10 Nintendo DS games I want to play in 2020

I don't know what got into me this year, but whatever it was pushed me to play more Nintendo DS games than I've played since the dual-screened system's heyday.

I'll chat about those DS titles in an upcoming post. What I want to discuss today are the DS titles I'm hoping to buy and play in 2020.

Again--I've heard this CiNG-developed game pales in comparison to the rest of the company's DS releases, like Trace Memory and Hotel Dusk, but I want to play it anyway. I've loved every other title it put out before filing for bankruptcy in 2010, including the aforementioned ones, so I think it would be only fitting for me to try Again, too--even if it proves to be a disappointment in the end.

The Dark Spire--Those of you who still follow the DS probably know why I've yet to play, or even buy, this Success-made dungeon-crawler. For the rest of you, the reason is complete copies of The Dark Spire go for a pretty penny these days. Still, it's intrigued me for so long that I'm planning to bite the bullet on it sometime in the coming year--bank account be damned.

Japanese cover art for The Dark Spire

Final Fantasy XII: Revenant Wings--For reasons I can't remember, I avoided nearly all of the Final Fantasy and Mana games Square Enix brought to the DS. (The sole exceptions: Final Fantasy III and Final Fantasy: The 4 Heroes of Light.) I guess the word of mouth on them must've been bad? Regardless, I've long thought they looked brilliant. Revenant Wings, especially. I have little idea as to how it plays, but that's rarely stopped me before.

Flower, Sun, and Rain--I bought this DS port of Grasshopper Manufacture's second-ever game (originally released in Japan for the PS2) shortly after it was discussed while recording an episode of The Nichiest Podcast Ever. In other words, it's been sitting on a shelf, sadly unplayed, for quite some time. Here's hoping I can make it the second Grasshopper-made game I've ever played--after another of its DS titles, Contact--as soon as possible next year.

Infinite Space--I've got to be honest here: I don't actually know much about this one. I know it was made (in part) by PlatinumGames. I know it was published by Sega. And that's basically it. OK, so I know it's set in space, too--hence the second part of its title. Whatever. I've heard and read such good things about Infinite Space that I couldn't help but buy it when it was reprinted a couple of years back. The current idea is to get off my butt and finally play it within the next 12 months. Fingers crossed.

North American cover art for Knights in the Nightmare

Knights in the Nightmare--Is it strange that I want to play this 2009 release even though I've never played any of Sting Entertainment's other "Dept. Heaven" titles? I suppose so. The thing is, I'm not the biggest GameBoy Advance fan in the world. (Gulp!) And though I love the PSP, I rarely pull mine out these days. In other words, it's unlikely I'm going to play the series' first two entries--Riviera: The Promised Land and Yggdra Union--anytime soon. So why not skip right to the more-accessible-for-me third (or fourth, according to the people who call the shots) entry?

Magical Starsign--Here's a game I bought after asking folks on Twitter to name some underappreciated DS titles. I'd always liked how it looked, but I'd also heard rumblings that it was boring. When a few of the aforementioned social-media acquaintances suggested otherwise, though, my wariness toward this Brownie Brown-developed role-player dissolved like a Kool-Aid packet into water. Helping matters: even new copies of Magical Starsign are fairly cheap at the moment.

Magician's Quest: Mysterious Times--You might think that, given my love of the Animal Crossing series, I'd have played this Konami-published knockoff by now. Well, I haven't. That's mostly because I've never liked its aesthetic, if I'm to be honest. Still, I'm in such a DS mood these days that I'm seriously considering games that previously failed to attract my interest. Magician's Quest may have to wait until late in the year to be played, however, as Animal Crossing: New Horizons is sure to take up all of my life-sim bandwidth from spring to autumn.

North American cover art for Mystery Dungeon

Mystery Dungeon: Shiren the Wanderer--Full disclosure: the only reason I don't already own this iteration of the vaunted Shiren the Wanderer series is its hideous North American box art (see above). Also, this isn't the kind of game someone like me is even going to attempt to play through in Japanese. (That region's cover illustration is leagues better than ours, naturally.) I'm going to push my prejudices aside, though, and nab a copy soon so I can see how it stacks up against the other Mystery Dungeon games I've enjoyed to date.

Nostalgia--This is another game I've waffled on buying for ages. Still, I'm thinking of flopping over to the "buy" side of things in 2020 for two reasons. One is that Red Entertainment, of Tengai Makyou fame, had a hand in making it. Another is that the similarly talented Matrix Software helped with its development, too. I have a feeling Notalgia won't live up to the pedigrees of either company, but I'm willing to take a chance on it anyway.

See also: '15 Nintendo DS games you should think about starting in honor of the system's 15th anniversary'

#ADecadeofDS: Contact

Amount of time devoted to this game since I started playing it just over a month ago--Eleven hours, 31 minutes.

Most recent boss toppled, location reached or milestone achieved--I can't believe I'm making this comparison, but the last boss I remember conquering (there are surprisingly few in Contact) actually reminded me of that pink whale that sits in wait at the end of The New Zealand Story's first stage. Here, however, the entity that you're sucked into and forced to battle from within is an Egyptian pyramid.

The most recent location I encountered, though, clearly was a take on Tokyo's famous Akihabara district. A particular highlight of this area: some of the "enemies" found on its upper reaches included refrigerators and vacuum cleaners that had been imbued with life.

Overall comments on the experience so far--I don’t know about you, but I’ve always found it “interesting”—and I don’t necessarily mean that in a good way--to finally play through a game I’ve had my eye on for ages.

There are all sorts of reasons for that, of course, but a big one for me is that it’s far too common for my curiosity in long-ignored titles to grow to such an extent that I wind up considering them at least a bit of a letdown after I start playing them.

Has that been the case with my maiden voyage through Grasshopper Manufacture’s Contact so far? At risk of sounding wishy-washy, I have to sheepishly admit that the answer is: in some ways, yes, and in some ways, no. That said, I’ve found the 11 or so hours I've spent with this dual-screened adventure up to this point to be more positive than negative, which is all most folks are going to want to know (especially if they're trying to figure out if they should follow in my footsteps and play it or not).

Some of the things that have made it a satisfying experience: its dual art styles (one of which harkens back to games like EarthBound, while the other recalls more lushly illustrated 16- and 32-bit titles), its eclectic and appealingly video-game-y soundtrack, its rather cryptic story and its overall "feel." (In regard to that last bit, I simply have a blast moving the protagonist around Contact's many gorgeous environments.)

As for the few aspects that have had me, at times, wanting to hurl my 3DS against the nearest wall in anger, they would be Contact's fairly hands-off battle engine (although if you're like me at all, it'll grow on you over time), its stiff challenge and its stubborn dedication to being head-scratchingly obtuse. (Let's just say I've had to turn to GameFAQs on more the one occasion to figure out what I was supposed to do next or how I was supposed to defeat a boss.)

Do I wish some of the above-mentioned pitfalls had been fixed, or at least partially smoothed over, before this intriguing DS title was plopped onto store shelves? I guess you could say that. Still, I've enjoyed this undertaking quite a bit despite its sometimes-off-putting quirks, so it's hard to rail against them too mightily.

Will I continue to play this game in the coming days, weeks and maybe even months?--I sure hope so. Normally I'd offer up a solid "yes," and without hesitation, especially since I seem to be fairly close to the finale, but that's just what I said about My World, My Way--a game I liked more than I've liked Contact so far--as well as a few of the other DS titles I've recently played, so I know it's far from out of the question that I'll continue the trend (of not living up to these predictions) with this Rising Star Games-published effort.

Do I recommend it to others?--Oh, boy, this is a tough one. If you're the kind of person who generally gets a kick out of playing RPGs that attempt to do things differently, I think you'll at least find this adventure to be interesting--especially if you can nab a rather inexpensive copy of it. If you're not the genre's  biggest fan, though, or if the only Contact carts you come across cost more than $30 or so, I'd probably recommend spending your hard-earned cash elsewhere.

Next up--Bokujou Monogatari: Youkoso! Kaze no Bazaar e (known in other regions as Harvest Moon DS: Grand Bazaar) and Penguin no Mondai: Saikyou Penguin Densetsu!

See also: previous #ADecadeofDS posts

To whom it may concern: I'm finally spending some time with Contact (DS)

Almost two months after I announced I was putting my annoyingly titled #ADecadeofDS series on hold for a while (I know I said in that post it would only be back-burnered for a couple of weeks, but unfortunately life has intervened since then in a fairly aggravating way), I'm finally ready to return to it.

Actually, I returned to it first thing Monday morning, when I replaced the My World, My Way cart that's been stuck inside my trusty red OG 3DS for the last eight weeks or so with the Contact cart that I've been itching to play since I first picked it up just over two years ago.

In the meantime, I've put an hour and a half into this Grasshopper Manufacture-developed DS title--mainly while bussing to and from work each day. (Which means I should put a few more hours into it by the end of the week--and even more than that during the upcoming holiday weekend, especially since I'll be stuck in a car on more than one occasion.)

What do I think of it so far? My short and sweet response: I really like it. In fact, I think you could say I really, really like it--as along as you don't have an issue with me saying "really, really" in a blog post instead of something a smidge more descriptive.

In particular, I really, really like Contact's aesthetics--its surprisingly disparate graphics, especially. At first, I couldn't but but bemoan the fact that the entire game didn't utilize the pixel-y, EarthBound-esque look that depicts the professor's side of the story (not to mention screen).

After I let the experience settle a bit, though, my stance on the lower-screens more painterly approach to things softened to a pretty great extent, and now I'd even say I find it rather appealing. (Although I still prefer the decidedly 16-bit visuals used for the professor's portion of this charming-so-far adventure.)

I'm also fairly fond of what I've heard of Contact's tunes, although emphasis has to be placed on "what I've heard." Playing the game on a noisy bus, even with headphones, isn't the best way to get a feel for the quality (or lack thereof) of a game's soundtrack.

As for this title's story and battle elements, I'm enjoying the former more than the latter at the moment. Of course, the story's enticingly mysterious right now, and its penchant for breaking the proverbial "fourth wall" is proving to be both engaging and entertaining, so my current preferences probably shouldn't be all that shocking.

That said, Contact's battle scenes, which are of the hands-off variety in a way that brings Xenoblade Chronicles to mind, while somewhat boring at the outset, eventually become sort of interesting, if not entirely thrilling. Who knows, though, maybe there are some surprises in store for me in this regard that I've yet to experience.

Have any of you played this 2006 (2007, if you're Australian or European) release? If so, what did you think of it?

Look for more of my impressions of Contact early next week, by the way--in the form of my 10th #ADecadeofDS write-up.

See also: previous #ADecadeofDS posts

In case you're wondering, the text in this Japanese TV ad translates to: 'Bryan, get off your lazy ass and play Contact for Nintendo DS'

While writing up this blog post earlier in the week, I came across the following commercial for the Japanese release of Grasshopper Manufacture's dual-screened RPG, Contact.

For all sorts of reasons--the first glimpse of "the Professor," the Mother-esque graphics, the music--it got my heart pumping.



It also prompted me to slap myself--solidly and repeatedly--for failing to even pop the cart into my trusty DS Lite (true story: I don't like to play DS games on my 3DS) despite the fact that I've owned a copy of the Euro release since January.

I'm going to do my best to change that soon (possibly as part of my "Baby Got Back(log)" series), though, as I have a feeling it's going to blow me away just like another long-overlooked DS title, Dragon Quest Heroes: Rocket Slime, did a few months ago.

Once again I've been taken in by sexy box art

I guess I should have called this post "Acquisition #147: Contact (DS)," and you certainly can think of it that way if you so desire, but I decided to go with the header seen above because, well, I think the truth of the matter is more interesting than saying, "Guess what? I just bought the Euro version of Contact!"

As for why I bought the Euro version of this Grasshopper Manufacture-made title: that would be because of its awesome cover art, which can be seen in the first and third photos below.



It could go without saying, I'm sure, that I love the adorable little Mother-esque sprites that populate the front of Contact's Euro packaging. I'm also pretty darn fond of its retro-tastic logo, though, which I think gives off an appealingly '70s vibe.



The cart art (above) isn't bad either, although I'd like it a lot more if it featured fewer logos.



Unfortunately, I have yet to stick this cart into my DS, so I can't tell you if I think the game itself lives up to the promise of its box art.

Have any of you played Contact? If so, what did you think of it?

See also: Previous 'Acquisition #123' posts

Lollipop Chainsaw: I know next to nothing about it, but I want it anyway

Here's what I know about Lollipop Chainsaw at the moment: It's being made by the folks at Grasshopper Manufacture (Contact, Killer7, No More Heroes). It'll be published (in Japan) by Kadokawa Games. It'll be released for PS3 and Xbox 360. Oh, and it will star a chainsaw-wielding cheerleader and a whole lot of zombies.



A bunch of Lollipop Chainsaw screenshots hit the Internet this morning, with the one above being my favorite thanks to the fact that it shows the game's heroine, Juliet, carving up zombies with heart-shaped strokes of her hot-pink chainsaw. (I also like that it shows what appears to be a decapitated head dangling from her waistband.)

(Via andriasang.com)