My favorite games of 2020: Moon, The Origami King, and Void Terrarium

I've spent most of 2020 ping-ponging between feeling terrified and traumatized. One of the few areas of my life that has bucked that trend over the last 12 or so months has been the time I've devoted to video games.

In fact, I've both played and enjoyed more games in 2020 than I have in many years. The three games I'm highlighting here are my favorites of the 45 or so I put at least some time into this year. Or at least they're my favorites of the games that came out between Jan. 1 and now. (I'll publish a similar post about my favorite games of 2020 that weren't released in 2020 shortly.)

Moon (Switch)

Although I'm a lifelong fan of role-playing games, I'm far from a stickler for tradition. As much as I adore old-school, by-the-numbers JRPGs (think Final Fantasy: The 4 Heroes of Light), I also appreciate attempts to deviate from the norm. Onion Games' Moon--previously known as Moon: Remix RPG Adventure--is a perfect example of the second category. So much so I hesitate to call it an RPG. What is Moon then? An adventure game, I guess. But it also features a liberal dose of simulation and puzzle elements.

Regardless, it's wonderful, not to mention wonderfully chill. There's no rushing while playing Moon. Hell, you can't even run while playing Moon. You saunter. You slowly scour Moon's modest surface in an attempt to help both its earthly inhabitants and its apparitional ones. The latter are the souls of creatures slain by a video-game's unhinged hero, while you are a real-world boy sucked into that make-believe world and charged with righting said madman's wrongs through the power of love.

Moon tends toward the obtuse and melancholic, but that just adds to its peculiar charm--as do the game's eclectic background tunes, which--in another delightful twist--you can change at will.

Paper Mario: The Origami King (Switch)

Although The Origami King is a more than fitting subtitle for this latest Paper Mario adventure, an even better one, in my humblest of opinions, would've been The Origami Odyssey. After all, this entry in Intelligent Systems' long-running RPG series feels like proper, globe-trotting trek. You zip from one eye-poppingly exotic locale to another while attempting to save Princess Peach (amongst other important--and far more interesting--tasks), sometimes via an appropriately recyclable vehicle.

The rest of The Origami King will seem a bit foreign to Paper Mario fans, too. In particular, this title's turn-based tussles are more like puzzles than the select-battle-options-from-a-menu affairs that are typical of the genre. I prefer the tried-and-true myself, though the new method introduced here grew on me by leaps and bounds once I became accustomed to it.

Even if you fall in love with these brainy fights from the word go, though, you're unlikely to consider them a highlight of the experience. Instead, you'll probably reserve that honor for The Origami King's witty text and wondrous soundtrack.

Void Terrarium (PS4, Switch)

Nippon Ichi Software's Void Terrarium does everything it can to turn off potential players. First there's its name, the full version of which is void tRrLM(); //Void Terrarium. Then there's its post-apocalyptic aesthetic, which seems more banal than breathtaking, especially early on. There's also its "human Tamagotchi" component, which is just... confounding--again, particularly at first.

And yet I found Void Terrarium utterly captivating. Sure, the desolate environments of this part-time dungeon-crawler can be samey, but if you're anything like me, you'll barely pay attention to them thanks to the game's heart-pounding soundtrack and surprisingly compelling story. Oh, and the robot-battling action on offer here is plenty exhilarating, too. Not bad for a title that started off looking like a real dud, eh?

Honorable mentions:

• Disaster Report 4: Summer Memories (PC, PS4, Switch)
• Mad Rat Dead (PS4, Switch)
• Part Time UFO (Mobile, Switch)
• A Short Hike (PC, Switch)

See also: my favorite games of 2020 that weren't released in 2020 as well as my favorite games of 2019 and my favorite games of 2018

10 Nintendo Switch games I want to play in 2020

I put time into a whopping 20 Nintendo Switch games in 2019. (Twelve of which are represented in this recent post.)

I'm not sure I'll be able to top, or even match, that number in 2020, but I'm going to give it my best shot--starting with the 10 existing and upcoming Switch titles below.

Alien: Isolation--I don't know if you're aware, but I'm a huge fan of the first two Alien films. For me, they're the movie equivalent of comfort food. That probably seems kind of weird given the content of those flicks and my preference for cute games, but it's true. At any rate, I've wanted to play through Alien: Isolation ever since it first came out for the Xbox 360 back in 2014. Honestly, I'm worried it's going to be too stressful for me, but I'm willing to chance it.

Animal Crossing: New Horizons cover

Animal Crossing: New Horizons--On the one hand, I'm one of those cranky old codgers who thinks the Animal Crossing series peaked with its original release. On the other hand, I put over two hundred hours into my two (or was it three?) copies of Animal Crossing: New Leaf in the year following that title's release. I get the feeling New Horizons will similarly take over my life after I get my grubby hands on it in March--despite my crotchety misgivings about the direction the series has taken since its debut.

Bravely Default II--I'm not sure why the bigwigs at Square Enix decided to call the third game in the Bravely series Bravely Default II, but whatever. All I really care about is a third Bravely game is coming out. And Revo is working on its soundtrack--I couldn't ask for anything more. OK, I guess I could ask for it to be less prone to exposition than its forebearer. But I'll gladly accept a "return to form" in that regard if everything else about Bravely Default II follows in the footsteps of its predecessors, too.

Disaster Report 4: Summer Memories--I haven't played, or even owned, a single Disaster Report game to date, but I hope to change that with the surprising Switch port of the long-running series' fourth and latest entry. To be honest, I have almost no idea what to expect from Disaster Report 4. Still, I'm champing at the bit to sink my teeth into it thanks to the positive word of mouth that surrounds its precursors.

Raging Loop--I eagerly awaited the North American release of this visual novel once I learned it was not only spooky but featured werewolves. I'm still a bit unsure about its art style, but at least it's unique. Plus, I didn't buy a copy of Raging Loop because its visuals wowed me. I bought it because I've heard only good things about its complex story, multitude of endings, and intriguing "revelation mode."

SaGa Scarlet Grace: Ambitions--My original plan as 2019 came to a close was to purchase and play this game at launch and save the Romancing SaGa 3 remake for early 2020. In the end, the opposite happened. Although I enjoyed the 26-plus hours I put into Romancing SaGa 3 well enough, I'm hoping I'll enjoy SaGa Scarlet Grace: Ambitions even more. At the very least, I suspect I'll have a blast with its battles, which sound a lot more exciting than those of Romancing SaGa 3.

Sega Ages: Fantasy Zone--No, your eyes aren't deceiving you here. This most recent port of Sega's 35-year-old cute 'em up really is one of my most-anticipated games of 2020. After stupidly turning up my nose at it for decades, I fell head over heels in love with Fantasy Zone a few years back via the PC Engine port from 1988. This release should be the best version of Sega's seminal shmup, so of course I'll be buying it the second it hits the North American Switch eShop this year.

Spirit Hunter: NG--Although I wouldn't say I adored this game's predecessor, Death Mark, I also wouldn't say I abhorred it. Actually, I had a pretty good time with it when I played through it last year. The macabre mysteries at the heart of that first Spirit Hunter title were a tad urban legend-esque, but it hardly impacted my enjoyment of it. Does the oddly named NG avoid such clichéd storytelling? I have no idea, but I'm willing to give it a try in 2020 anyway.

Tokyo Mirage Sessions #FE Encore cover

Susume!! Mamotte Knight: Hime no Totsugeki Serenade--I always find it kind of strange when I get excited about a sequel to a game I barely played. Well, in the case of Susume!! Mamotte Knight, I barely played two of its prequels--2010's Protect Me Knight for the Xbox 360 and 2016's Gotta Protectors for the 3DS. Still, I experienced enough of both titles to feel completely comfortable buying this latest entry in the Mamotte Knight series as soon as it releases in my neck of the woods--no matter what developer and publisher Ancient decides to call it this time around.

Tokyo Mirage Sessions #FE Encore--Of all the Wii U games I wanted to be ported to the Switch, this is the one I had the least confidence in ever making that leap. My interest in Tokyo Mirage Sessions is a bit peculiar, admittedly. After all, I've never been much of a Fire Emblem fan (gulp!), and my experience with Atlus' Shin Megami Tensei series has been depressingly limited thus far. Still, my gut tells me I'll get a kick out of this enhanced mash-up.

BONUS ROUND: Moon Remix RPG Adventure--I stupidly left this on-the-way port of cult developer Love-de-Lic's PSone classic from 1997 off my original version of this write-up, so I'm adding it in now. Hey, it's my blog and I can do what I want with it! Anyway, so what's the big deal? For starters, Moon has long been hailed as a quirky "anti-RPG" by those who've played it. Sadly, it's never been translated into English--either officially or unofficially. That's changing as we speak, though, and the end product of indie studio Onion Games' hard work should hit Western Switch eShops at some point in 2020. I'll buy this localized Moon the second it does thanks to my positive experiences with a pair of of Onion's previous efforts, 2018's Black Bird and 2019's Dandy Dungeon.

See also: 'Five Nintendo 3DS games I want to play in 2020'

Nice Package! (Moon: Remix RPG Adventure + UFO: A Day in the Life, PlayStation)

I can't say for sure which "modern" game system boasts the biggest and best selection of odd and off-the-wall titles, but I'm inclined to suggest it's the original PlayStation.

Admittedly, arguments could be made in favor of the Famicom (NES), the DS and even the PC Engine, but at the moment I'm leaning toward Sony's maiden console thanks in large part to the pair of games that serve as the focus of this post.

In case this is the first you've heard of these titles, both are wackadoodle adventures conjured up by the wizards at Love-de-Lic, Inc. That name may ring a bell if you're a fan of some other out-there games, like Chulip, Giftpia, Little King's Story and Chibi-Robo! Not that Love-de-Lic developed those titles, mind you. They were made--in part, at least--by former Love-de-Lic employees, though. (Those staffers went on to form Punchline, skip and Vanpool.)

Love-de-Lic itself produced just three games during its disappointingly brief, five-year existence. One was 2000's L.O.L.: Lack of Love, a head-scratcher for Sega's Dreamcast. The others were the titles highlighted in the headline above--1999's UFO: A Day in the Life and 1997's Moon: Remix RPG Adventure.

I spent a number of years pining for Moon: Remix RPG Adventure before I finally bought it. That's because complete-in-box copies tend to be pricey. 

I lucked out and nabbed the one you see here for a veritable steal some months ago while perusing the wares of one of my favorite eBay vendors.

It isn't in pristine condition, mind you, but it's in good enough condition that I'm more than happy with the purchase.

Anyway, I really like Moon: Remix RPG Adventure's whimsical disc label, showcased in the photo above, for whatever reason.

Don't get me wrong, it's instruction manual is nice, too. It's definitely a bit on the "uh, wow" side, as the focus of the following snapshot should make clear, but that's part of its charm, don't you think?

Sadly, I've yet to even slip my Moon: Remix RPG Adventure disc into my adorable Japanese PSone system. I hope to rectify that soon, but I've said that many times before, so who knows when it'll actually happen.

Hell, it's possible the game's fan translation, which has been in the works for ages now, will be out before give this pick-up a go. Oh, well. 

I know for sure I'll play my copy of UFO: A Day in the Life before its fan translation sees the light of day. That's because, as far as I know, no one is working on a fan translation of this curious Japan-only release.



Which is too bad, as both Hardcore Gaming 101's and Wikipedia's write-ups about the game make it sound awfully interesting.

In particular, UFO's Wikipedia entry suggests the adventure on offer here is at least somewhat Chulip-esque. That intrigues me for reasons I can't quite explain, as the month I spent with that 2002 PS2 title a couple of years ago was trying at best.

Here's portion of the entry in question, should any of you want to read it: "UFO: A Day in the Life puts the player in the role of an extraterrestrial attempting to save a group of 50 fellow aliens who have been stranded on Earth. The player must navigate areas that humans and animals inhabit, unable to actually see the alien he or she is trying to rescue. To this effect, the player must use a device called 'COSMIC,' a kind of camera, to reveal the creatures. As more aliens are rescued, more areas open up and different times of day are available for exploration."

Honestly, though, even if UFO: A Day in the Life proves to be a smelly turd of a game, I want to play through as much of it as I'm able at some point in time.

Have any of you played either of these Love-de-Lic products? If so, what did or do you think about them? Let me and others here know in the comments section below.

Also, if you'd like to see a few more snapshots like the ones above, pay a visit to my Flickr photostream.

See also: previous 'Nice Package!' posts