Showing posts with label goty 2022. Show all posts
Showing posts with label goty 2022. Show all posts

Sunday, December 18, 2022

My favorite games of 2022 that weren't released in 2022

I wasn't planning on publishing a post about my favorite games of 2022 that weren't actually released in 2022 (hence the little bonus note at the end of my last write-up), but then I got to thinking about it and decided I had a few things to say about these not-quite-current games after all. So, here we are again.


Chack'n Pop (Arcade, PS4, Switch)

OK, so I'm starting things off on a rather questionable note. I say that because technically the version of Chack'n Pop I played and enjoyed this year (Hamster's Arcade Archives port for the Nintendo Switch) was released during 2022. Calling it a 2022 release seems disingenuous at best, though, considering it was introduced to the world as an arcade game all the way back in 1983.

At any rate, Chack'n Pop is a wonder. It's often called a precursor to Bubble Bubble, and while that's true (Bubble Bobble didn't come out until 1986), it's only true in terms of release dates and a small amount of character overlap. In terms of gameplay, the two titles couldn't be more dissimilar. Chack'n Pop is slow and methodical, to the point it often feels like a puzzle game. Also, whereas even people who are terrible at Bubble Bobble can make it through a multitude of stages, especially if they use continues, those who find Chack'n Pop challenging will struggle to make it through more than a couple. I could be said to be included in this bunch, by the way, but that hasn't kept me from continuing to plug away at and thoroughly enjoy the game.


The Fairyland Story (Arcade, PS4, Switch)

Oh, look, another game often described as a Bubble Bobble precursor. This one more strongly resembles that 1986 classic, though, especially as far as its gameplay is concerned. That said, only those who don't quite know what they're doing will play The Fairyland Story in a similar fashion to how they play Bubble Bobble -- as in, spamming the attack button (which here causes protagonist Ptolemy to shoot magic from her wand) to turn each level's enemy creatures into mouth-watering hunks of cake. Clued-in players tackle The Fairyland Story in a far more deliberate manner.

If this is news to you, the gist is that dropping a piece of cake onto two or more enemies at once nets you a medal that, once grabbed, adds a multiplier to your score as long as you stay alive. Along with this, The Fairyland Story's enemies are highly manipulatable, and combining this aspect of the game with the aforementioned one can result in scores that make your eyes roll back and your head spin.

As is true of most such things, pulling off the above at all, let alone consistently, is easier to suggest than it is to accomplish. I myself am still a rough work in progress here. Knowing what is possible is a hell of a motivator, though, as are the rest of this game's components, like its adorable sprite art and charming backing tunes.


The House in Fata Morgana (PC, PS4, Switch, Vita)

This is one of those "games" (in quotes because it's not really a game, but rather a Visual Novel) that various people whose opinions I respect told me I needed to play (experience?) for years before I finally dove into it earlier this year. Did I share their high praise of The House in Fata Morgana in the end? Yes... and no. Don't get me wrong, this VN does many things well. The story is entrancing, haunting, and surprising. The art is gorgeous, as is the exotic, ethereal soundtrack.

I struggled with some other aspects of The House in Fata Morgana, though. At times, its story is too haunting, verging on tortuous. I also thought it overstayed its welcome by a good bit.

In the end, I appreciated The House in Fata Morgana's positive attributes more than I abhorred its negative ones. Its story went places I didn't expect -- at all -- and for that alone it earns the exalted position it has among VN fans. I'm not sure I ever see myself going through it again, mind you, but I'm glad I reached its credit roll at least once.


Pocket Card Jockey (3DS)

I could probably include Pocket Card Jockey in every post like this I ever publish, or at least I could over a period of 10 or so years. Which is a long way of saying this digital 3DS offering, made by the folks at Game Freak (you might know them from a little series called Pokémon), worms its way back into my heart on a regular basis. A case in point: 2022 was the sixth year I put more than 20 hours into Pocket Card Jockey since its Japanese release in 2013. (I put just under 35 hours into it this year, for the record.)

Pocket Card Jockey is one of those Nintendo games like Endless Ocean that I just don't understand how they didn't blow up with the masses. I'm guessing the fact that it's a 3DS game and not a DS one, and that the only way to buy it is to venture onto the eShop (as opposed to walking into a retail store or logging onto Amazon), is chiefly responsible for holding it back. The horse-racing theme probably didn't do it any favors either. Regardless, it's a crying shame, as Pocket Card Jockey is a blast. How the wizards at Game Freak turned the typically sedate game of solitaire into such a nail-biting, just-one-more-try electronic experience is beyond me. Thankfully, I don't need to understand how they conceived of Pocket Card Jockey or brought to life; I only need to sit down and enjoy the spoils of their hard work.

(Related aside: if you're struggling with this game, read my guide on how to play and succeed at Pocket Card Jockey.)


Rainbow Islands (PC Engine)

I swear I didn't intend to make this write-up so Bubble Bobble-centric. I guess that's just what happens when you start playing a game that's related to Bubble Bobble, and that leads to you playing another and then another. At any rate, Rainbow Islands is my favorite of the bunch. And by that I don't simply mean my favorite of the Bubble Bobble-adjacent games I played in 2022, or even of all the Bubble Bobble-adjacent games in existence. Honestly, I think I like Rainbow Islands even more than the great Bubble Bobble itself at this point.

Now you're going to want to know why. I'm not sure I know myself. I guess the main thing I prefer about Rainbow Islands to its brethren (sistren?) is that it is, or it can be, a more exhilarating experience. Once you're powered up to a certain degree, you can practically (and sometimes literally) fly through its vertical-oriented stages, quickly hopping here and there and wiping out the game's adorable, big-eyed baddies with rapidly slung rainbows along the way. If you're anything like me, such runs will inevitably come to a crashing halt because of one dumb decision or another. I always dust myself off and get back up again, though, ready to give it another shot while bopping my head to its main "Not Somewhere Over the Rainbow (No, Really)" backing tune. 


Rusty's Real Deal Baseball (3DS)

Rusty's Real Deal Baseball is another victim of the 3DS eShop curse. As in, it's a great -- brilliant, really -- game that was mostly and sadly overlooked by millions upon millions of Nintendo 3DS owners because it wasn't a DS game and/or wasn't given a physical (boxed) release. Also, much like Pocket Card Jockey may have been hurt by its horse-racing and -breeding theme, Rusty's may have been hurt by its focus on baseball.

All you and anyone else need to know is that I love Rusty's to death -- and I hate baseball. OK, so hate may be too strong of a word here, but I'm certainly no fan of the sport. The reason I adore Rusty's Real Deal Baseball despite its unfortunate theme: it often feels like an offshoot of Nintendo's just-as-bonkers Rhythm Tengoku series. That's right, it feels like a rhythm game. Add to that the game's ugly-cute anthropomorphic dog characters and its head-scratchingly dark story, and you've got yourself a must-play 3DS game -- even for folks who have no love for the so-called American pastime.

Tuesday, December 13, 2022

My favorite games of 2022

Something I have to get out of the way right at the start: 2022 has been a weird year for me. In all sorts of ways, but especially when it comes to video games.

Although I played many more games in 2021 and 2020 than I did in, say, 2018 and before, this year has felt like a real step back. Nowhere is that more obvious than in the number of games I finished this year: a measly six.

At least I enjoyed four of the six games I finished this year enough to call them favorites. (Actually, I also enjoyed one of the remaining two, but it was released before 2022 and so doesn't fit in here.)

What four games am I talking about? Kirby and the Forgotten Land, Made in Abyss: Binary Star Falling into DarknessPokémon Legends: Arceus, and Yurukill: The Calumniation Games. I'm also talking about Live A Live, which I sadly have yet to finish.


Kirby and the Forgotten Land (Switch)

I have a spotty history with the Kirby franchise. During my youth, I turned my nose up at its NES, SNES, and GameBoy releases because I thought they were for kids who'd never played any "real" games. It wasn't until I tried a few of Kirby's Nintendo DS releases--and then, quickly, some of the earlier ones I'd missed--that I realized the error of my ways. Yes, Kirby games are for kids, but they're also for adults--and everyone between. The only people they're not for are curmudgeons who hate all things cute, colorful or fun.

That remains true for The Forgotten Land, even with its dramatic move into the third dimension. To be honest, although I enjoyed pretty much every component of this game--from its candy-coated visuals, to its jubilant soundtrack, to its thrilling boss encounters--I most got a kick out of exploring its multitude of environments. If the only point of The Forgotten Land were to walk and hop and float from a stage's starting point to its exit, I still would've been perfectly happy with my purchase.


Live A Live (Switch)

Live A Live is one of those (formerly) Japan-only RPGs I've wanted to play since it first released. Oh, I know an English fan translation of it has been out in the wild for ages, and I even gave it a (brief) go nearly as long ago, but for whatever reason it just didn't click with me at the time. I'd say the exact opposite about this HD-2D remake, even though I've yet to finish it. I've thoroughly enjoyed the four stories I've played through thus far, and that's nothing to sneeze at, if you ask me.

As for why that is, well, for starters, I like that each of Live A Live's stories take a few hours to beat, tops. Although my teenage self loved to tackle RPGs that demanded 100-ish hours to conquer, my current, much older self doesn't have the time or energy for such things more than once or twice a year. Just as importantly, though, I dig how unique and varied the stories and characters are within Live A Live. I mean, one puts you in the shoes (boots?) of a cowboy in the Old West; another plops you into the life of a lovelorn caveman.

Admittedly and obviously, such short stories lack the depth of the ones that serve as the backbones to comparable epics like Dragon Quest, Final Fantasy, or Xenoblade, but I'm OK with that in this instance. For me, the breadth of the stories offered up here, along with the interesting ways in which they're told, trump the missing dimension.


Made in Abyss: Binary Star Falling into Darkness (PC, PS4, Switch)

Before Binary Star Falling into Darkness was announced, I'd never even heard of Made in Abyss. I tend to like Spike Chunsoft-made games, though, and I liked the look and sound of this one, so I pre-ordered it at my earliest opportunity. While I awaited its release, I bought and read the first volume of the manga and watched the first two episodes of the manga. I enjoyed both, despite the dark tone and gory imagery, so was pretty sure I'd appreciate this game adaptation.

Boy, did I ever. Not right away, though. The game's "Hello Abyss" mode, which was mandatory upon release and basically acts as a tutorial, intrigued but also annoyed. It feels quite restricted, plus it tells an extremely minimalistic version of the anime's and manga's story. It wasn't until I started my way through the "Deep in Abyss" mode that I truly fell in love with Binary Star Falling into Darkness. Here, the game feels like an offshoot of the Shiren the Wanderer series in the best possible way. It feels like a distinct offshoot, though, offering plenty of unique twists and turns that make it seem like a real-time jaunt through a good chunk on Made in Abyss' nightmarish world.

Truth be told, there were times when Binary Star Falling into Darkness made me want to break my Switch over my knee or fling it into the nearest wall thanks to some of its odd gameplay choices and overall jankiness. For the most part, though, I couldn't put it down. In fact, I wanted to keep on playing it well past its credit roll, and that took me 80-plus hours to reach.


Pokémon Legends: Arceus (Switch)

As with the aforementioned Kirby, my experience with the vaunted Pokémon series is complicated. Although things between us started out positively enough--I played and finished and loved Pokémon Red at some point not too long after it released in the U.S.--they went downhill shortly after. To the point that I didn't finish another Pokémon game until Let's Go: Eevee came out in late 2018.

Since then, I've finished two more Pokémon games: Shield in 2019 and this one earlier in the year. I'll be honest here: I think Legends may be my favorite of the bunch. And not just the bunch, but of all the Pokémon games I've played to date (and I've played at least a bit of all of them). Why? The gist is that I enjoyed the freedom of it. Although I've liked a lot of the Pokémon games I've played, they've all felt a bit too straightforward. Legends felt anything but. On a related note, I loved and appreciated how you can avoid battles altogether in Legends and instead just catch wild Pokémon by sneaking up on and chucking Poké Balls at them. 

I also appreciated that Legends didn't overstay its welcome. I finished it in just over 45 hours; smack dab in the middle of my personal sweet spot as far as RPGs are concerned.


Yurukill: The Calumniation Games (PC, PS5. PS4, Switch)

When Yurukill was revealed, I assumed it would literally be half visual novel and half shmup. I was unsure if I would like it based on this--I'm hardly the world's biggest shmup fan, and I've only recently come around to VNs--but I pre-ordered it anyway because I tend to enjoy games that dare to combine disparate genres. (See: NIS' Void Terrarium and Mad Rat Dead.)

By the end of its first chapter, it was clear to me that Yurukill was more, and better, than I imagined it would be. For starters, it's really more of a mashup of an escape-room adventure game and a bullet-hell shmup, if you want to be specific. More importantly, it's not a straight half-and-half affair. Quiz-focused trial segments regularly interrupt and invigorate the proceedings. They also help bring everything together and make Yurukill feel more like a cohesive experience than it would otherwise.

Also helping matters is that every component of Yurukill is of a certain quality. And I'm not just talking about the adventure and shmup gameplay here; I'm talking about the character art, the soundtrack, and the voice work, too. Honestly, that last element may be the standout of Yurukill for me, especially Yu Kobayashi's brilliant, bonkers, giddy turn as the game's antagonist, Binko.


BONUS: My favorite games of 2022 that weren't released in 2022
  • Chack'n Pop (PS4, Switch)
  • The Fairyland Story (PS4, Switch)
  • The House in Fata Morgana (PC, PS4, Switch, Vita)
  • Pocket Card Jockey (3DS)
  • Rainbow Islands (PC Engine)
  • Rusty's Real Deal Baseball (3DS)