shooters. You know, the type of shmup--or shoot 'em up--where the ship or flying character moves and shoots into the screen while the game pushes them along a set path.

A few examples, if the description above isn't enough: 1985's arcade classic, Space Harrier, 1987's Thunder Blade and 1988's Galaxy Force, among many, many others.

Don't get me wrong, I love the looks and even the general idea of each of those titles. Their gameplay has never appealed to me, though--or maybe I should say their gameplay has always confounded me. Moving around a screen while simultaneously shooting into it just feels weird to me.

Still, when I bought a Japanese Sega Saturn system in early 1995 (embarrassing aside: I paid about $600 for the console, one controller and a copy of Virtua Fighter), I also bought Panzer Dragoon.

Admittedly, I didn't realize Panzer Dragoon was a rail shooter at the time. I had a feeling that was the case, thanks to all the articles I'd read in magazines like DieHard GameFan and Electronic Gaming Monthly, but I wasn't absolutely sure.

I wasn't disappointed when I finally spent some time with this particular into-the-screen shooter, thankfully. Its softly colored visuals, dynamic camera positions and majestic soundtrack helped acclimate me to it, I'm sure, but they only would've taken me so far had Panzer Dragoon's gameplay been a total bore.

I guess some folks may describe this Sega product using that term, but not me. In fact, I've found its gameplay exhilarating since day one. Chiefly responsible for that, I think, is the fluid movement (for the time, at least) of the blue-and-pink dragon that serves as the protagonist's airborne "steed."

That movement gives Panzer Dragoon's gameplay an element of depth I thought was lacking in older rail shooters--I have a hard time judging where I am in relation to oncoming enemies in the vast majority of those games--and that was key to me finally enjoying one of this shmup sub-genre's offerings.

Did this surprising love affair prompt me to seek out, play and even lust after other into-the-screen shoot 'em ups?

To an extent, yes. I certainly found 1997's Star Fox 64 for the Nintendo 64 far more appealing than I would have if Panzer Dragoon hadn't pushed my buttons, so to speak. And the same could be said for 2000's Sin and Punishment and 2001's Rez.

Now, I wouldn't go so far as to say rail shooters have become one of my favorite game genres thanks to this early Sega Saturn title, but I definitely enjoy them a lot more than I did before I took it for a spin. For that reason alone, I think declaring Panzer Dragoon one of my most influential games makes perfect sense.

See also: previous '10 Most Influential Game' posts about The 7th Guest, Balloon Kid, Bubble Bobble, Final Fantasy V and Kid Icarus

Nice Package! (Bikkuriman World, PC Engine)

Over the years, I've "come around" to loads of games I initially found underwhelming (or worse).

A few examples I've written about as part of my on-again, off-again "Second Chances" series: Bubble Bobble Junior for the GameBoy, Don Doko Don for Famicom, Magical Taruruuto-kun for Game Gear and Valkyrie no Densetsu for PC Engine.



Why I've yet to publish a "Second Chances" entry on Hudson Soft's Bikkuriman World is beyond me. After all, while my first experiences with this PC Engine reimagining of Sega's Wonder Boy in Monster Land left me feeling unimpressed, my opinion of it improved substantially following subsequent playthroughs.

That's not to say my negative early impressions of Bikkuriman World weren't warranted. The game features tiny character sprites, a rather intrusive HUD (status bar, basically) and controls that are equal parts slippery and stiff.

Later jaunts through its adorable environments were far less annoying. The complaints I just leveled at the game remained true, of course, but some of them slowly, but surely, morphed into aspects I either accepted (its controls) or appreciated (its graphics).

A few things I didn't have to come around to regarding Bikkuriman World are its HuCard label and manual cover.

Both are showcased in the photos above. Even when I wasn't a fan of the game, I still liked the chibi character illustrations that are the focus of its cover and cart-label art. I've always long loved the bubbly Bikkuriman logo, too.

Sadly, the instruction manual packed inside copies of this side-scrolling platformer isn't quite as visually impressive as that booklet's cover imagery. To see what I mean, check out my "Manual Stimulation" post about Bikkuriman World.



Also, if you're a PC Engine fan in general, keep an eye out in the coming weeks and months for more "Nice Package!" posts devoted to games made for NEC's console.

In the meantime, enjoy the ones I've already published about Dungeon Explorer, Pac-Land, Parodius Da! and Son Son II.

Five more overlooked Japanese GameBoy games you need to play as soon as possible

Late last year, I published a post about five overlooked Japanese GameBoy games I thought all interested parties should play as soon as humanly possible.

The titles highlighted in the write-up were Astro Rabby, Burning Paper, Noobow, Painter Momopie and Taiyou no Tenshi Marlowe: Ohanabatake wa Dai-Panic, in case anyone would like a refresher.

At the time, I had no intention of following up that article. A couple of weeks ago, though, it struck me that I'd left more than a few sadly ignored GameBoy cartridges out of my original offering.

Will I ever publish a third? I'm not planning to, but who knows. There's no question there are more Japanese GameBoy carts that deserve to have the spotlight turned their way, so if I can corral five of them I may just push forward with yet another "overlooked Japanese GameBoy games" post.

In the meantime, I'd highly recommend you do whatever you need to do to check out the following:

Banishing Racer--I'm not so sure this game can be called "overlooked" at this point, especially among collectors. Still, I have a feeling your average Joe or Jane who only has a passing interest in Nintendo's first handheld system is completely unaware of Banishing Racer's existence, so I'd say it's as deserving of a mention here as any other Japanese GameBoy cartridge.

As for why I think those Janes and Joes should play this Jaleco-made offering, my main reason is it's a side-scrolling platformer that stars an adorable anthropomorphic car. Also, it sports a breezy soundtrack that's surprisingly easy on the ears.

Unfortunately, Banishing Racer is short (just five worlds with three stages in each) and tends toward being cheaply difficult, but controlling a car with googly eyes--which may or may not be "related" to the vehicle at the heart of another great Jaleco game, City Connection--far outweighs both of those negatives in my humble opinion.

Before you run off and try to hunt down a copy of Banishing Racer thanks to all the gushing I've done here, know that even loose carts can go for astronomical amounts these days.

Cave Noire--Oh, Konami. Once upon a time, you produced some absolutely wonderful games--like this one, in fact. Not that you bothered to bring Cave Noire to Australia, Europe, North America or any other region outside of Japan.

Of course, it's hard to blame the powers that be at Konami for giving the thumbs down to a localization of this portable roguelike. After all, the genre wasn't all that popular among console gamers in the early 1990s. (Cave Noire hit Japanese store shelves in 1991.) Thankfully, GameBoy systems were and continue to be region-free, so anyone who wants to put this curious title through its paces is free to do so.

As for what they'll encounter after booting it up: that would be a dungeon-crawling RPG that takes some interesting liberties with the pattern laid down by genre-maker Rogue. You see, Cave Noire is divided into four distinct dungeons. Each of these claustrophobic chambers focuses on a different victory condition: one tasks you with collecting a certain amount of money, one demands you save a certain number of trapped fairies and so on and so forth.

That combined with the bite-sized nature of the game's dungeons as well as its eye-pleasing visuals (which remind of Final Fantasy Adventure, aka Seiken Densetsu) and similarly adroit audio propels Cave Noire into must-play territory even if you don't know a lick of the language.

Kitchen Panic--Full disclosure: this Coconuts Japan-published (in 1991) game is the least impressive of all the ones highlighted in this post. Thankfully, you also should be able to pick up a copy of Kitchen Panic for less money than you'd have to pay to buy any of the other titles mentioned here.

As for why Kitchen Panic fails to thrill as much as, say, Cave Noire or Peetan, that would be because it's basically an arcade-y action game that doesn't provide a whole lot of depth. That's not to say it's not fun. If you're in the mood for a nice little Mario Bros.-esque score-attack game that sports cute backdrops and sprites (mostly of various insects), Kitchen Panic is as good an option as any that were produced for the GameBoy during its long life.

One last comment before I shut my trap and move on to the next overlooked Japanese GameBoy title: if you suffer from entomophobia you'll want to treat Kitchen Panic like the plague, as killing creepy-crawlies is the focus of this Bits Laboratory-made cartridge.

Manual Stimulation: Astro Rabby (GameBoy)

I haven't been shy about declaring my love for the Japan-only GameBoy title known as Astro Rabby lately.

Late last year, I included it in a post about five overlooked Japanese GameBoy games I thought people should play as soon as possible. And a couple of months ago, I mentioned it again in a write-up celebrating the 28th anniversary of GameBoy's Japanese release.



Granted, I haven't always felt so positively about this Cyclone System-made and IGS-published game. When I first played it a few years back, I was far from impressed by it. That said, I changed my tune after returning to it some months later and giving it a second chance. (The second set of impressions can be found in this "Shall We Do It Again?" post.)

If this is the first you're hearing of Astro Rabby, the gist is it's an overhead action game that's unlike anything else I've ever played. For starters, each space-based level (viewed from an overhead perspective) scrolls forward automatically. Your goal, as the titular "rabby," is to not only keep up with that forced movement, but to leap into the air to avoid the baddies and to smash into the Super Mario Bros.-esque question-mark blocks that dot the planetary terrain.

The latter are an especially important aspect of Astro Rabby, as hidden within one of those blocks is a "power-up part" that not only bolsters the abilities of the game's big-eared protagonist but also allows him (and you) to move on to the next level.

Except for the game's disastrously annoying bonus stages, all of the above is surprisingly exhilarating and enjoyable.

Also enjoyable, of course, is Astro Rabby's instruction manual. Its front and back covers, showcased in the first scan (above), are especially so, if you ask me, although I also love the character illustrations included in the second scan, which details the game's story. (Sorry, my Japanese skills aren't yet advanced enough for me to translate it for you.)



Actually, cute illustrations are par for the course in the Astro Rabby manual, with the ones above being my favorites.



Admittedly, IGS' artists could have included many more of them in this booklet. Instead, they filled the majority of its pages with low-quality images (photos?) of in-game sprites.



Even they provide some charming moments, though--like the "enemy" sprites highlighted on the left-hand page of the spread above.

The "panel" sprites seen on pages nine and 10 of the Astro Rabby instruction manual (below) are less thrilling, perhaps, but at least they're educational. In particular, they let you know you should avoid the one on the right-hand page that looks like a cracked brick.



You see, if you jump on a single panel too many times, it crumbles away. Step or jump into the resulting hole, and you lose a life.

Page 11 of this game's manual describes its handful of collectible items. As far as I can tell, the "S" one improves Rabby's speed, the "J" one enhances his ability to jump and the "B" one either increases his bullet stock or makes his bullets more powerful. Oh, and the last item is a 1-up.



Don't be fooled by the adorable illustration that takes up half of the Astro Rabby manual's second-to-last page (below). It relates to the game's previously maligned bonus stages, which means it's evil.

Thankfully, failing to successfully complete said bonus stages (and believe me, you will fail to successfully complete them) won't keep you from progressing to the next proper level. Still, they're so infuriating that any reference to them gets my blood boiling.



With all that out of the way, if you're up for learning more about this oddly endearing GameBoy import, I'd highly recommend reading my Astro Rabby review. Also, photos of the game's stellar box and cartridge label can be ogled in this "Year of the GameBoy" post.

See also: previous 'Manual Stimulation' posts about Taiyou no Tenshi Marlowe, Totsugeki! Ponkotsu Tank and Snow Bros. Jr.