One sentence about each of the 21 games I finished in 2021

I somehow managed to finish 21 games this year. I say "somehow" here because for all of 2021 it felt like I played fewer games than I did in 2020.

Actually, it's possible I did play fewer games in 2021 than I played in 2020. And I surely spent less time with the games I played in 2021 than I did with the games I played in 2020, as my next post will make clear.

As for this post, it features—as the header above hopefully suggests—one-sentence "reviews" of each of the 21 games I completed this year.

Also, they're organized according to when I completed them. So, Shiren the Wanderer 5+ was the first game I "beat" in 2021, while Umrangi Generation Special Edition was the last.

Shiren the Wanderer 5+ (Switch)

I didn’t realize just how much I’ve always wanted to pillage towers at extreme threat of violence and even death until I dug my teeth into this beautifully complex roguelike.

Captain Toad (Switch)

Captain Toad is a cute and (mostly) chill puzzle-action game that I can honestly say I enjoyed more than I've enjoyed any of the proper Mario titles that have been released over the last few years.

Princess Debut (DS)

A fluffy and rather childish otome game that features a barebones rhythm component—via simple ballroom dance sequences—and attractive, manga-inspired art.

A Kappa’s Trail (DS)

An instant-classic, hidden-gem, touch-controlled, puzzle-action game from some of the same devs who gave the world Mother 3, Magical Starsign, and Fantasy Life.

Pikmin 3 Deluxe (Switch)

Exploring the game’s beautifully realized environments while capturing towering "enemies" and corralling similarly giant pieces of fruit is great fun; doing all of those things while watching a clock tick toward zero is not.

Bravely Default II (Switch)

Yes, it’s yet another RPG about those damned “four heroes of light,” but this one tweaks the formula, gameplay (the battles, especially), and aesthetics just enough to make it all seem fresh and exhilarating.

Gnosia (Switch)

I started this game expecting it to be little more than Raging Loop set in space, but what I got was an addictive Werewolf simulator with a thrilling drip-feed story—the opposite of RL’s, basically—and a swoon-worthy OST.

Poison Control (Switch)

Poison Control is a curious and snappy mashup of a dungeon-crawler, a third-person shooter, and Taito's classic quartermucher Qix, all set to a surprisingly dark assortment of stories and a subtly brilliant soundtrack.

Labyrinth of Refrain: Coven of Dusk (Switch)

Come to this dungeon RPG for the 40-member parties (kind of, but kind of not), stay for the in-the-end-touching story and the interesting traversal elements.

Famicom Detective Club: The Missing Heir (Switch)

An attractive and captivating whodunit that occasionally frustrates due in large part to a clunky interface that sticks a little too close to its late-1980s roots.

Famicom Detective Club: The Girl Who Stands Behind (Switch)

Another modern remake of an old adventure game that originally graced the Famicom Disk System, though this one is more suspenseful and has a slightly more appealing setting and story.

Ripened Tingle’s Balloon Trip of Love (DS)

A point-and-click game starring everyone's favorite emotionally stunted oddball, Tingle, and sporting a story that's a silly riff on The Wizard of Oz; believe me, it's every bit as great as it sounds.

Gravity Rush (Vita)

Although its increasingly nonsensical story and always-aggravating combat regularly attempted to take my attention away from it, I don't think I've ever felt more like I'd stepped into the shoes—or spandex jumpsuit—of a superhero than I did while playing this gorgeous "gravity action" game.

Tearaway (Vita)

Tearaway is a breezy, Kirby-esque platformer that makes impressive and creative use of the Vita hardware and, as such, feels more like an amusement-park ride than a video game.

Airship Q (Vita)

Take Terraria, make the protagonist a cat, add a save-your-catnapped-sister story, and toss in a few honest-to-goodness, pull-your-hair-out-by-the-roots moments of jank-prompted frustration, and you have Airship Q.

Deltarune Chapter 1&2 (Switch)

This Undertale follow-up may or may not be a better game than its predecessor, but either way, it's a joy to play thanks to its wall-to-wall witty and silly text and its decision to fully lean into bullet-hell gameplay.

Mon Amour (Switch)

If you've ever wondered what Flappy Bird would look, sound, and play like if the creative geniuses at Onion Games (Black Bird, Dandy Dungeon) had made it, here's your answer.

Dungeon Encounters (Switch)

It's best to ignore how Dungeon Encounters looks, especially before you actually play it; instead, think of it as a minimalistic, top-down Etrian Odyssey that has you solve riddles to find new abilities, party members, treasures—even the final boss.

SaGa Frontier Remastered (Switch)

Although the stories that hold SaGa Frontier together are on the simple side, every other element of this Japanese role-player is out of this world: the eye-popping array of party members, the exotic enemy designs, the extraterrestrial locales, the electrifying battles, and—last, but certainly not least—the extraordinary soundtrack.

Liquid Kids (Switch)

This side-scrolling Bubble Bobble—basically, though the protagonist is a roly-poly platypus rather than lime-green dinosaur—is an arcade game through and through, with cheap deaths around every other corner, but it's also a blast to play thanks to how fun it is to throw "water bombs" everywhere and at everything.

Umurangi Generation Special Edition (Switch)

If Gnosia is a Werewolf simulator, Umurangi Generation is a document-the-end-of-the-world-using-a-DSLR-camera simulator—and a damn good one, at that.

See also: one sentence about each of the 24 games I finished in 2020

Captain Toad and chill (or, move over Animal Crossing, this is the relaxing game I want and need in these difficult times)

So many people found solace in Animal Crossing: New Horizons last year. I was not one of them.

I expected to be one of them, of course. Not only have I enjoyed every previous entry in the Animal Crossing series (with the possible exception of Wild World), but I've returned to the GameCube version at least five times since my first obsessive playthrough eons ago.

There's no point in me prattling on about why I didn't gel with Animal Crossing: New Horizons; all I'll say for now is that it felt too much like busywork this go around.

With New Horizons tossed into the bin as my go-to "chill game" for 2020, I set out to find a suitable replacement. A Short Hike could have been it but it was too, well, short. Moon seemed promising as well, but it was a bit too somber and emotional to fill this particular role.

I guess I should have known Captain Toad might fit the bill. Nintendo is well known for concocting such non-threatening offerings, after all. Still, I assumed it would be more like one of the company's three-dimensional Mario titles—generally mellow, but with a slight edge.

Although Captain Toad shows some teeth near the end, the bulk of the experience is the definition of relaxing. You, plopped into Toad's shiny little shoes (and, later, Toadette's), shuffle and waddle around each cuboid stage in search of three diamonds and a single gold star, the latter of which doubles as an exit.

There are coins to grab, too, as well as doors to unlock and open—even chunks of earth and brick to lower or raise.

Oh, and there are enemies! How could I forget them? You can pluck turnips out of the dirt and weaponize them against the game's adorable baddies, but you can also sneak by them.

That's probably why they momentarily slipped my mind; for the lion's share of my Captain Toad playthrough, I ignored the Shy Guys, Goombas, and Boos that sauntered around each level with me whenever possible.

Given that, I can't help but wonder why they're even there. Or why Nintendo's developers didn't allow players to flip a switch and remove them, if that's what they fancied.

Maybe the company's bigwigs demanded (or at least strongly suggested) that Captain Toad needed them to be considered a proper game? Or maybe they (or, more likely, the devs themselves) thought they might provide an entertaining distraction from the rest of this rather low-key adventure?

Whatever the case may be, the majority of Captain Toad has such a tranquil vibe that it shocked me—in the most pleasant of ways, of course.

Note, however, that I said "the majority of" Captain Toad is tranquil. For reasons I still can't quite comprehend, the game veers in a decidedly stressful direction just before its end credits.

We're not talking Dark Souls territory here, naturally, but things do get a lot tougher. I had several "sweaty palm" moments during this portion of the game, which confused and even annoyed me a tad.

Honestly, I wish the folks who made Captain Toad had saved these slightly more taxing stages for the post-game. 

I would've preferred the main campaign to be a fully laidback experience, rather than one that suddenly ramps up in intensity at the last second.

Oh, well, at least the best part of it proved to be perfectly chill. That's more than I can say about nearly every other game I've played in the last year, so I'll forgive this lone misstep.

Have you found any old or new games particularly relaxing in the last year? If so, please tell me about it in the comments section below.

See also: 'One sentence about each of the 24 games I finished in 2020'

Four recently-ish revealed pieces of Japanese box art that I think are pretty fabulous

Although I recently devoted three different posts to my favorite pieces of Japanese Dreamcast and PlayStation box art, I've been pretty lax as of late in terms of publishing my thoughts on more current examples of the medium.

So, here's a rather hastily thrown together attempt at making amends.

March Onwards! Captain Kinopio (Wii U)--This is a winner every which way you look at it, if you ask me, although I think the highlight of it is its use of color. The teal case combined with the golden background and cherry-tinged logo font makes the whole she-bang appear almost ... delicious.

Sega 3D Fukkoku Archives (3DS)--As fabulous as this Ken Sugimori-designed effort is, I've got to say I'd find it a whole lot more fabulous if its bottom edge didn't feature that black-and-blue "box of logos."

Sumikko Gurashi (3DS)--I hate cover art like this. You know why? Because it makes me want to buy a copy of the game, despite the fact that I'm pretty sure I wouldn't get much enjoy out of it even if I understood Japanese. (It's supposed to be some sort of "communication" game, whatever that means.)

Stranger of Sword City: Black Palace (Vita)--OK, so the way this Wizardry clone's characters are grouped in the middle of this cover illustration is far from unique (in fact, it's downright cliché), but the overall product is so striking that I'm will to give that misstep a pass.

What do all of you think of the above? Also, what are some of your current favorite pieces of cover art?

I'm pretty sure this new Captain Toad (Wii U) trailer couldn't be more precious if it tried

Nintendo of Japan just released a new trailer for the title that's known to folks in the English-speaking world as Captain Toad: Treasure Tracker (its Japanese title translates to March Onwards! Captain Toad), and it makes the game look so darn adorable that I'm once again feeling like an idiot for not (yet) owning a Wii U.



Anyway, enough whining. Instead, let's focus on the fact that this trailer reveals that Toadette will make an appearance in Treasure Tracker (and even will be a playable character, I think). Oh, and the finished product--due out in Japan on Nov. 13, North America on Dec. 5 and the rest of the world sometime in 2015--will feature more than 70 stages.

A few quick thoughts on Nintendo's presence at E3 2014 thus far

Yesterday at E3 2014 was quite a day if you're any kind of fan of Nintendo's systems or games. After all, not only did they offer up a 45-minute "Digital Event" (their pre-recorded take of the traditional press conference) that quite literally was crammed full of content, but they followed that up with a number of hours of "Nintendo Treehouse Live @ E3" coverage that shined even more light onto the titles that had been all-too-briefly discussed during the "Digital Event."

Here are a few quick thoughts on all of the above and more (as Nintendo announced a couple of 3DS games during one of the aforementioned "Nintendo Treehouse Live @ E3" broadcasts--which are the hit of this event, in my opinion):

Amiibo, eh?--To be completely honest, I'm not yet sure what I think of Nintendo's NFC-enabled "toys to life" figurines that will be put to use in upcoming games like Super Smash Bros. for Wii U (and possibly already released ones like Mario Kart 8, too). Still, I'm pretty sure I'll pick up at least a couple of them just so I can display them on my desk or something--especially if they release Birdo, Tingle, Pikmin or Ness ones.

Captain Toad: Treasure Tracker--I love it when Nintendo announces a game I didn't even know I wanted until I see it in action. Of course, it helps when the game in question looks as cute and charming (there's that word again) as this one does. Anyway, I'll definitely pick up Treasure Tracker after I finally acquire a Wii U, whenever that may be.



Fantasy Life--No, your eyes aren't deceiving you. This enchanting-looking 3DS title, made by Level-5 (of Professor Layton fame), will finally see the light of day in North America this October. Even better: it looks as though this is a localization of Japan's Fantasy Life Link, which added in an online multiplayer option. Now if Nintendo of America would just announce a North American release for Dragon Quest VII so I could die happy.

Kirby and the Rainbow Curse--Who could've predicted that Nintendo would ever make a sequel to one of the best (as well as one of the most over-looked, at least commercially) DS games around, Kirby's Canvas Curse? Honestly, this will be the first game I buy for my Wii U--assuming I wait until 2015 to buy one, I mean--thanks in large part to its drop-dead-gorgeous claymation art style (which can be seen it in all its glory in the trailer below).



Mario Maker--If you've ever wanted to make your own Super Mario Bros. levels, this 2015 Wii U title is for you. I'm not entirely sure it's for me, though. I mean, I like Mario platformers as much as the next guy or girl, but I can't say I've been chomping at the bit to make my own. As such, whether or not I buy this 2015 release likely will depend on its price. ($9.99? Sure. $39.99? Probably not.)

Xenoblade Chronicles X--This is the final name for the Wii U title previously known as X. And, truthfully, the teaser trailer shown during Nintendo's "Digital Event" was ... dreadful. Thankfully, the actual gameplay footage shown during its "Nintendo Treehouse Live @ E3" session looked worlds better. Definitely another title on my Wii U "wish list"--despite the fact that I've yet to finish its Wii-based predecessor.



Yoshi's Woolly World--First, I was glad to find out this Wii U game hadn't been cancelled (as had widely been feared). Then, I was sad to hear its release had been pushed into 2015. And after seeing some actual gameplay footage of it? I'm feeling both glad and sad, to be honest. I mean, I absolutely love the look of it, and I'm sure it's going to control like a dream, but it also looks a bit too derivative of Kirby's Epic Yarn. Hopefully this game's devs will be able to differentiate this one from that adorable Wii effort enough to make it a worthwhile purchase.

A handful of other 3DS and Wii U titles (mostly the latter) also were highlighted during yesterday's festivities, but I don't have much to say about them--well, other than to say that I like the looks of the Wii U Zelda title, but that in no way assures I'll buy it once it's available. I most likely will be buying Bayonetta 2, though, especially as retail copies (which will hit store shelves in October) will include the first game, too.

Now that I've had my say, what do all of you think about Nintendo's E3 2014 output so far--assuming you have any thoughts on the matter at all?