How I spent my time with video games in 2019

Not only did I finish more games in 2019 than I have in many years (read about them here and here), but I simply played more games in 2019 than in recent years, too.

Also, I spent more time with the games I played in 2019 than I can remember doing in ages.

Don't take my word for it; scan the following list and then compare what you see there to what you see on the similar lists I prepared for 2018, 2017, 2016, and 2015.

My 25 most-played games of 2019:

• Final Fantasy Tactics A2 (DS) — 65 hours, 40 minutes
• Ever Oasis (3DS) — 50 hours, 15 minutes
• Pocket Card Jockey (3DS) — 43 hours, 30 minutes
• Mother 3 (GameBoy Advance) — 32 hours, 35 minutes
• Lapis x Labyrinth (Switch) — 29 hours, 35 minutes
• World of Final Fantasy Maxima (Switch) — 26 hours, 30 minutes
• Romancing SaGa 3 (Switch) — 26 hours, 25 minutes
• Crimson Shroud (3DS) — 22 hours, 15 minutes

• Dandy Dungeon (Switch) — 22 hours, 10 minutes
• Heroland (Switch) — 20 hours, 25 minutes
• Phoenix Wright: Ace Attorney (Switch) — 20 hours, 10 minutes
• A Witch’s Tale (DS) — 17 hours, 45 minutes
• Luigi’s Mansion 3 (Switch) — 17 hours, 30 minutes
• The Legend of Zelda: Link’s Awakening (Switch) — 15 hours, 45 minutes
• Rhapsody: A Musical Adventure (DS) — 15 hours
• Last Window: The Secret of Cape West (DS) — 14 hours, 40 minutes
• Kirby’s Extra Epic Yarn (3DS) — 14 hours, 40 minutes

• Tetris 99 (Switch) — 12 hours, 45 minutes
• Ghost Trick (DS) — 12 hours, 30 minutes
• Kirby Triple Deluxe (3DS) — 10 hours
• The Liar Princess and the Blind Prince (Switch) — 9 hours, 30 minutes
• Katamari Damacy Encore (Switch) — 8 hours
• Dragon Quest XI S (Switch) — 7 hours, 45 minutes
• Yo-kai Watch 3 (3DS) — 7 hours, 45 minutes
• Touch Detective (DS) — 7 hours, 15 minutes

So, how did all of you spend your time with games in 2019? Feel free to share your play-time stats in the comments section of this post.

My favorite games of 2019 that weren't actually released in 2019

Although the number of old games I play often competes with the number of new games I play in any given year, I'm pretty sure the scales tipped in favor of the former in 2019.

As such, I thought I should write up a post about my favorite games of the last year that, you know, weren't actually released during the last year.

A Witch’s Tale (DS)--Truth be told, I bought this Nippon Ichi-made RPG simply because I liked how it looked. I'd heard the rest of it wasn't very good, though, so dragged my feet on playing it. Now that I've not only started but finished it, I'm here to say all the folks who suggested I'd hate A Witch's Tale were wrong. It's no Mother or Undertale or, um, Bravely Default, as you might expect, but I still found it both fun and unique. Regarding the latter, A Witch's Tale is completely touch-based--you don't use your system's directional pad or buttons for anything. Also, there's no overworld to explore here. Instead, you jump between a small hub town and six larger areas that sport curious themes. Oh, and you fill your party with an assortment of odd-looking dolls rather than with other humans, which I found to be a particularly interesting change of pace.

Cave Noire (GameBoy)--Although I've played this Japan-only GameBoy game before, none of those experiences lasted more than an hour at most. I'm not sure why that is, as I usually love roguelikes. At any rate, I stuck with it quite a while longer than that this year. My thoughts on the four or so hours I devoted to Cave Noire in 2019? I adored them. They allowed me to discover just how much it differs from your typical example of the genre. For starters, the dungeons you explore here are delightfully bite-sized and perfect for brief bouts of gaming. Also, conquering them requires you to meet various goals, like collecting a certain amount of money or saving a specific number of caged fairies. Speaking of which, I have yet to beat all of Cave Noire's challenges, but I hope to do so in 2020--with the game's exceptional soundtrack egging me on all the way.

Crimson Shroud (3DS)--If I were to tag a theme to my last year with video games, it'd be something like "playing games I stupidly ignored in the past." Actually, though, I haven't ignored Crimson Shroud. In fact, I bought it upon release--only to play it in fits and spurts until earlier this year. Once again, I'm not sure why I failed to stick with it up to now. Its dice-centric battles, inspired by tabletop RPGs like Dungeons & Dragons, are right up my alley. As are Crimson Shroud's gritty aesthetic and cinematic soundtrack. Some of its late-game tussles grated on my nerves, I have to admit, but they barely put a dent in my enjoyment of this novel adventure.

Ever Oasis (3DS)--Unless something drastic happens between now and midnight on Jan. 1, this GREZZO-developed RPG will end up second among my most-played games of 2019. That's pretty cool, and surprising, considering I bought Ever Oasis expecting it to disappoint me (at least a bit). Obviously it didn't. Although it wasn't as Secret of Mana-esque as I was told it would be, I thought its real-time battles were even better than those of Squaresoft's 16-bit classic. I also appreciated Ever Oasis' enormous selection of whimsical weapons--its humungous hammers shaped like cacti and pinecones and other odd objects, in particular. The main complaint I can aim at this 3DS cart: its town-building component wore out its welcome well in advance of the finish line.

Final Fantasy Tactics A2 (DS)--Despite the fact that I love the original Final Fantasy Tactics dearly, I've never played its portable spinoffs. Or I hadn't played them before I stubbornly set out to beat Final Fantasy Tactics A2 this summer. Over 65 hours later, I met that objective--and then promptly returned the cartridge to its blue-sleeved case. Did I do so happily, or grouchily? It's hard to say. Only one aspect of A2 made me grouchy, but it was a doozy: the final battle. I loved pretty much everything else about it, though--from the graphics, to the music, to the focus on quests over story. Speaking of that last point, I know a lot of people wish Final Fantasy Tactics A2 had a better story. I'm not one of them. Most RPG stories are bloated, boring messes, in my opinion, so I'm fine with the one in Final Fantasy Tactics A2 doing the bare minimum to move things along.

Ghost Trick (DS)--I feel like I've said this a lot over the last few weeks, but I have a bad habit of avoiding games that garner too much hype from the masses. Capcom's Ghost Trick is but one example of a title that's met this sad fate. My loss, right? I'd certainly say so after playing through it on a tear this autumn. I had no idea the core gameplay in Ghost Trick was so ... puzzle game-ish. That alone increased my interest in it tenfold, though I found its art style, animation, dialogue, and music more than a tad captivating, too. I guess what I'm trying to say here is that, while it took me a while to play Ghost Trick for the first time, it won't take me quite so long to play it a second or even third time.

Last Window: The Secret of Cape West (DS)--I loved Hotel Dusk: Room 215 when I played through it a number of years ago. I expected to play through this follow-up shortly after, but you know how it often goes with best-laid plans. Oh, well, all that matters is I finally tackled it. And that I enjoyed nearly every minute of my time with Last Window. I especially liked that the setting was so different from that of Hotel Dusk. I'm unable to say the same about the new cast of characters, but you can't have everything, right? At least Last Window's soundtrack lived up to my sky-high expectations after the brilliant Hotel Dusk OST knocked me off my feet.

See also: my favorite games of 2019 and, uh, my other favorite games of 2019, too

Mini-reviews of the 19 games I finished in 2019, part two

My last post featured mini-reviews of 10 of the 19 games I finished this year. Here are some similarly succinct write-ups for the remaining nine titles I completed in 2019.

Last Window: The Secret of Cape West (DS)--I first played and finished Hotel Dusk: Room 215 back in 2015. I wish I could give you a good reason as to why it took me until 2019 to play and finish this follow-up, which released in 2010. The best I can come up with is I wanted to savor the experience and felt like I couldn't do so until this year. At any rate, I loved Last Window--much like I loved Hotel Dusk. Although these two point-and-click murder-mystery titles are strikingly similar, they're just different enough to be equally enthralling. There's no question in my mind that I'll replay both--many times over--in the coming years.

The Legend of Zelda: Link’s Awakening (Switch)--Given my love of the GameBoy, it probably seems strange that I didn't play Link’s Awakening back when the original version released in 1993. I did download the GameBoy Color DX version from the 3DS eShop a few years ago, but I only put a couple of hours into it before walking away for some reason I can't remember. So, what did I think of this Switch remake? I liked it. I wouldn't say I loved it, though. That's mainly because I regularly had to refer to a guide to figure out what to do or where to go next. I also found the game a bit disjointed. All in all, it was far from a turd, but it also didn't live up to my expectations--or to my previous, more positive experiences with the series' first release, A Link to the Past, or even A Link Between Worlds.

The Liar Princess and the Blind Prince (Switch)--I did more than finish this Nippon Ichi Software-made game once; I finished it twice. That's how much I enjoyed The Liar Princess and the Blind Prince. What was it about it this darkly cute puzzler-platformer that prompted such adoration? Its touching, fairy-tale-esque story was the chief culprit, though its unique gameplay, soothing tunes, and eye-catching art style played key roles, too. By the way, I'm far from done with this title, which also can be played on the PS4 and Vita (though the latter was a Japan-only release). In fact, I wouldn't be shocked if I beat it a couple more times in 2020.

Luigi's Mansion 3 (Switch)--I developed a bit of a love-hate relationship with the 3DS port of the original Luigi's Mansion when I played through it last year. Did the same thing happen when I played through Luigi's Mansion 3 this year? I'm sad to say it sort of did. On the love side, there are the Pixar-worthy graphics, the beautifully varied floor themes, and the surprisingly creative puzzles. On the hate side, there are the frustrating controls and the occasional lack of direction. In the end, I'm glad I bought, played, and finished Luigi's Mansion 3, but I'm not sure I'll ever return to it.



Mother 3 (GameBoy Advance)--Those of you who've known me for at least a little while should be well aware of the fact that I'm a late bloomer when it comes to Nintendo's  deservedly ballyhooed Mother series. I didn't play through its second entry, called EarthBound in my neck of the woods, until 2014. And I waited all the way until 2017 to do the same with the original Mother. I adored both titles, so I approached Mother 3 with the highest of expectations. Although I can't say it disappointed me, I can say I didn't like it as much as I thought I would. The chapter structure kind of turned me off, plus I thought it felt a tad padded. That said, I have every intention of replaying it at some point down the road--after I've replayed the first two Mother games, of course.

Phoenix Wright: Ace Attorney (Switch)--I hate to admit this, but sometimes the hype surrounding a game turns me off to the point that I stubbornly ignore it. That's what kept me from playing classics like EarthBound and Undertale for so long, and it's what kept me from diving into the Ace Attorney series, too. As was the case with those aforementioned titles, I'm now hitting myself for my stupidity. I can honestly say I loved nearly every minute of the 20-ish hours I put into the Phoenix Wright: Ace Attorney Switch port this spring. If I had known its characters, soundtrack, and writing were so brilliant, I would've raced through it when the DS port made it way stateside back in 2005.

Rhapsody: A Musical Adventure (DS)--I avoided this DS port of Nippon Ichi's PlayStation RPG from 2000 for ages because the word on the street was that it was filled with game-killing glitches and bugs. I finally threw caution to the wind and picked up a copy this summer, though--in part because my curiosity got the best of me, and in part because I desperately wanted to play a short game for a change. Well, guess what? The risk paid off. I had a blast with Rhapsody. Its colorful cast of characters--the fiendish Etoile, in particular--was the highlight for me, but I also got a kick out of its puppet-focused battles and its Easter-egg aesthetic.

Touch Detective (DS)--Despite my years-long fascination with developer BeeWorks' Funghi mascot, I didn't play the game that birthed it until early 2019. My thoughts after putting over seven hours into said DS title (which was just enough to reach its end credits)? Touch Detective is the definition of "mixed bag," though for me its positives outweighed its negatives. As for its bright spots: those would be its marvelously weird aesthetic, characters, and mysteries. Admittedly, that last component confounded me more than I'd usually like, but it didn't annoy me here as it often does in similar situations.

Unou no Tatsujin: Soukai! Machigai Museum (DS)--This game was renamed QuickSpot when Namco released it in North America. I bought a copy of the Japanese version--hey, it's got the better cover illustration--after some folks on Twitter recommended it. A few bucks and about a week later, I was done with it. Don't take that as complaint. I was done with it because I'd gone through all of its spot-the-difference stages (or whatever you call such things). Yes, this is a digital, dual-screened photo-hunt game. Sounds like I real snooze, I know, but it's actually quite nice--thanks in large part to all the lovely art packed inside it.

Six reasons I'm thrilled I finally got off my butt and played Last Window: The Secret of Cape West

I've had a copy of Last Window for ages. I honestly can't remember when I bought it, but this old post says I picked it up shortly after its European release in 2010, so I guess it's been about nine years?

Why did it take me so long to play it? For starters, it took me a long time to play its predecessor, Hotel Dusk: Room 215, too. That Nintendo DS game came out in early 2007, yet I didn't start my way through it until the summer of 2015. (Check out my thoughts on Hotel Dusk.)

That playthrough took me just over 17 hours, by the way. My recent-ish Last Window playthrough took just under 15 hours.

On a related note, I loved nearly every minute of the 15 or so hours I spent with now-defunct developer CiNG's Hotel Dusk sequel. Here are the main reasons why:

Kyle's not the only one with a pissy attitude

Kyle's pissy attitude--If Last Window's protagonist, former detective Kyle Hyde, were an actual person, I probably wouldn't like him very much. He grouchily reacts to almost every situation with suspicion, annoyance, and alarm. That wouldn't sit well with me in real life. Within the context of this game, though, it's not such a big deal. Actually, I found it eye-rollingly and even endearingly humorous whenever I encountered it here.

The hilariously dramatic "Game Over" scenes--Few events in the world of video games tickle me as much as botching a puzzle or interaction in Last Window (or Hotel Dusk) and then seeing Kyle's head drop, the screen darken, and the words "Game Over" burn into the screen. Why is this funny, you ask? Because these "Game Over" scenes usually pop up after you've done something that barely qualifies as dramatic, like putting your foot in your mouth during a conversation. Kyle's over-the-top reactions seem ridiculously silly in such cases.

Kyle and his daily cup of joe

The in-game cafe's coffee obsession--My second-favorite component of Last Window, after its predictably sublime soundtrack (see below for more on that), is its head-scratch-worthy obsession with coffee. Kyle regularly visits Lucky’s Cafe, which is conveniently situated on the ground floor of the Cape West apartment complex he calls home. On several occasions, he actually parks his butt in a booth and orders something to eat and drink from proprietor Sidney or his daughter, Claire. This is when you're hit with a charmingly fetishistic description of how the cup of coffee that eventually comes out of the kitchen was sourced, prepared, and savored. It's weird, not to mention a bit unrealistic (Lucky's is an aw-shucks diner set in 1980), but it's also pretty cute.

The lounge-y, jazzy soundtrack--Just like its predecessor, Last Window is crammed full of laid-back tunes that set the perfect mood for a week, or at least a few hours, of sleuthing. It also serves as a fitting accompaniment to the game's chill aesthetic, setting, and overall vibe. Actually, the same qualities that make the Last Window OST a joy to listen to while playing the game make it a joy to listen to when you're done with the game, too. In fact, I often put it on while I'm working, reading, or simply looking to relax and wind down for the day.

No, this is not supposed to be an example of Last Window's Christmas setting

The Christmas setting--Yep, Last Window takes place around Christmas. It begins right before that holiday and ends just after it. The game hardly shoves that fact down your throat, but there's enough evidence to it lying around to make it obvious. As a total sucker for (almost) all things Christmas, I appreciated the subtle shout-outs while working my way through this point-and-click adventure.

The intriguing mystery--Oh, right! The story. How could I forget about that? Well, although I wouldn't say Last Window's story is as captivating as the one that drives its predecessor, I would say it more than does the trick. And I'd make a similar statement about this sequel's cast of characters. They're not as colorful, interesting, or mysterious as their Hotel Dusk counterparts, in my humble opinion, but they're also not complete duds. My favorite of the bunch: the stuffy stick-in-the-mud landlady named Mags.

Do I consider any aspect of Last Window to be a dud? Not really, though I did encounter the occasional puzzle I couldn't solve without assistance. That's par for the course with me and this kind of game, though, so I won't hold it against this one.

See also: a somewhat gay review of Chase: Cold Case Investigations ~Distant Memories~ (3DS)

Eight old games I'm going to play (and hopefully finish) in 2018

I don't often set goals for myself regarding how many games I want to play or even "beat" in a given year, but I'm making an exception in 2018 in the hopes it'll push me to dillydally a bit less than I did in 2017.

The thing is, all but one of the titles listed below are RPGs, which means I'm unlikely to finish all of them even if I do somehow manage to start them by the end of the year. As such, let's just say I'll give it my best shot, OK?

At any rate, here are eight "old" games I'm planning to play (and hopefully) finish between now and Dec. 31, 2018.

Chocobo no Fushigi na Dungeon (Wonderswan)--Between March and July of last year, I published seven "Welcome to WonderSwan World" posts. I've published zero since. To get back into the swing of things, I'd like to play a WonderSwan game that doesn't tax my brain too much. I'm not entirely sure this Chocobo no Fushigi na Dungeon port fits that bill, but I'm willing to give it a go anyway. No matter what, it should prove to be less of a challenge than the WonderSwan versions of Makai Toushi SaGa (the first Final Fantasy Legend in North America) and Romancing SaGa.



Fragile Dreams (Wii)--This is yet another of those games I've meant to start for eons but have yet to get around to for all sorts of reasons. Granted, I was Wii-less for most of 2017, and that put a real damper on any plans I may have had for this intriguing, post-apocalyptic RPG. And then when I was reunited with my Wii, I used it to play Opoona and Tabemon rather than Fragile Dreams. Well, I doubt I'll ever finish Opoona, and Tabemon is the kind of game you put an hour or so into now and then when you crave something light and frivolous, so my Wii's disc slot should be free to accept a replacement.

Last Window (DS)--I wasn't sure what to expect when I started my way through Hotel Dusk back in the summer of 2015. After just a few hours with it, though, I was smitten. Combined, its atmosphere, characters, soundtrack, and aesthetic add up to something akin to perfection if, like me, you enjoy a good whodunit. I desperately wanted to gobble up its sequel the second I was finished with Hotel Dusk, of course, but I moved on to another game instead and have yet to return to my European copy of Last Window. Maybe I'll stick its cart into my 3DS as soon as I wrap up my Miitopia playthrough.

Mother 3 (GameBoy Advance)--In 2014, I finished EarthBound for the very first time. In 2017, I finished that game's predecessor, Mother, for the first time. Given that, I shouldn't be expected to finish Mother 3 until 2020. I don't want to wait that long, though, so I'm going to do my best to fit it into 2018. To be perfectly honest, I'd prefer to play the game in English, so I'm desperately hoping Nintendo finally sees fit to release a localized version of Mother 3 via the Switch eShop sometime soon. If not, I guess I'll have to break down and tackle the Japanese cart I've owned for a good while now.



Sekai wa Atashi de Mawatteru: Hikari to Yami no Princess (PSP)--If Sekai wa Atashi de Mawatteru doesn't ring a bell, maybe My World, My Way does? Hikari to Yami no Princess basically is an updated version of that Atlus-published (outside of Japan) DS RPG that puts you in the shoes of a pouty, landscape-altering princess. I'm always up for giving my PSP some love, and I thoroughly enjoyed the 10 or so hours I put into My World, My Way a couple of years ago, so I figure checking out my Hikari to Yami no Princess UMD over the next few months may well wind up being the best of both worlds.

Shin Megami Tensei IV (3DS)--OK, so this isn't really an "old" game, but it seems like I've owned (and ignored) it for ages now, so for me it deserves to be included here. If I'm to be honest, I'd say the main reason I've dragged my feet on playing Shin Megami Tensei IV for so long is that all of the online chatter about the game being a bit of a nightmare has me spooked. Still, I spent good money to buy the damn thing, so I'm going to play it even if it kills me. On a semi-related note: I also want to boot up my long-overlooked copy of Bravely Second at some point in 2018.



Suikoden (PlayStation)--Konami's Suikoden series has never really been on my radar. To be frank, the visuals of its PS one releases, especially, never appealed to me, and that's basically prompted me to steer clear of them. At least, that was the case before social-media mutterings and PSN sales collided and convinced me to pick up digital copies of Suikoden I and II via my beloved Vita. I've read that Suikoden II is the better of the two games, but it just seems wrong to me to begin a series with its second offering, so I'm going to start with the original.

Super Mario RPG (SNES)--Can you believe I've never played this one? Hell, I can't believe it myself. And I can't even tell you why I've never played it. I recall being excited about it when it was announced, but I have no memory of why I failed to buy it after it hit store shelves. Maybe it was too expensive? Or maybe a bunch of other appealing SNES games came out around the same time and I forgot about it once I was done with them? Whatever the case may be, I really--and finally--want to experience what Super Mario RPG has to offer before 2019 arrives.

Are there any old games you want to put at least some time into by the end of this year? If so, share their names, and why you want to play them, in the comments section of this post.

Seven 'old' games I'm planning to play at some point in 2017

Late last year, I published a trio of posts about the many Japanese and North American 3DS and Vita games I'm planning to play sometime in 2017.

(This post covers the 3DS games I'm itching to experience, while this post and this post cover the Vita games on my "play as soon as possible in the next 12 months" list.)

Despite my current living situation, I'm also hoping to play a number of "old" games next year. Here are the ones I'd like to tackle first:

Clock Tower (WonderSwan)--Why would I play the WonderSwan port of Human Entertainment's first Clock Tower game when I could play the Super Famicom or PlayStation versions instead? Because I want to show my new-ish WonderSwan Color system some love, for starters. Also, I can't help but think that playing this game in black and white could be kind of cool--not to mention surprisingly atmospheric. If only experiencing Clock Tower on a fairly small screen would make Scissorman's appearances a bit less terrifying.

Last Window (DS)--After ignoring it for ages, I finally played through--and thoroughly enjoyed--Cing's Hotel Dusk in 2015. (You can read some of my thoughts on it in this "A Decade of DS" post.) I have a hard time believing this sequel from 2010 will be anywhere near as captivating as the original, but I'd love for my skepticism to be proven unwarranted. Regardless, it'll be really nice to hold my DS Lite--or, you know, my go-to 3DS--sideways like a book again.

London Seirei Tantei-Dan (PlayStation)--A Japanese RPG set in Victorian England that's full of lovely sprite art and turn-based battles? Where do I sign up? Also, why did it take me until late 2016 to track down a copy of such a game? I've yet to even stick my London Seirei Tantei-Dan disc into my trusty PSone system, of course, but I'm determined to rectify that in the coming months. I'm also determined to publish a post about this game's magnificent packaging, by the way, so be on the lookout for it if that sort of thing is your cup of tea.

Metroid II (GameBoy)--I'm one of those weird folks who loved both Metroid and Super Metroid as a teen but then never played another Metroid game. I'm not kidding here--no Metroid: Fusion, no Metroid: Zero Mission, no Metroid Prime and, yes, no Metroid II. That last game is the most appealing to me, and everyone knows how much I adore the GameBoy, so I'm going to do my best to jump back on the Metroid bandwagon (if such a thing still exists after Nintendo's attempts to kill the series) with it in 2017.

Mother (Famicom)--I actually put a few hours into this game a couple of years ago. For whatever reason, though, I walked away from it after that--despite the fact I was really enjoying its rather antiquated (especially in comparison to follow-up EarthBound) adventure. I'd prefer to give it a second chance by buying and playing EarthBound Beginnings on my 3DS (ahem, Nintendo), but since that's unlikely to be an option, I guess I'll either put the Mother cart I bought ages ago to use or, you know, plug the old EarthBound Zero ROM into my emulator of choice.

Seiken Densetsu 3 (Super Famicom)--You'd think someone who absolutely loves the second Seiken Densetsu game, released in North America as Secret of Mana, would've played the third by now. Well, you'd be wrong. I find Seiken Densetsu 3's graphics mesmerizing, though, so look for me to finally put it through its paces by the end of this year. (I'd like to do the same to the similarly gorgeous Legend of Mana, to be perfectly honest, but that may be a stretch given everything else on my plate.)

Shin Megami Tensei: Devil Summoner: Soul Hackers (3DS)--When Atlus announced this 3DS  port of it Japanese Sega Saturn game from 1997, I told anyone who would listen that I'd buy it as soon as it hit store shelves in my neck of the woods. Nearly four years later, I've still yet to follow through on that affirmation. Copies of Soul Hackers are pretty cheap these days, though, so I'll do what I can to add one to my pile of 3DS cartridges before this time in 2018.

Are you planning to play any particular "old" games this year? If so, which ones?

Which games allow or require you to hold your DS system sideways like a book?

I've got a problem.

OK, so I've got lots of problems--especially when it comes to this lovely little hobby of mine that some folks refer to as "gaming."

Only one of those problems is relevant to this particular blog post, though, and that would be that I'm currently kind of obsessed with games that allow or even require you to hold your DS system sideways (like a book) while playing them.

The thing is, I can't think of many DS games that fit this description. Obviously Hotel Dusk is one of them, as is its sequel, Last Window.

Aside from that wonderful pair of visual novels, though, the only examples that come to mind are Square Enix's intriguing Sigma Harmonics, Rhythm Tengoku Gold (Rhythm Heaven in North America and Rhythm Paradise in Europe) and the Brain Age games.

Do you fine folks know of any other DS carts that let or force people to play them "book-style"? If so, I'd really appreciate it if you'd share their names in the comments section below.

See also: 'Nice Package! (Last Window: The Secret of Cape West, Nintendo DS)'

Nice Package! (Last Window: The Secret of Cape West, Nintendo DS)

You've hopefully noticed by now that I currently have Hotel Dusk on the brain. After all, my last two posts have focused on that Cing-developed, Nintendo-published DS game. (My most recent #ADecadeofDS write-up is one, while my latest installment of 'Which Box Art is Best?' is the other.)



Although I haven't yet finished my Hotel Dusk playthrough (I just crossed the 12-hour mark), I'm already looking forward to diving into its sequel, known as Last Window: The Secret of Cape West.

In case this is the first you've heard of Last Window (which I've stupidly been calling The Last Window in the comments here as of late), it is a follow-up to Hotel Dusk that hit Japanese store shelves in early 2010 and made its way to Europe a few months later.



I bought a copy of the latter version shortly after it was released, despite the fact that I hadn't yet played (let alone finished) Hotel Dusk.

Sadly, the copy in question has been sitting in a cupboard ever since.

Considering how much I'm currently enjoying Hotel Dusk, though, you can rest assured it won't be sitting there for much longer.

In the meantime, I thought all who are interested may enjoy ogling the photos of Last Window's packaging that can be seen throughout this post.



Have any of you played Last Window? If so, what did you think of the experience? Also, how did you think it compared to Hotel Dusk--assuming you played that portable whodunit, too?

See also: previous 'Nice Package!' posts

Five favorites: European DS box art

All the way back in mid-November, I published a blog post about five of my favorite examples of Japanese DS box art. Last week, I followed it up with a similar post about five of my favorite pieces of North American DS box art.

As I promised at the end of the latter post, here are five European DS box arts of which I'm particularly fond:

1. Contact--How much do I like this RPG's European cover art? So much that I recently bought it despite the fact that buying the North American version would have been a bit cheaper. Really, though, how could I have said no to those adorably pixelized characters and that awesome, retro-tinged logo?

2. Final Fantasy III--True story: I've seriously considered picking up a European copy of this game (even though I already own the North American version) simply because of its beautiful box art, which brings to mind the classic imagery that appears on the packaging of the Super Famicom release of Final Fantasy VI and the PlayStation port of Final Fantasy IV.

3. Kirby Mass Attack--What do you get when you combine the best elements of the covers created for the Japanese and North American iterations of this portable puzzler-platformer? You get the glorious artwork that can be seen above, of course.

Reason #402 I could be considered an 'eccentric' (aka bat-sh*t crazy) gamer

I have a bit of a "thing" for European DS game cases.

Oh, get your minds out of the gutter. I don't mean that I, uh, do things with them; I mean that I have an odd attraction to them.

It all started when I bought a copy of Freshly-Pickled Tingle's Rosy Rupeeland from the UK. For some unknown reason, that game's clear, thicker-than-the-ones-we-get-in-North-America case (see it in this photo) appealed to me so much that I wanted a few more.

I got my wish a few months later when I picked up a copy of the Euro version of Professor Layton and the Curious Village. (Here's a photo of it, in case you're, er, curious.)



There was, it seems, no turning back after that, as I quickly added Euro copies of Professor Layton and Pandora's Box, Professor Layton and the Lost Future, Last Window (the sequel to Hotel Dusk: Room 215) and Jam with the Band to my collection of DS games. (Photos of the aforementioned games can be seen here, here, here and here, respectively.)

Sadly--for my bank account, especially--I'm not through purchasing such games. I plan on picking up a copy of the Euro release of Inazuma Eleven at some point this year, for instance, and I also hope to buy a copy of Professor Layton and the Spectre's Call (the fourth in the series--it was called Professor Layton and the Last Specter in the States).

After that, though, I probably put a cork in this particular obsession--or at least that's what I'm hoping to do.

See also: Other reasons I could be considered an 'eccentric' (aka bat-sh*t crazy) gamer

A trio of not-so-recent acquisitions

I bought the three European DS games pictured below a while ago, although I can't remember when. It may have been before Christmas, or it may have been just after the start of the year. It doesn't really matter, though, does it?

It should be obvious why I bought Last Window (see a close-up shot of this game's cover here), the sequel to 2007's Hotel Dusk: Room 215 that was released in Europe and Japan but has yet to see the light of day in the US, but why did I buy the other two?

Well, I bought the Euro version of Electroplankton simply because it was cheaper than the US version. I bought the Euro version of Professor Layton and the Unwound Future, on the other hand, because I prefer the series' Euro covers to their North American counterparts.



Also, I have a peculiar fondness for the clear plastic cases that accompany Euro DS titles. Does that make me odd? Yeah, I suppose it does.

Anyway, I've only played Electroplankton thus far. It's one of those games I've wanted to play for some time but never got around to for various reasons. I'm planning to review it--as part of "The Great Gaymathon," naturally--soon, so be on the lookout for that if you're at all interested.

After I'm done toying with Electroplankton, I'll probably move on to Last Window, as I have to finish the first Professor Layton sequel (Pandora's Box) before moving on to the second.

Let's Play: 'Which Box Art is Better?' (Last Window edition)

In a few short days, European CiNG fans will be able to stroll into their favorite game shops and pick up as many copies as they want of Last Window: The Secret of Cape West (aka the sequel to the now-defunct developer's Hotel Dusk: Room 215).

Although the box art those folks will be searching for isn't all that different from the art that graced the cover of the Japanese version of this DS game (called Last Window: Midnight Promise), it's different enough that I think it warrants another edition of "Which Box Art is Better?"

Without further ado, here's the art that will appear on the cover of the European version of the game when it hits the streets on Friday:



And here's the art that appears on the already-available Japanese version of the game:



I know, I know, they're nearly identical. Still, I (slightly) prefer the darker, moodier European cover to its more colorful Japanese counterpart.

Which one do you prefer?

Buy: Last Window: The Secret of Cape West

Alex, what is: 'Another game the folks at Nintendo of America will ignore'?

The answer to the Jeopardy-esque question above, of course, is: The sequel to Hotel Dusk, Last Window: The Secret of Cape West.



Actually, I shouldn't say "of course," as Nintendo of America has passed on releasing a number of internally-developed DS and Wii games this generation, including Daigasso! Band Brothers (aka Jam with the Band), Freshly-Picked Tingle's Rosy Rupeeland and that title's sequel, Ripening Tingle's Balloon Trip of Love, on the DS and Another Code: R, Captain Rainbow, Disaster: Day of Crisis, Fatal Frame IV and Zangeki no Reginleiv on the Wii.

Anyway, although Last Window will hit the streets in Europe on Sept. 17, it has yet to receive a North American release date. As much as I'd like to bemoan that fact, I'm also happy that the game has been translated into English and will be released somewhere in the world. After all, ebay.com is just a click away...

(Via infendo.com)