Showing posts with label Hirokazu Tanaka. Show all posts
Showing posts with label Hirokazu Tanaka. Show all posts

Wednesday, November 22, 2017

Hirokazu 'Hip' Tanaka's first album is everything an EarthBound, Kid Icarus, or Metroid fan could want

I've been a fan of Hirokazu "Hip"--now apparently "Chip"--Tanaka ever since I discovered he was responsible for Kid Icarus' glorious soundtrack.

My admiration of and belief in his talents blossomed when I found out he also had a hand in crafting the music for classic Famicom and NES games like Balloon Fight, Wrecking Crew, Metroid, and the first two Mother (aka EarthBound) titles.

Tanaka now serves as the president of Creatures Inc., although that lofty position clearly hasn't caused him to turn his back on his first career.



His just-released (not to mention first-ever) album, Django, is the perfect case in point.

Its 13 tracks are everything a "Hip"--or "Chip"--Tanaka fan could want. My favorites: the chunky "Beaver" (listen to it and watch its video here), the jazzy, laid-back title tune, the ethereal "EMGR," and the blippy, breezy "Prizm."

Really, though, you can't go wrong with any of the game-inspired soundscapes offered up by Django. Speaking of which, you can listen to the whole album at chiptanaka.bandcamp.com.

See also: my '10 Most Influential Games' write-up about Kid Icarus

Wednesday, March 20, 2013

Five favorites: EarthBound/Mother 2 tunes

As those of you who read this recent post already know, I started playing EarthBound again just over a week ago. I say "again" because I've played this classic SNES RPG on a number of occasions in the past--with the first time occurring shortly after its 1995 release. (I rented it from one of the local grocery stores.)

Although I (believe I) experienced a fair bit of EarthBound during that initial playthrough attempt, I'm pretty sure I've bested that effort during my current one. Regardless, there's no way I'm walking away from the game before the end credits roll this time around.

What are the things that keep me coming back for more (and more and more, if this past week is any indication)? EarthBound's heartfelt story, of course, but also its unique setting and charming graphics. Oh and, last but not least, its amazing soundtrack.

Speaking of which, I'm so in love with this game's soundtrack that I've decided to pen not just one but two blog posts about my 10 favorite EarthBound tunes (thus far). Here are the first five (in alphabetical order):



1. "Boy Meets Girl"--Is there a song that's more emblematic of EarthBound than this one? I'd be hard-pressed to name one. After all, not only is it imbued with a breezy, carefree energy, but it's also infused with a sense of determination--thanks in large part to its ever-present drum beat--and a healthy dose of wistfulness.



2. "Humoresque of a Little Dog" (aka "Buy Somethin' Will Ya!")--If there's a tune on the EarthBound soundtrack that I'll likely never tire of, it's this spirited one. As lovely as the in-game composition is, though, it has nothing on the arrangement performed (above) by YouTube user impathesheikah.



3. "Sunrise & Onett Theme"--Here's another feel-good EarthBound track. This one has a winsome quality to it that really appeals to me for a number of reasons. I also like that it's kind of a call to adventure. None of those traits are all that present in the version included in the video above, but they're definitely on display in the iteration that can be heard here.

Tuesday, October 25, 2011

The Great Gaymathon Review #41: Balloon Fight (Famicom)


Game: Balloon Fight
Genre: Platformer
Developer: Nintendo
Publisher: Nintendo
System: Famicom
Release date: 1985

What a difference a decade makes. I distinctly remember renting the North American version of this game, one of the first released for the Nintendo Entertainment System, on a few occasions as a teen, and each time I did so I turned it off after about 15 minutes wondering, "Why in the hell did I rent this again?" For some reason, the Joust-esque gameplay of its main campaign bored me back then. To tell you the truth, it still bores me today. That's not to suggest there's something wrong with that mode, mind you--it ably apes (i.e., rips off) the feel of the aforementioned Williams Entertainment arcade classic while covering up its apocalyptic aesthetic with such cheery adornments as balloons, bird masks (well, that's what they look like to me) and, uh, a big, grinning fish--but it's just not my cup of tea. What is my cup of tea, at least these days, is the game's "Balloon Trip" mode. For those of you who have never played this mode, it places players in a forced-scrolling (from left to right) stage and tasks them with avoiding sparks and collecting balloons for as long as possible. It's completely maddening, of course, but it's also completely addicting--in that "I'll just play one more round" kind of way. Another aspect of Balloon Fight that's sure to bring you back again and again: Hirokazu "Hip" Tanaka's cheery, chunky, propulsive soundtrack.


See also: Previous 'Great Gaymathon' posts