One sentence about each of the 21 games I finished in 2021

I somehow managed to finish 21 games this year. I say "somehow" here because for all of 2021 it felt like I played fewer games than I did in 2020.

Actually, it's possible I did play fewer games in 2021 than I played in 2020. And I surely spent less time with the games I played in 2021 than I did with the games I played in 2020, as my next post will make clear.

As for this post, it features—as the header above hopefully suggests—one-sentence "reviews" of each of the 21 games I completed this year.

Also, they're organized according to when I completed them. So, Shiren the Wanderer 5+ was the first game I "beat" in 2021, while Umrangi Generation Special Edition was the last.

Shiren the Wanderer 5+ (Switch)

I didn’t realize just how much I’ve always wanted to pillage towers at extreme threat of violence and even death until I dug my teeth into this beautifully complex roguelike.

Captain Toad (Switch)

Captain Toad is a cute and (mostly) chill puzzle-action game that I can honestly say I enjoyed more than I've enjoyed any of the proper Mario titles that have been released over the last few years.

Princess Debut (DS)

A fluffy and rather childish otome game that features a barebones rhythm component—via simple ballroom dance sequences—and attractive, manga-inspired art.

A Kappa’s Trail (DS)

An instant-classic, hidden-gem, touch-controlled, puzzle-action game from some of the same devs who gave the world Mother 3, Magical Starsign, and Fantasy Life.

Pikmin 3 Deluxe (Switch)

Exploring the game’s beautifully realized environments while capturing towering "enemies" and corralling similarly giant pieces of fruit is great fun; doing all of those things while watching a clock tick toward zero is not.

Bravely Default II (Switch)

Yes, it’s yet another RPG about those damned “four heroes of light,” but this one tweaks the formula, gameplay (the battles, especially), and aesthetics just enough to make it all seem fresh and exhilarating.

Gnosia (Switch)

I started this game expecting it to be little more than Raging Loop set in space, but what I got was an addictive Werewolf simulator with a thrilling drip-feed story—the opposite of RL’s, basically—and a swoon-worthy OST.

Poison Control (Switch)

Poison Control is a curious and snappy mashup of a dungeon-crawler, a third-person shooter, and Taito's classic quartermucher Qix, all set to a surprisingly dark assortment of stories and a subtly brilliant soundtrack.

Labyrinth of Refrain: Coven of Dusk (Switch)

Come to this dungeon RPG for the 40-member parties (kind of, but kind of not), stay for the in-the-end-touching story and the interesting traversal elements.

Famicom Detective Club: The Missing Heir (Switch)

An attractive and captivating whodunit that occasionally frustrates due in large part to a clunky interface that sticks a little too close to its late-1980s roots.

Famicom Detective Club: The Girl Who Stands Behind (Switch)

Another modern remake of an old adventure game that originally graced the Famicom Disk System, though this one is more suspenseful and has a slightly more appealing setting and story.

Ripened Tingle’s Balloon Trip of Love (DS)

A point-and-click game starring everyone's favorite emotionally stunted oddball, Tingle, and sporting a story that's a silly riff on The Wizard of Oz; believe me, it's every bit as great as it sounds.

Gravity Rush (Vita)

Although its increasingly nonsensical story and always-aggravating combat regularly attempted to take my attention away from it, I don't think I've ever felt more like I'd stepped into the shoes—or spandex jumpsuit—of a superhero than I did while playing this gorgeous "gravity action" game.

Tearaway (Vita)

Tearaway is a breezy, Kirby-esque platformer that makes impressive and creative use of the Vita hardware and, as such, feels more like an amusement-park ride than a video game.

Airship Q (Vita)

Take Terraria, make the protagonist a cat, add a save-your-catnapped-sister story, and toss in a few honest-to-goodness, pull-your-hair-out-by-the-roots moments of jank-prompted frustration, and you have Airship Q.

Deltarune Chapter 1&2 (Switch)

This Undertale follow-up may or may not be a better game than its predecessor, but either way, it's a joy to play thanks to its wall-to-wall witty and silly text and its decision to fully lean into bullet-hell gameplay.

Mon Amour (Switch)

If you've ever wondered what Flappy Bird would look, sound, and play like if the creative geniuses at Onion Games (Black Bird, Dandy Dungeon) had made it, here's your answer.

Dungeon Encounters (Switch)

It's best to ignore how Dungeon Encounters looks, especially before you actually play it; instead, think of it as a minimalistic, top-down Etrian Odyssey that has you solve riddles to find new abilities, party members, treasures—even the final boss.

SaGa Frontier Remastered (Switch)

Although the stories that hold SaGa Frontier together are on the simple side, every other element of this Japanese role-player is out of this world: the eye-popping array of party members, the exotic enemy designs, the extraterrestrial locales, the electrifying battles, and—last, but certainly not least—the extraordinary soundtrack.

Liquid Kids (Switch)

This side-scrolling Bubble Bobble—basically, though the protagonist is a roly-poly platypus rather than lime-green dinosaur—is an arcade game through and through, with cheap deaths around every other corner, but it's also a blast to play thanks to how fun it is to throw "water bombs" everywhere and at everything.

Umurangi Generation Special Edition (Switch)

If Gnosia is a Werewolf simulator, Umurangi Generation is a document-the-end-of-the-world-using-a-DSLR-camera simulator—and a damn good one, at that.

See also: one sentence about each of the 24 games I finished in 2020

My favorite games of 2021 that weren't actually released in 2021

Although I played and loved a lot of games this year that were actually released in the last 12 months, I also played and loved a lot of games that came out before 2021.

In particular, I played more Vita games in 2021 than I have in years—three of which are highlighted below. I also played a handful of DS games.

A Kappa’s Trail (DS)

This Nintendo DSiWare game is a breath of fresh air for several reasons, though the most noteworthy are that it makes full use of the DS system's touch screen (in fact, the machine's directional pad or face buttons are disabled during play) and it forces players to figure out what to do right from the word go.

Granted, I'd hardly call this digital release one of my favorite games of 2021 if all it offered were a lack of handholding and slick, stylus-centric controls. On that note, A Kappa's Trail is also quite a looker, no shock given the wizards at Brownie Brown (of Mother 3 and Magical Starsign fame) made it. Its lead-a-big-headed-kappa-to-the-end-of-each-winding-stage-while-avoiding-myriad-pitfalls-and-perils gameplay is unique, too, not to mention tense, thanks to the creepy disembodied hand that slowly stalks you and threatens to cut short your otherwise jaunty journey.

Don't worry, the latter isn't overly off-putting; instead, it injects the game with a welcome dose of drama that elevates the experience beyond "pleasant but boring."

Airship Q (PC/Vita)

When I imported my copy of this game many moons ago, all I knew about it was that it was supposed to be Terraria with cats. In reality, that description isn't entirely accurate. Airship Q is a far more straightforward title than Terraria, though this doesn't mean it's constricted. On the contrary, it's as open as you could hope for it to be; however, there are times you'll be forced in a particular direction to advance Airship Q's rather meager story.

Now to throw some cold water onto this little "review": Airship Q is a bit janky. In particular, its block- and physics-based world regularly does its best to spoil your progress and fun by trapping your craft or keeping you from reaching your intended destination. This usually induces laughs rather than rage, but don't be shocked if it causes the occasional fit. It shouldn't prompt you to huffily pull the plug on your playthrough, though, or at least it shouldn't if you do like I did and think of this aspect of the game as charming instead of irritating.

Gravity Rush (PS4/Vita)

Gravity Rush is one of those games that are filled with brazen, brilliant ideas that never fully gel. The characters (Kat, the protagonist, especially) and steampunk-ish setting fascinate, and its soundtrack alternatingly soothes and soars. Speaking of soaring, dashing and falling through the air as the aforementioned Kat is one of the more exhilarating experiences I've had in a game in eons.

Dashing and falling into one or more of Gravity Rush's low-key nightmarish enemies, on the other hand, tends to be tiresome rather than breathtaking, and it didn't take me long to both dread and even detest such tussles. Fulfilling the game's many missions gets old quickly, too, though not as completely as its battles.

Perhaps appropriately, the story in Gravity Rush veers wildly between riveting and ridiculous—almost like it exists to meld the game's positive and negative attributes. It leans toward the former more than the latter, though, and that was enough for me.

A ringing endorsement, right? Maybe not, but the fact is I'm still thinking of my time with Gravity Rush, and I'm also already contemplating taking another stab at it. In other words, its pros outweigh its cons, or at least they did for me. Considering how bold Gravity Rush is overall, putting up with its handful of quibbles isn't such a difficult task.  

Labyrinth of Refrain: Coven of Dusk (PC/PS4/Switch)

I avoided starting Labyrinth of Refrain: Coven of Dusk for ages because screenshots of it intimidated me. Specifically, the number of party members depicted in said screens got me thinking this dungeon-crawling RPG would be far too convoluted for my feeble brain. After finishing and putting more than 75 hours into it, I'm glad to report it's not. In fact, its multi-character battles are far more conventional than initial impressions suggest.

Which isn't to say Labyrinth of Refrain: Coven of Dusk is traditional to a fault. It actually offers up several innovations that make it seem surprisingly fresh. Two standout examples: you can jump over pits while exploring its many maze-like dungeons, and you can break through walls to examine previously inaccessible areas.

Building and customizing your party, which can eventually include as many as 40 members (each of whom are puppets, not humans), provides a similarly unique thrill. Unfortunately, it's a bit too deep to delve into here. The game does a decent job of explaining it as you go along, thankfully.

Another area in which Labyrinth of Refrain: Coven of Dusk excels is its story. Hell, a dungeon role-playing game having anything more than a barebones backstory is worth noting, but the one included here wouldn't be out of place in your typical JRPG. That it ends up being rather poignant only adds to the allure.

Ripened Tingle's Balloon Trip of Love (DS)

Ripened Tingle's Balloon Trip of Love is such a bizarre mashup of ideas that I'm frankly amazed the powers that be at Nintendo greenlit its development. It's a point-and-click game that stars everyone's favorite jumpsuit-wearing oddball, Tingle, and sports a story that parodies The Wizard of Oz.

Actually, there's more to Ripened Tingle's Balloon Trip of Love than just pointing and clicking. You solve puzzles, complete mini-games, and even woo some ladies, too.

Whether or not you tend to enjoy this genre, it's worth checking out—in large part because it was developed by the talented crew at Vanpool, an offshoot of the renowned Love-de-Lic (known for cult classics Moon: Remix RPG Adventure and UFO: A Day in the Life).

Spelunky (PC/PS4/Switch/Vita)

Admittedly, my obsession with Spelunky began after I bought the Switch port that released this past autumn. I quickly moved over to the Vita version, though, and that's where I spent most of my time with this masochistic title.

That I enjoyed it enough to play it for more than 20 hours is a near-miracle, I must say. This type of platformer has never been my cup of tea for all sorts of reasons I won't bore you with now. What's different about Spelunky? For starters, I feel like I'm at least slightly more in control of my destiny while playing it than I do while attempting similar efforts. Also, dying in Spelunky rarely devastates me. And even when it approaches doing so, I still typically end up laughing at the comedic cruelty of it all before moving on to just one more run.

If you're wondering why I or anyone else would willingly go through such hell over and over again, well, my only answer is that I like the challenge of it. Success, at both the individual stage and overall game level, always seems within reach—if only I could do this next time, or not do that. It's easy to blame yourself, rather than the game, for failing, though never so harshly you give up and move on to something less taxing. 

See also: my favorite games of 2020 that weren't released in 2020

6 Vita games I'm looking forward to playing in 2016

Along with the handful of Vita games mentioned in my recent pair of "5 games I bought in 2015 that I've regrettably (and embarrassingly) failed to play" posts, I'm also looking forward to spending time with the following titles between now and the end of this year:

Airship Q--A Terraria clone made by a Japanese indie developer and filled with feline characters? Put me down for at least one copy, and maybe two. Seriously, though, what's not to like about such a scenario? OK, so the language barrier could prove to be a problem if I go with the physical Japanese release (which is the current plan). I'm willing to risk it, though, for the fabulous box art and actual, I-can-sell-it-down-the-road-if-I-want-to-do-so cartridge.

Alone With You--This upcoming digital offering captured my attention for two reasons when its release was announced a few months back. One is that it brings to mind some of the great PC games I enjoyed whenI was younger. Another is that it includes a romance element--which I pretty much always consider to be a welcome addition to any title that's caught my eye.

Crypt of the NecroDancer--I've wanted to play this wonderfully weird digital title, which dares to combine elements of the rhythm and rogulike genres, since the PC version was unveiled a couple of years ago. Because I hate playing games on my Mac (or any computer, for that matter), though, I dragged my feet on buying it. Which is great, as developer Brace Yourself Games revealed this past fall that a Vita version is in the works. Here's hoping it comes out sooner rather than later, as I really want to see if this is the video game equivalent of a Reese's peanut butter cup--an example of a wonderful combo, in my opinion--or if it's more like a Necco Wafer wrapped in a Tootsie Roll.

Ikenie to Yuki no Setsuna--The timing of this Square Enix-made game's release (next month--in Japan, at least) is just about perfect, if you ask me. I'm currently working my way through the DS version of the title (Chrono Trigger) that inspired it, and I should wrap up its adventure just before my boxed copy of Ikenie to Yuki no Setsuna makes its way across the pond to my welcome mat. Will it live up to its pedigree? I have no idea, but I certainly hope that'll be the case--and then some.

SaGa Scarlet Grace--I've made no secret over the years of the fact that I'm a huge fan of Square's SaGa series. The second GameBoy title is one of my favorite games for that handheld, while SaGa Frontier is among my all-time favorite games for any system. As a result, I'm chomping at the bit to get my hands on this latest entry in the series. Fingers crossed Scarlet Grace stays far away from the hideous art style of the PS2 Romancing SaGa remake or the hair-pullingly obtuse gameplay of Unlimited SaGa for the same console.

Zero Time Dilemma--Why am I buying the Vita version of this third entry in the thrilling Zero Escape series instesd of the 3DS iteration? Because I'm going to start playing the second game, Virtue's Last Reward, on Sony's handheld shortly, and I figure I'll want to follow it up by playing its sequel on the same mschine. Also, I have so many 3DS titles at this point that I figure I should show my Vita a bit more love.

Are there any in-the-works Vita games that are causing you to salivate in anticipation of their impending (in 2016) release? If so, let me know about them in the comments section that follows.

Four reasons I think Airship Q for Vita looks absolutely fabulous

In my last post, I introduced at least a few of you to an upcoming Vita--and, at some yet-to-be-determined date, PS4--game known as Airship Q.

This adorable title is being billed by its makers as a "sandbox action RPG" that's supposed to bring to mind such popular releases as Minecraft and Terraria.

If that doesn't mean much to you (or even if it does), I'd highly recommend watching the teaser trailer that's now available for your viewing pleasure at gematsu.com.

Aside from that, what are the aspects of Airship Q that have me chomping at the bit to pick up a copy as soon as I'm able? I thought you'd never ask. Here are the first few that come to mind:

1. Its box art is wonderful--This should be a well-known fact to those of you who scrolled through my most recent post (about three recent examples of especially fabulous Vita cover art). If you failed to check out that write-up, you could do worse than give it a glance now.

2. It has a feline protagonist--Seriously, how many games do we ever get to play that star a cat? Not many. Even if every other game featured these whiskery mammals, though, the one included in Airship Q is so darn cute that it still would make this title worth the price of admission. (Which, by the way, will be 2,500 yen--about $21--for retail copies and 2,000 yen for digital ones upon release in Japan.)

3. It allows players to create their own airships--Under normal circumstances, this would only moderately pique my interest, I've got to say. After seeing the dragon-shaped craft in Airship Q's trailer, though, I'm 100 percent stoked to make something similar once I finally get my hands on the game. Actually, maybe I'll make something completely different. A Kirby-inspired vessel would be cool, don't you think? Another possibility: one of the ships from my all-time favorite shmup series, Parodius.

4. It simply looks like a lot of fun--Granted, I have little to no experience with Minecraft, Terraria or any of the games that have ripped off those chart-toppers, so maybe Airship Q--the Vita iteration of which is set to hit Japanese store shelves on Nov. 19--won't prove to be as fun as I'm currently imagining it will be. I'm pretty confident it'll at least mostly live up to the hype, though, so look for me to buy some version or other of this title sooner rather than later.

Are any of you going to keep an eye on Airship Q now that you know about its existence?

(Via gematsu.com)

Apropos of nothing, I really like these recent examples of Japanese Vita box art

My original plan was for this post to be filled with pieces of box art that represent a variety of current-gen game systems--from the 3DS and Vita to the Wii U and PS4.

After contemplating things a bit, though, I decided to focus my attention on the Vita. Specifically, I decided to focus my attention on the following trio of Japanese Vita covers:

This first piece of box art, for those of you who can't read katakana, is for a game called Airship Q. Don't worry if this is the first you've heard of it, as I hadn't heard of it until I came across the image above while perusing NeoGAF about a week ago.

So, what's the point of Airship Q? Well, for starters, its developers--which include a bunch of ex-Square Enix employees--are touting the game as a "sandbox action RPG" in the mold of Minecraft and Terraria. (Visually, it calls to mind the latter far more than the former.)

There's more to this intriguing title than that, of course, but I'll hold off on saying more until tomorrow, when I'll publish a more extensive post about this upcoming release. (It's due out in Japan on Nov. 19, although it seems it'll eventually hit other regions as well.)

Even if there weren't more to it, though, I'd be seriously thinking of buying a copy because of its beautiful box art alone, which calls to mind some of the lovely illustrations that graced the covers of Sega Mega Drive games back in the day.

This cover art, on the other hand, is for a Namco Bandai-published game called Tokyo Ghoul Jail. All I know about it, unfortunately, is that it's based on a popular anime and manga series and that it'll hit Japanese store shelves both digital and physical on Oct. 1.

OK, so I know one more thing about this Tokyo Ghoul game adaptation: it'll be a visual novel--at least for the most part. (Its second trailer, which can be viewed here, suggests it'll feature some battle scenes, too.)

Is Tokyo Ghoul Jail's in-game art as wondrous as the art that's set to appear on its packaging? Not really, but you can't have everything, right? And at least the folks who buy retail copies of this title will be able to ogle the cover imagery found above whenever they feel the need.

Finally, we have the box art that's been prepared for Nihon Falcom's latest--and hopefully greatest--effort, Tokyo Xanadu.

Unsurprisingly, Tokyo Xanadu is going to be an action RPG. (I say unsurprisingly because Nihon Falcom has made a bunch of games in that genre, such as the Dragon Slayer, Popful Mail and Ys series.) Surprisingly, on the other hand, this one looks to be taking some cues from Atlus' mega-popular Persona titles.

You can see some of the latter influence in Tokyo Xanadu's cover illustration--which, admittedly, isn't as immediately sexy as the other two examples that've been shared in this post so far, but it's still pretty darn impressive.

What do you think of the pieces of box art shown throughout this post? Do you like all of them? Some of them? Even just one of them? Also, can you think of any other pieces of Vita box art that you consider wow-worthy?