Showing posts with label Keita Takahashi. Show all posts
Showing posts with label Keita Takahashi. Show all posts

Monday, October 10, 2016

Attention regular folk: you can now buy Keita Takahashi's cute-as-hell ALPHABET

I was more than a bit bummed when I failed to back (via Kickstarter, naturally) the LA Game Space earlier this year and as a result missed out on obtaining a copy of Keita Takahashi's and Adam Saltsman's Alphabet.

For a $15 donation, backers gained access to the above-mentioned curiosity as well as something like 30 other indie titles.

That was nice and all, but the only one of those rewards that really appealed to me was Alphabet. I guess that goes a long way toward explaining why I didn't hand over any money in the end--despite the fact that the game offers players the chance to "run, jump, eat, sing, poop and sleep through silly obstacle courses."



Still, whenever Alphabet pops up in online conversations, I think, damn, I'd really like to play that game someday. Well, someday could be today, if I'd like it to be. That's because regular folk like you and I can now buy it and four other titles from juegosrancheros.itch.io for--you guessed it--$15.

Considering doing the same but not yet ready to sign in to your PayPal account or dig your credit card out of your wallet? Check out my friend Anne's entertaining playthrough of Alphabet. It should help you reach some sort of consensus on the matter.

Should you follow through with the purchase, come back here and let me know what you think of the game--especially if you figure it to be another Katamari Damacy.

Wednesday, June 17, 2015

I'd totally buy a copy or two of Keita Takahasi's Wattam if I owned a PS4 (even though I don't understand a second of its first trailer)

I know everyone else in the world who's at all interested in the PS4 is drooling over the "triple whammy" of games--the Final Fantasy VII remake, The Last Guardian and Shenmue III--that were announced at E3 2015 a couple of days ago.

I understand that, I really do, but if I were to be honest (and why wouldn't I be on my own blog?), I'd admit that I'm far more intrigued by Keita Takahasi's Wattam than I am by any of the aforementioned titles.

Which is kind of strange, as I can't say I have a single clue as to what the hell is going on in the trailer that can be watched below.



Still, I wouldn't pass up a chance to put Wattam and its weird collection of characters through their paces, as the ages-old saying goes.

Sadly, that would require me to purchase a PS4--something that isn't likely to become a reality anytime soon, if ever. If Keita and his crew of crazy game-makers (they previously developed the first two Katamari Damacy titles, after all) were to port Wattam to, say, the Vita, though, I'd be all over it like rainbow sprinkles on a frosted doughnut.

How about you fine folks? Are any of you chomping at the bit to sink your teeth into this outlandish-looking PS4 effort?

See also: 'Everything you need to know about Wattam, from Robin Hunicke & Keita Takahashi'

Tuesday, December 16, 2014

(Almost) right on time, another episode of The Nichiest Podcast Ever appears

Those of you who enjoy listening to shidoshi, Anne and I wax poetic on anything and everything related to niche-y games and systems may recall that I ended my last blog post about The Nichiest Podcast Ever with an announcement that we're aiming to make this sucker a monthly thing from here on out. (Or from here until whenever we quit doing it, I guess.)

Although we didn't quite meet that goal this month, we got pretty darn close. We're only a week late, after all.


Anyway, this episode, take, whatever you want to call it touches on a ton of niche-y titles, including the Brandish PSP remake that's supposedly coming to North America (via PSN) by the end of the year, Etrian Mystery Dungeon (3DS), Hatoful Boyfriend's second-quarter 2015 release for PS4 and Vita, Keita Takahashi’s (Katamari Damacy) new game, Rodea The Sky Soldier (3DS and Wii U), Suikoden II's long-awaited appearance on PSN, Theatrhythm Dragon Quest (3DS) and Yakuza 5's just-announced localization.

During the much-loved "Cheerleading" segment, Anne discusses Monster Monpiece (Vita), I blather on about a curious Japanese 3DS eShop title known as Pinch 50 and shidoshi attests to the quality of Persona Q: Shadow of the Labyrinth.


Oh, and before I forget: the three of us also spend a good amount of time at the start of this podcast chatting about the 10th anniversary of the DS' North American release and the 20th anniversary of the original PlayStation's Japanese launch. (Sadly, we completely forgot to acknowledge the 10th anniversary of the PSP's emergence. Maybe we can belatedly cover that in our January "take"?)

Should all, or at least some, of the above sound like something you'd like to hear me, Anne and shidoshi talk about, head over to radio.morningproject.com at your convenience.

Tuesday, November 12, 2013

So, Keita Takahashi's Tenya Wanya Teens is never coming out, is it?

Don't you just hate it when an interesting looking game completely avoids your radar? I sure do.

Which is why I was really annoyed with myself this past weekend when I came across Keita Takahashi's weirdo (I mean that in a good way) Tenya Wanya Teens for the first time.

For the similarly uninformed: Tenya Wanya Teens is a two-player experience that puts gamers into the shoes of one of a handful of very Keita Takahashi-esque boy characters and then tasks them with brushing their teeth, taking showers, peeing--you know, the sorts of actions that appear in pretty much every video game under the sun (or not)--all on command and all while avoiding humiliating themselves in front of their girlfriends by undertaking the wrong actions.

Oh, and each of the aforementioned actions are input using a mammoth 16-button controller--or at least they were during all of the game's demo sessions held to date.



Given the above, along with the fact that the game hasn't been seen in public for some time now, I'm not feeling very confident at the moment that Tenya Wanya Teens will ever see the light of day.

One possible solution that's been mentioned elsewhere but is unlikely to be put to use would be to bring the game to the Wii U (via the eShop, I suppose) and in the process map the inputs to virtual buttons that appear on the system's GamePad.

That said, I'd also love to own one of those crazy 16-button controllers, so I wouldn't complain if the game's backers, The Wild Rumpus and Venus Patrol, go some other route instead (or as well).

Monday, November 14, 2011

The Great Gaymathon Review #44: Katamari Damacy (PlayStation 2)


Game: Katamari Damacy
Genre: Arcade-Action
Developer: Namco
Publisher: Namco
System: PlayStation 2
Release date: 2004

I'm sure this has been said many times before, and by better writers than myself, but I think it's quite possible that Katamari Damacy's backstory--which involves the colossal King of All Cosmos getting plastered, destroying the solar system and then asking his diminutive son to rebuild it--is the best to ever appear in a video game. At the very least, it's one of the wackiest. It's only a smidge wackier than Katamari Damacy's gameplay, though, which puts players in the role of the aforementioned pint-sized prince and tasks them with rolling the titular katamari (Japanese for "clump" or "clod") over anything and everything in sight in order to make it grow as large as possible. (Most of the objects in each stage stick to said katamari if they touch it and if they're smaller than it. All of that junk is then somehow used to recreate the stars and other celestial bodies that were obliterated by the king.) Unsurprisingly, this Keita Takahashi-designed title's graphics and soundtrack are pretty wacky, too--the latter, the bulk of which was composed by Yū Miyake, especially. Don't take that to mean this is one of those games that is so weird it's no fun; Katamari Damacy has fun in droves. In fact, I'd say it's one of my all-time favorite titles. The only possibly negative thing I can say about it is that I wish every stage had an "eternal mode" and that said mode was unlocked from the start (as it is, each level begins with a strict time limit), as exploring the game's beautifully realized set pieces at will--with Miyake's energetic tunes blaring in the background--is an absolute blast.


See also: Previous 'Great Gaymathon' posts