#ADecadeofDS: 9 Hours, 9 Persons, 9 Doors

Amount of time devoted to this game since I started playing it a few weeks ago--12 hours, 47 minutes.

Most recent boss toppled, location reached or milestone achieved--So as to not spoil anything for those of you who've yet to play 999, all I'm going to say here is that I'm currently working my way toward this Chunsoft-made game's fourth (of six) ending.

Overall comments on the experience so far--I first attempted to play through 999 a number of years ago. I didn't make it very far and walked away from the experience after getting stuck while trying to find the exit to some room or other.

At the time, I stubbornly refused to turn to an online FAQ for assistance. I thought I shouldn't have to resort to such "cheating" and became pretty disenchanted with 999 as a result.

This time around, I decided to check my pride at the door from the word go, and I've got to say I'm glad I did. Sure, I hate it when I can't figure out a puzzle on my own, but the hatred is softened quite a bit by the fact that checking an FAQ allows me to move forward and learn more about this game's intriguing cast of characters.

Speaking of which, 999's characters have proven to be a real highlight of my first honest-to-goodness encounter with this horror-tinged visual novel.

Just as appealing has been the story that brings all of these men, women, girls and boys together--even if it's against their will--and forces them to find a way to escape the creepy ocean liner that serves as this game's setting.

(If you aren't all that knowledgable about 999, the gist is that nine people, most of whom don't know each other, are independently knocked out, kidnapped and dropped onto a Titanic-esque vessel. They're then given nine hours to traverse its many puzzle-filled rooms and successfully make their way through the ninth of its titular, boobytrapped doors. Oh, and should they fail to do all of that, they'll die.)

Admittedly, I've found some of 999's riddles and berths to be annoyingly obtuse, but even that hasn't done much to dampen the thrilling shiver that travels up and down my spine whenever I gain even a smidgen of insight into this game's goings-on.

Will I continue to play this game in the coming days, weeks and maybe even months?--Well, I'll certainly continue to play it for the next few days, but after that I probably won't play it again for some time.

I don't mean that in any sort of negative way, of course. I just mean that I'm expecting to clear all of its many endings in that time, and once that's done I'll put my 999 cart away until I've forgotten enough of its story to be able to enjoy it again.

Mark my words, though; I'll definitely come back to it down the road. It's quickly become one of my all-time favorite DS games, so there's no question I'll play through it many more times in the future.

Do I recommend it to others?--Absolutely. I know there are plenty of folks out there who have tried 999 and have walked away from the experience feeling dissatisfied, but I have to imagine they're a distinct minority.

So, if the game's premise sounds at all interesting to you, I think it's worth risking disappointment to pick up a copy if you've got the dough.

Next up--Mr. Driller: Drill Spirits

See also: previous #ADecadeofDS posts

#ADecadeofDS: Hotel Dusk

Amount of time devoted to this game since I started playing it just over a month ago--Six hours, 59 minutes.

Most recent boss toppled, location reached or milestone achieved--To be honest, Hotel Dusk really isn't the kind of game that prompts you to celebrate reaching a particular milestone--or even recognize that a milestone has been reached.

Still, I'll do my best to recall my last "accomplishment." I guess that would be me finally gaining access into a pair of Hotel Dusk's rooms that previously had been off limits to me and the game's hunky (and often grumpy) protagonist, Kyle Hyde.

If that doesn't sound like something to cheer about, consider that the titular establishment houses just a dozen or so rooms, and only a few of them are explorable at any given time, especially early on.

Overall comments on the experience so far--Hotel Dusk is an odd game. Actually, some may not consider it a "game" at all. In a way, I can see where they're coming from, as if any title deserves to be called a "visual novel," this Cing-developed one is it.

Admittedly, a couple of the other visual novels I've played to date--such as Hakuoki and Sweet Fuse for PSP--are fairly book-like, too, but both of those titles are more like digital, gamified "Choose Your Own Adventure" paperbacks than the far more straightforward, yet still surprisingly interactive, Hotel Dusk.



What I mean by the latter part of the above is that Hotel Dusk tells a single, set story from start to finish. No matter what you do while you stalk the halls of this out-of-the-way inn, and no matter which choices you make while you talk with its odd cast of customers, you won't change the course of the central tale.

I can appreciate that to an extent, although I also kind of hate it due to how it often causes a Hotel Dusk playthrough to come to a screeching halt. That's because whenever you can't figure out what to do to advance this game's story, you're basically forced to wander around aimlessly, poking your nose into the corner of each and every room while also clicking on anything that happens to catch your eye (and even a few things that don't), until you successfully "pick up the scent" again.

Thankfully, that hasn't happened too often during my maiden voyage through this 2007 release--although I think it could be argued that even a handful of times are a handful too many. 

Anyway, despite that above-mentioned quibble, I've gotten a lot of enjoyment out of Hotel Dusk so far. The mystery that serves as its centerpiece is only passable, in my humble opinion, but I still want to see how it wraps up.

I’m also pretty fond of the numerous guests who share the hotel with you. Each one has a distinct personality and all are surprisingly likable or dislikeable. (OK, so that’s not entirely true, as I just thought of one character who straddles that line due to how boring she is—but she’s definitely an exception to the rule.) My favorites: the saucy maid, the stoner bellhop and the old lady who sports an eye patch.



And then, of course, there’s the art style that’s so effectively put to use throughout Hotel Dusk. Specifically, I’m talking about the rotoscoped graphics that call to mind A-ha’s iconic “Take On Me” video, although that’s not the full extent of why this game’s aesthetics are so noteworthy. Also playing a role here is the game’s 1970s-tastic sheen, which helps make even the most mundane passages seem interesting from a visual standpoint.

Will I continue to play this game in the coming days, weeks and maybe even months?--Oh, I'm definitely going to finish it; that's not even in question. Will I enjoy it all the way to the end, though? That's far more in question, if I'm to be honest.

I say that because it seems like Hotel Dusk's more annoying traits are becoming more frequent, not less, the deeper I delve into its story. Assuming that trend continues, I can guarantee my final opinion of this game will be far less rosy than I initially imagined it would be.

Do I recommend it to others?--Are you a mystery buff? Are you also a fan of the 1970s—or are you at least not turned off by books or games or movies that are set in that shagadelic decade? If you're able to answer both of those questions with at least a tentative yes, you’ll probably enjoy your stay at Hotel Dusk--or at least you probably won't regret your purchase.

Even then, you're likely to encounter at least a few aggravating moments, but all of what I've said here so far should help steel you for them a bit.

Next up--9 Hours, 9 Persons, 9 Doors

See also: previous #ADecadeofDS posts

#ADecadeofDS: Penguin no Mondai Saikyou Penguin Densetsu!

Amount of time devoted to this game since I started playing it just over a month ago--Two hours and 56 minutes.

Most recent boss toppled, location reached or milestone achieved--Sadly, I was basically barreling through this comical and colorful Metroidvania until I came across what I believe to be its second major boss encounter. After trying my darndest to beat that Dragon Quest golem lookalike (I took him on a handful of times), I gave up--and haven't returned to the game since.

Overall comments on the experience so far--Given what I just said about this pint-sized platformer, I'm sure you can guess that I have somewhat mixed feelings about it.

On the one hand, I love its overt quirkiness, which brings to mind one of my favorite PC Engine platformers, Obocchama-kun. Like that game, Saikyou Penguin Densetsu! is unabashedly wacky--a fact that's especially noticeable when you consider its colorful (which is putting it mildly) cast of characters, the highlight of which is what appears to be a penguin-faced pile of poo. Saikyou Penguin Densetsu! recalls the aforementioned Pack-in-Video-developed HuCard in another way, too, with that being its oddly appealing shabbiness. (Some of its graphics are admirably well drawn, while others are the definition of sloppy.)

On the other hand, like many Metroidvanias (I guess--I honestly haven't played a ton of them so far), this one can be annoyingly convoluted at times. Admittedly, it may seem less so to folks who can understand all of the text it throws at players, but I obviously can't comment on how true or false that assumption may be.

Still, despite the fact that I was embarrassingly tripped up just as I was about to start my fourth hour of this penguin-centric adventure, I enjoyed the seconds and minutes I put into it before that ill-timed fumble. That's because this Penguin no Mondai title (which is one of three that were released for the DS in Japan) has a lot going for it--and that includes components that are completely separate from the positives I pointed out a couple of paragraphs ago.

A few noteworthy cases in point: the deeper-than-they-initially-appear battle controls, the more-fabulous-than-they-have-any-right-to-be mini-bosses (all of which are penguins, too) and the guffaw-worthy gear the just-mentioned baddies give up after they've been defeated.

Will I continue to play this game in the coming days, weeks and maybe even months?--I think so. I'd be a lot more confident of that if an English walkthrough of this game could be found somewhere on the Interwebs, but unfortunately that doesn't seem to be the case.

Do I recommend it to others?--If you're an adventurous sort, yes. Even complete-in-box copies can be obtained for about $10 via eBay these days, so even if you wind up getting stuck like I have, you shouldn't feel as though you foolishly wasted your money on it.

Next up--Hotel Dusk

See also: previous #ADecadeofDS posts

FYI: two awesome Internet pals recently sent me free copies of three Japanese DS games

Especially astute folks who read the entirety of my most recent #ADecadeofDS write-up likely noticed that in the "next up" portion of it I revealed that I'd play two (rather than just one) games before I publish the series' next entry.

The reason for that change in routine: as mentioned in this post's headline, two rather awesome people (who I've gotten to know via Twitter and elsewhere) recently sent me a trio of Japanese DS games that I'd previously never experienced.

One of those awesome folks (the lovely MintyPocky), sent me a complete-in-box copy of Bokujou Monogatari: Youkoso! Kaze no Bazaar e, which most people in the Western world know as Harvest Moon DS: Grand Bazaar. Here is the Japanese version's vibrant box art:

Meanwhile, another person entirely--Brian, proprietor of the Japanese 3DS tumblog--sent me cartridges for two Japan-only DS games, one of which is Konami's Shounen Sunday x Shounen Magazine: Nettou! Dream Nine.

To be completely honest, I initially turned up my nose at this offering, as I assumed it was "just another boring baseball game." A quick Google search of its title, though, has me believing Nettou! Dream Nine's actually some sort of interactive comic, which sounds far more appealing (if possibly less accessible).

The other "loose" DS cart that was sent my way is Penguin no Mondai: Saikyou Penguin Densetsu! (The first part of the title apparently translates to A Penguin's Troubles.)

Apparently it's based on a rather famous Japanese manga series about a penguin named Beckham Kinoshita, who attends Kirikabu Elementary School and likes to eat hamburgers and "hot chips."

You may be wondering why I'm sharing pieces of cover art that were grabbed from GameFAQs rather than photos of the cases and carts in question. That would be because Blogger is being a dick (yes, that's the technical term) and screwing them up whenever I attempt to upload them.

So, I decided to cut my losses and use the images seen above instead. If you'd like to see the few snapshots I've collected of Bokujou Monogatari's case and manual, as well as Penguin no Mondai's and Nettou! Dream Nine's cartridges, check out my Flickr photostream.

As for what I think of the actual content of this these Japanese DS games, well, I've only played two of them so far--with the pair in question being Bokujou Monogatari and Penguin no Mondai--and even then I've only spent about an hour with the latter and a half-hour with the former.

Still, that's been enough for me to think I'll like both of them in the end--although I've got to admit that attempting to work your way through a Bokujou Monogatari title with only a minimal understanding of the Japanese language is a bit ... trying. It could do wonders for my vocabulary, though, so I'll stick with it for a while for that reason alone.

Penguin no Mondai also features a bunch of mostly unintelligible text to wade through, too, but that's far less of an issue for me because, at its heart, this game is a pretty basic--but still fun--platform. (The aforementioned text tends to be limited to between-stage cutscenes.)

I'll share more impressions about both of these games in my next "Shall We Do It?" post, which will be published shortly. In the meantime, if any of you have played one or more of the games mentioned here, let me know what you think of them in the comments section below.

#ADecadeofDS: Contact

Amount of time devoted to this game since I started playing it just over a month ago--Eleven hours, 31 minutes.

Most recent boss toppled, location reached or milestone achieved--I can't believe I'm making this comparison, but the last boss I remember conquering (there are surprisingly few in Contact) actually reminded me of that pink whale that sits in wait at the end of The New Zealand Story's first stage. Here, however, the entity that you're sucked into and forced to battle from within is an Egyptian pyramid.

The most recent location I encountered, though, clearly was a take on Tokyo's famous Akihabara district. A particular highlight of this area: some of the "enemies" found on its upper reaches included refrigerators and vacuum cleaners that had been imbued with life.

Overall comments on the experience so far--I don’t know about you, but I’ve always found it “interesting”—and I don’t necessarily mean that in a good way--to finally play through a game I’ve had my eye on for ages.

There are all sorts of reasons for that, of course, but a big one for me is that it’s far too common for my curiosity in long-ignored titles to grow to such an extent that I wind up considering them at least a bit of a letdown after I start playing them.

Has that been the case with my maiden voyage through Grasshopper Manufacture’s Contact so far? At risk of sounding wishy-washy, I have to sheepishly admit that the answer is: in some ways, yes, and in some ways, no. That said, I’ve found the 11 or so hours I've spent with this dual-screened adventure up to this point to be more positive than negative, which is all most folks are going to want to know (especially if they're trying to figure out if they should follow in my footsteps and play it or not).

Some of the things that have made it a satisfying experience: its dual art styles (one of which harkens back to games like EarthBound, while the other recalls more lushly illustrated 16- and 32-bit titles), its eclectic and appealingly video-game-y soundtrack, its rather cryptic story and its overall "feel." (In regard to that last bit, I simply have a blast moving the protagonist around Contact's many gorgeous environments.)

As for the few aspects that have had me, at times, wanting to hurl my 3DS against the nearest wall in anger, they would be Contact's fairly hands-off battle engine (although if you're like me at all, it'll grow on you over time), its stiff challenge and its stubborn dedication to being head-scratchingly obtuse. (Let's just say I've had to turn to GameFAQs on more the one occasion to figure out what I was supposed to do next or how I was supposed to defeat a boss.)

Do I wish some of the above-mentioned pitfalls had been fixed, or at least partially smoothed over, before this intriguing DS title was plopped onto store shelves? I guess you could say that. Still, I've enjoyed this undertaking quite a bit despite its sometimes-off-putting quirks, so it's hard to rail against them too mightily.

Will I continue to play this game in the coming days, weeks and maybe even months?--I sure hope so. Normally I'd offer up a solid "yes," and without hesitation, especially since I seem to be fairly close to the finale, but that's just what I said about My World, My Way--a game I liked more than I've liked Contact so far--as well as a few of the other DS titles I've recently played, so I know it's far from out of the question that I'll continue the trend (of not living up to these predictions) with this Rising Star Games-published effort.

Do I recommend it to others?--Oh, boy, this is a tough one. If you're the kind of person who generally gets a kick out of playing RPGs that attempt to do things differently, I think you'll at least find this adventure to be interesting--especially if you can nab a rather inexpensive copy of it. If you're not the genre's  biggest fan, though, or if the only Contact carts you come across cost more than $30 or so, I'd probably recommend spending your hard-earned cash elsewhere.

Next up--Bokujou Monogatari: Youkoso! Kaze no Bazaar e (known in other regions as Harvest Moon DS: Grand Bazaar) and Penguin no Mondai: Saikyou Penguin Densetsu!

See also: previous #ADecadeofDS posts

To whom it may concern: I'm finally spending some time with Contact (DS)

Almost two months after I announced I was putting my annoyingly titled #ADecadeofDS series on hold for a while (I know I said in that post it would only be back-burnered for a couple of weeks, but unfortunately life has intervened since then in a fairly aggravating way), I'm finally ready to return to it.

Actually, I returned to it first thing Monday morning, when I replaced the My World, My Way cart that's been stuck inside my trusty red OG 3DS for the last eight weeks or so with the Contact cart that I've been itching to play since I first picked it up just over two years ago.

In the meantime, I've put an hour and a half into this Grasshopper Manufacture-developed DS title--mainly while bussing to and from work each day. (Which means I should put a few more hours into it by the end of the week--and even more than that during the upcoming holiday weekend, especially since I'll be stuck in a car on more than one occasion.)

What do I think of it so far? My short and sweet response: I really like it. In fact, I think you could say I really, really like it--as along as you don't have an issue with me saying "really, really" in a blog post instead of something a smidge more descriptive.

In particular, I really, really like Contact's aesthetics--its surprisingly disparate graphics, especially. At first, I couldn't but but bemoan the fact that the entire game didn't utilize the pixel-y, EarthBound-esque look that depicts the professor's side of the story (not to mention screen).

After I let the experience settle a bit, though, my stance on the lower-screens more painterly approach to things softened to a pretty great extent, and now I'd even say I find it rather appealing. (Although I still prefer the decidedly 16-bit visuals used for the professor's portion of this charming-so-far adventure.)

I'm also fairly fond of what I've heard of Contact's tunes, although emphasis has to be placed on "what I've heard." Playing the game on a noisy bus, even with headphones, isn't the best way to get a feel for the quality (or lack thereof) of a game's soundtrack.

As for this title's story and battle elements, I'm enjoying the former more than the latter at the moment. Of course, the story's enticingly mysterious right now, and its penchant for breaking the proverbial "fourth wall" is proving to be both engaging and entertaining, so my current preferences probably shouldn't be all that shocking.

That said, Contact's battle scenes, which are of the hands-off variety in a way that brings Xenoblade Chronicles to mind, while somewhat boring at the outset, eventually become sort of interesting, if not entirely thrilling. Who knows, though, maybe there are some surprises in store for me in this regard that I've yet to experience.

Have any of you played this 2006 (2007, if you're Australian or European) release? If so, what did you think of it?

Look for more of my impressions of Contact early next week, by the way--in the form of my 10th #ADecadeofDS write-up.

See also: previous #ADecadeofDS posts

A note for the handful of people who'll care: I'm putting my #ADecadeofDS posts on the back burner for a couple of weeks

Don't worry, this doesn't mean I'm leaving my #ADecadeofDS series in the dust. On the contrary, I'm only stepping away from it for a short while so that I can spend some more time with a few of the DS games that have really struck a chord with me over the last month or two.

Specifically, I'd like to experience a bit more of what Awatama, Final Fantasy Fables: Chocobo Tales, My World, My Way and Okamiden have to offer.

Once that's out of the way, though, I plan to jump back into the fray by playing Contact, Mr. Driller: Drill Spirits, Pac-Pix and a whole slew of other intriguing DS games.

In the meantime, you may want to read through the #ADecadeofDS posts I've already published--about games like Awatama, Catch! Touch! Yoshi!, Chocobo Tales, Maestro! Jump in Music, Okamiden, Pop Cutie! Street Fashion Simulation, Taiko no Tatsujin DS and Zombie Daisuki.

#ADecadeofDS: My World, My Way

Amount of time devoted to this game in the last week--Six hours, 44 minutes.

Most recent boss toppled, location reached or milestone achieved--In order: I defeated the Succubus Queen that laid in wait at the bottom of the straightforwardly titled Succubus Field Dungeon, after which I sashayed into Bonfire Town and fulfilled its mayor's inane quests (I put up with them because they netted me the Merchant's License I was so desperately seeking at the time) before moving on to the Underground Farm Dungeon, where I mowed down all of its creepy comers.

Overall comments on the experience--As I mentioned in my very last post, this Atlus-published DS RPG (it was developed by a company called Global A) shows right from the start that it's going to do things a bit differently by focusing its story on a princess who's basically a spoiled brat. She's also pretty darn stubborn, a character trait that's put on display nearly from the get-go when Elise (the afore-mentioned princess) decides to exchange her beautiful tresses and her comely dresses for the more practical and utilitarian wares of an adventurer--all so she can attract the attention of a mysterious and not easily impressed stud.

As you can probably imagine, it's a nice change of pace from the tried-and-true, straight-faced fare that serves as the backbone of your typical Japanese RPG, and it certainly put me in the mood to tackle its pastel-hued adventure.

Has it lived up to all of that early-game hype? In many ways, yes, as I've come to absolutely adore its puerile protagonist and its silly story. I'm nearly as fond of the couple of unique contributions it offers to the RPG genre, with the main ones being its much-ballyhooed "pout system"--which allows Elise to alter the landscape that surrounds her as well as attract additional enemies to an area and more--and its weird, board game-esque overworld.

That last component is kind of off-putting at first, I have to admit, but after a while it feels something akin to refreshing. After all, if you're anything like me, shuffling back and forth across an RPG's seemingly endless map screen is thrilling at first but quickly loses its luster, and this alternative--every area is made up of anywhere from 12 to maybe 30 squares, and players can traverse each one in a single step--is a lot more streamlined.

Aside from all of the above, the only other aspects of My World, My Way that are worth mentioning are its battles, which are decidedly mundane but not altogether boring thanks to their zippy nature, and its soundtrack, which is banal to the point of being completely forgettable.

Will I continue to play this game in the coming days, weeks and maybe even months?--Absolutely. Actually, I plan to complete it--assuming it doesn't overstay its welcome by taking up more than, say, 20 or 25 hours of my time.

Do I recommend it to others?--Yes, but not without a few reservations or words of warning. After all, as thoroughly as I've enjoyed playing My World, My Way so far, I still get the distinct impression that many gamers will be bored silly by it. Yes, the writing often is silly (in a good way), and the much-touted "pout system" is unquestionably unique, the remaining components of this portable RPG are far less riveting. In fact, some are sure to find its graphics to be downright ugly and its Dragon Quest-esque battles to be snooze-worthy. Both of these aspects ended up growing on me mightily over the course of my multi-hour playthrough, though, so maybe the same will be true for other folks (especially those with fairly open minds), too?

Next up--Nothing, as I'd really like to play My World, My Way for one more week before moving on to another DS game.

See also: previous 'A Decade of DS' posts

#ADecadeofDS: Awatama (aka Soul Bubbles)

Amount of time devoted to this game in the last week--Three hours, 11 minutes.

Most recent boss toppled, location reached or milestone achieved--I've finished all of the stages in the first two worlds, Tir Tairngire and Altjeringa (no, those aren't typos), and I've just started tackling those of the third, Tomo-Kahni.

Overall comments on the experience--As I'm pretty sure I've mentioned before (either here on this blog or elsewhere), this isn't the first time I've played this Mekensleep-developed DS game. My initial experience with it happened a good number of years ago, although enough days, weeks and months have passed since then that pretty much all I can remember of it is that I enjoyed its unique, stylus-centric gameplay.

That's still the aspect that most stuck out at me during my second playthrough of Awatama (known as Soul Bubbles outside of Japan), but it's far from the only one.

For instance, Awatama is really easy on the eyes, which is especially surprising when you consider it's a DS game. It would be easy to credit that to its designers' decision to focus more on sprites than polygons, which often tend to look a bit rough given the dual-screened handheld's lack of horsepower, but that's only a fraction of the story. The rest of the story, in my opinion: the painterly art style as well as the subtle, natural colors employed while creating its graphics.

Awatama's also easy on the ears, although most people aren't going to proclaim its soundtrack to be akin to the second coming of Nobuo Uematsu, as the music here is more atmospheric than bombastic. Atmospheric is far more fitting for this serene game than bombastic ever would be, though, so don't take that as any sort of negative.

All that said, the gameplay really is the star of this particular show. At its heart, Awatama is a physics-based action game--although "action" implies an experience that is far more harried than what players actually encounter.

How so? Well, for the majority of your playthrough, all you're tasked with is transporting a bubble filled with wisp-like spirits from one end of a cavernous stage to another. This is accomplished by using your stylus to lightly flick at the lower screen of your trusty DS (or 3DS, if you're like me), an exercise that causes the game's grape-coifed protagonist to blow air of varying strengths in whichever direction you happen to swipe.

The best thing about Awatama's gameplay "hook": getting a hang of it takes seconds. That's not to say all you do while making your way through this cart is push around bubbles. No, you also create, split, join, deflate and burst them--using a handful of animal-themed masks that can be accessed with a simple press of the system's directional pad.

Add to that a number of puzzle-solving elements--an example: make a water-filled bubble so that when it pops, it puts out a fiery barrier and allows you and your flock of spirits to continue along their merry way--and you've got yourself portable title that's sure to thrill--or at least soothe--regardless of how much time you put into it.

Will I continue to play this game in the coming days, weeks and maybe even months?--Most assuredly. My goal is to finish all of its levels at least once--although I'm not sure I'll ever feel like returning to the bulk of them after that. Which is completely OK, as I'll likely have put at least five or six hours into the game by the time that comes to pass.

Do I recommend it to others?--Based on all of the above, what do you think? Of course I recommend it to others. Unfortunately, copies of the European and North American versions of the game bear cover art that's far less beautiful than what graces the front side of the Japanese iteration, but everything else is nearly identical (save the design of the protagonist) so I can't really suggest you ignore the former in favor of the latter--unless, of course, you're like me and more than a smidge loony.

Next up--My World, My Way

See also: previous 'A Decade of DS' posts

Which game should I play next as part of my #ADecadeofDS series?

I know they're not the most popular of the many series I've started over the years (a few of which have fallen by the wayside, it pains me to admit), but I'm really having fun digging through my ever-growing stash of European, Japanaese and North American DS games so I can play and write about them in one of my "A Decade of DS" columns.

That said, I'm having a hard time deciding which DS game I should go with for my next such write-up, which will be published in about a week (following the one I publish about Awatama, aka Soul Bubbles).

So, I thought I'd ask all of you to help me choose. I'm not going to ask for you to name random suggestions, though; instead, I'd like you to select one of the following:

Contact
Mr. Driller Drill Spirits
My World, My Way
Pac-Pix

Not that it matters, but the first two DS titles are the European versions of the games, while the third one is the North American release and the fourth is the Japanese iteration.

And what if no one votes, or if some folks vote and there's a tie? In that case, I guess I'll just flip a coin or something.

See also: previous 'A Decade of DS' posts

#ADecadeofDS: Chocobo Tales

Amount of time devoted to this game in the last week--Three hours, 46 minutes.

Most recent boss toppled, location reached or milestone achieved--It looks like I'm about to take on the evil "Bebuzzu" in another of the game's surprisingly dynamic "pop-up duels" (one-on-one card battles, basically).

Overall comments on the experience--I put a good amount of time into this 2007 DS game many years ago, shortly after it was first released, but so much time has passed since then that I decided to go back to it early last week.

Unsurprisingly, I'm enjoying this second playthrough just as much as my first. I say "unsurprisingly" because, as anyone who has played this game should be well aware, Final Fantasy Fables: Chocobo Tales does everything it can to bring a smile to your face--from the cute character designs, to the silly story, to the myriad mini-games that test your timing, reflexes and even your patience.

For me, the mini-games and the aforementioned "pop-up duels" are the main highlights here, although I have to admit I'm still coming to grips with the latter.

In terms of the former, though, there's only one mini-game that even somewhat aggrivates me at the moment (the very first one, "The Adamantoise and the Cactuar")--although, thankfully, I've already beaten it on its most challenging setting, so now I can ignore it. The rest, though, are a part of a lovely array of pick-up-and-play games that I wouldn't hesitate to buy for a buck or two if they were plopped onto the iOS App Store.

That said, Chocobo Tales' whimsical art style deserves to be pulled aside for praise, too, as it's nearly as responsible as its gameplay for maintaining my interest in this title.

So, is there anything I don't like about this effort so far--aside from the mini-game mentioned earlier? Not really. I mean, I guess some folks may find the story included here disappointingly light, but I actually like that all of the blather that tends to be crammed into most of Square Enix's titles isn't present this time around.

Another possible nitpick is that the mini-games don't always provide enough information for you to fully grasp what you're supposed to go to successfully complete them, but even then it's only taken me a few seconds to figure things out, so I wouldn't consider this to be too big of a niggle either.

Will I continue to play this game in the coming days, weeks and maybe even months?--For sure. In fact, I can see myself sticking with this one right to the end. It's pretty much the perfect kind of game for me at the moment--as in, it's easy to pick up, play for five, 10 or even 30 minutes and then put back down again until I have some more free time. Also, it offers a ton of variety, which thus far has done a bang-up job of keeping me from getting bored with it.

Do I recommend it to others?--Without question. It's one of those games anyone should like, I think--assuming you don't hate "cute" graphics in general or Square Enix's Chocobo character in particular. Plus, like I said above, there's a lot to do here, so even if you don't like the odd mini-game, you're sure to like a bunch of others.

Next up--Awatama (Soul Bubbles)

See also: previous 'A Decade of DS' posts

#ADecadeofDS: Maestro! Jump in Music

Amount of time devoted to this game in the last week--One hour, 38 minutes.

Most recent boss toppled, location reached or milestone achieved--I finished all 24 of the game's stages (each of which is backed by a different tune, from "ABC" to Beethoven's "Symphony No. 5") at least once, but only on the "easy" difficulty level.

Overall comments on the experience--If I were forced to sum up my impressions of this import-only music game in just one word, the word I'd choose would be "sigh."

That's because Maestro! Jump in Music has so many things going for it--the most noteworthy being its Disney-esque art style, which loses nothing in its translation to the DS' low-res screens, and its admirably diverse soundtrack--yet a few flubs keep it from being the thoroughly enjoyable experience it really should be. Even worse, these missteps actually make the game kind of frustrating--to the point that I'm not sure I'll spend as much time playing this one as I imagined I would before I bought it.

The main misstep, in my opinion: the touch-screen-centric gameplay (the pink bird shown on the cover art above walks from left to right across the screen, which is made up of a series of strings, and you "pluck" them along with music to make him jump, nab items and the like) on offer here isn't always the most responsive.

Actually, it's responsive enough when there aren't a ton of strings to pluck, items to grab or baddies to tap, but when things speed up or the screen becomes too densely packed, things deteriorate pretty rapidly. (As in, it becomes seemingly impossible to do everything you need to do to perfect, and sometimes just to complete, a particular level.)

Another of Maestro's missteps: for me, it features a few too many gameplay elements. Plucking strings so your feathered friend can nab items or change paths is fun, as is tapping certain enemies along with the beat (Taiko no Tatsujin-style, basically), but some of the other elements are far less so.

Specifically, near the end of the game, there are stages (or portions of stages) during which you have to repeatedly strum (rub) a number of strings, while in other stages you have to make continuous circular motions with your stylus--and neither activity ends up being very enjoyable or effective.

That said, the Simon Says-ish boss battles that pop up every fourth stage are a real breath of fresh air and rarely frustrate or annoy, so you'll always have those to look forward to (even if some of the levels that precede them don't enamor you).

Will I continue to play this game in the coming days, weeks and maybe even months?--I'll likely come back to it every now and then so I can experience some of my favorite stages a second, third or even fourth time, but other stages I'll avoid like the plague from here on out--which means I'll probably never play through the entire game again. Which is too bad, as it's a top-notch product in almost every way and it really should have been a much more enticing experience than it has been so far.

Do I recommend it to others?--Considering complete-in-box copies are somewhat pricey, and not all that easy to find outside of Europe (the only region that earned a physical release of the game, I believe), and considering playing it is a hit-and-miss affair, I don't think I would, unfortunately. If you tend to go totally bonkers for music or rhythm games, though, it may still be worth your while.

Next up--Final Fantasy Fables: Chocobo Tales

See also: previous 'A Decade of DS' posts

#ADecadeofDS: Pop Cutie! Street Fashion Simulation

Amount of time devoted to this game in the last week--Four hours, two minutes.

Most recent boss toppled, location reached or milestone achieved--Sadly, I'm still working my way through this game's second stage, which won't mean much to those of you who've yet to play the game (and may not even mean much to those of you've actually played it, truth be told). Also, I've competed in--and was declared the victor of all but one--five of Pop Cutie's fashion battles so far.

Overall comments on the experience--To be completely honest, I bought Pop Cutie! assuming it was going to be little more than a half-assed knock-off of Nintendo's criminally under-appreciated (outside of Japan, at least) Style Savvy games.

Boy, was I wrong.

After all, though the two titles mentioned above are similar in terms of theme--both focus on fashion and on running a clothing shop--that's where the likenesses end.

The aesthetics of Pop Cutie! are far, well, cuter than those of Style Savvy, for starters. Specifically, whereas the latter's art style leans toward slick and even sophisticated, the former's is more "precious" and cartoonish.

Speaking of which, the look of Koei's (yes, the same Koei that brought the world the Dynasty Warriors and the Nobunaga's Ambition series also made Pop Cutie!) contribution to the portable fashion genre is sure to turn off more than a few people at first glance. Hell, my initial reaction to it was to scrunch my face in sour disgust, and I tend to like adorable-looking games more than your average Joe.

Over time, though, the weird aesthetics of Pop Cutie! grew on me to a surprising degree--to the point that I'm nearly ready to say I actually kind of like them.

Anyway, Style Savvy and Pop Cutie! also differ pretty substantially in terms of how they play. In the former, designing clothes and running a "très chic" boutique are fairly detailed, hands-on experiences, and players are given a lot of control over how they accomplish those tasks. The corresponding activities in the title that's at the heart of this post, on the other hand, feel far more "detached," if that makes any sense.

I guess you could say that in Pop Cutie! fashioning frocks and selling them from a showroom floor are depicted as they may be in a mobile title. They're almost mini-games, but not quite. (A couple of examples: while in your shop, you can man the cash register, but only with the most minimal of input, or you can restock the shelves; outside your shop, you walk the streets and pick flowers to discover new colors for your designs or chat with passersby to learn of new clothing styles.)

Don't take that as a complaint, by the way. Although I found this cart's gameplay a bit basic and even disappointing at first, I had a pretty drastic change of heart after wrapping up my first hour or two with it. Now, I find the whole she-bang to be sweet and endearing and breezily fun.

Will I continue to play this game in the coming days, weeks and maybe even months?--If I'd have had to answer this question a week ago, I likely would have said, "I doubt it." Today, though, I'm far more open to the idea. 

Once you come to terms with this game's quirks--its sometimes-awkward controls, its far-from-appealing-at-first art style--it's actually quite a lot of fun. As such, I have a feeling I'll put at least a few more hours into this cartridge before it goes back into its pastel-plastered case.

Do I recommend it to others?--I guess so, but with some reservations. What I mean is that I think only a small percentage of people who own a DS or 3DS are likely to bother playing Pop Cutie! long enough for it to get under their skin, so to speak, so I'd say that if you've spent some time with any of the Style Savvy games (or anything remotely like them) and enjoyed the experience, you may want to give this one a go, too--especially if you can find a fairly cheap copy.

Next up--Maestro! Jump in Music

See also: previous 'A Decade of DS' posts

#ADecadeofDS: Zombie Daisuki

Amount of time devoted to this game in the last week--Two hours, 24 minutes.

Most recent boss toppled, location reached or milestone achieved--Honestly, I'm kind of at a loss as to what to say here, as after completing the first "stage" of this Japanese DS game, everything kind of blends and blurs together. I can say, though, that I've beaten 10 or so levels thus far and I've attracted about 27 zombies to my "mob."

Overall comments on the experience--Much like Catch! Touch! Yoshi!, which I wrote about a few weeks ago, Zombie Daisuki is the kind of DS game that, if made today (instead of in 2011), it would be released digitally rather than via retail and it would cost just a couple of dollars.

Which is to say it's a fairly light (in terms of content), pick-up-and-play sort of experience--not unlike a lot of the mobile titles crowding the market these days. That's most evident in its gameplay, which consists of using your stylus first to corral your mob of blue knuckle-draggers and then again to send them careening toward the handful of humans--survivors of this portable game's apocalypse, I guess--and even presents (naturally they're topped with pretty red bows) that populate every pint-sized stage.

The latter are an important part of this DS game, by the way, because they provide you with all sorts of accessories that can be used to bolster the speed, strength and resiliency of your zombie pals, while the former--actually, killing to former--are key to you finishing each level.

Anyway, the survivor-slaughtering and gift-grabbing action that's at the heart of Zombie Daisuki is enjoyable enough--at first--thanks to its slick controls and cute, pixel-based graphics.

The game's audio deserves a nod here, too, as its jaunty, chiptune-y backing tracks keep the proceedings buoyant and fun, as do the silly sound bites--"oh, no!" and "please stop!" among them--that pop up now and then as the undeniably adorable undead rip all-comers to shreds.

Sadly, even when all of these elements are combined, they're not quite enough to keep your attention--or not for long, at least. Which is too bad, as it's a cute little game and I very much wanted to like it based on its pedigree (Chunsoft, hello!), graphics and focus on zombies.

Will I continue to play this game in the coming days, weeks and maybe even months?--I kind of doubt it. I love the aesthetics, and I think the gameplay's nice enough, but both aspects are so repetitive that the overall experience can't be called anything but a bore.

Do I recommend it to others?--If you can find a fairly cheap ($10, tops) copy of it, sure. If not, you're likely to feel like you've wasted your money.

Next up--Pop Cutie! Street Fashion Simulation

See also: previous #ADecadeofDS posts

#ADecadeofDS: Taiko no Tatsujin DS

Amount of time devoted to this DS game in the last week--Three hours, 39 minutes.

Most recent boss toppled, location reached or milestone achieved--I've played through (and earned golden crowns for) the easiest versions of all of the songs that are available to me at the moment. I've also played a handful of the daily challenges.

Overall comments on the experience--Before I tucked the colorful Taiko no Tatsujin DS cart into my 3DS last weekend, I imagined it would be a nightmare--or at least a bore--to play using buttons rather than a pair of styli. I mention that because despite those misgivings, I began my first Taiko DS foray by--you guessed it--using the former instead of the latter.

I'm glad I did, because it forced me to recognize that this style of play actually is pretty fun. It can be a little awkward, yes--especially when you have to press the left and right shoulder buttons on your DS or 3DS system at the same time to hit a blue "Big Note"--but it's nowhere near as unplayable or even uncomfortable as I thought it would be.

As for playing the game using the two Taiko-branded styli that came packed inside its case, that's nice, too, of course, although it can be a bit trying to transition from one control method to the other. (I've been switching between the two because I don't want to scuff up the screens of my 3DS.) Also, using the styli-plus-touch-screen combo can feel less accurate than buttons now and then--particularly when tackling the blue "Big Notes" mentioned above.

With that out of the way, the other obvious aspects to focus on while critiquing Taiko no Tatsujin DS are its soundtrack and its aesthetics. The former's more important to the overall enjoyment of this game, I think, so let's start with it. Although just 35 songs are on offer here (I've only got access to 30 of them at the moment), that's proven to be more than enough for me thanks to the variety of the selection.

Among the genres represented in this particular title: anime, classical, folk, J-POP and "game music." I can't say I knew any of the included anime or J-POP tunes before I began this Taiko journey, but that didn't keep me from enjoying every single one of them after a couple of plays.

As for the aesthetics, well, that's the element of the Taiko series that first grabbed my attention way back when, so it should go without saying that I find it awfully appealing. Of course, it's bright, colorful, cute and very Japanese--what's not to like? That its protagonist, Don-chan (an anthropomorphic taiko drum), is beyond adorable--not to mention one of my favorite game mascots--helps matters a good deal, too.

In the end, the nearly four hours I've put into Taiko no Tatsujin DS so far has me pining to play other iterations--especially one or more that use the famed "Tatacon" controllers--as soon as humanly possible.

Will I continue to play this game in the coming days, weeks and maybe even months?--Definitely, although it's likely to be set aside sooner rather than later so I can play the first Taiko no Tatsujin title that was released for 3DS a few years ago, which I recently picked up.

Do I recommend it to others?--If you tend to enjoy playing rhythm games and you also like--or at least don't actively dislike--Japanese music, yes, I'd very much recommend buying this game. I'm not entirely sure this is the best version to buy, though, if this is going to be your first time at the Taiko rodeo, so to speak. Both the second and third Taiko DS titles seem to be more robust experiences (offering more songs and modes), for example, and the PSP and Wii iterations are widely adored, too, so consider them if prices for this iteration are too high for your liking.

Next up--Zombie Daisuki

See also: previous #ADecadeofDS posts

#ADecadeofDS: Catch! Touch! Yoshi!

Amount of time devoted to this DS game in the last week--One hour, 54 minutes.

Most recent boss toppled, location reached or milestone achieved--Erm, I spent a good bit of time with each of its four main modes--will that suffice? (I've yet to experience the game's "Battle" mode for what I'm sure are obvious reasons.)

Overall comments on the experience--For starters, don't read too much into the time listed above. Catch! Touch! Yoshi! (Yoshi Touch & Go outside of Japan) isn't a game you play for hours and hours on end--or at least that's not how I played it. Instead, it's one of those games you put five or 10 minutes into while you're lazing away on the couch on a Sunday afternoon.

Of course, it's possible I would've spent more time with Catch! Touch! Yoshi! over the last week if it had grabbed me from the get-go. Unfortunately, it didn't, and my first few stints with it left me thinking it just wasn't "my cup of tea"--or whatever the gaming equivalent would be.

I stuck with it, though, in part because I felt I needed to give it a fair shake and in part because I found it to be pretty darn easy on the eyes, and I'm glad I did, as its unique, touch-screen-centric gameplay--which alternates between using a stylus to form cloud-puff paths for an airborne baby Mario and using it to guide an always-on-the-move Yoshi through a seemingly endless ground-based stage--eventually grew on me to a surprising degree.

The game's "Score Attack" and "Time Attack" modes have proven to be my favorites, by the way, with the "Marathon" ("Endless" in the Japanese version) and "Challenge" modes being just a bit too tricky for me on most occasions.

Unfortunately, each of these modes are so similar in terms of aesthetics and gameplay that they're nearly interchangeable--a fact that makes Catch! Touch! Yoshi! seem dangerously thin, content-wise.

Still, there's obviously some good, almost "old fashioned" fun to be had here, and that shouldn't be overlooked--nor should the surprisingly attractive visuals that are on offer. (I especially love how the look of each "stage" slowly, but surely, morphs as the seconds tick away--from blue skies, to sunset, to nighttime and back again.) Add in what's sure to be an enticing price point--even for "complete" copies--and it's easy enough to overlook this cumbersome cart's handful of negatives.

Will I continue to play this game in the coming days, weeks and maybe even months?--Yes, on and off. Mind, you, I'd be far more likely to play it on the regular if a digital version of it were on my 3DS at all times, but as it stands, this colorful cartridge will have to settle for only occasionally making the journey from its case to one of my treasured DS or 3DS systems.

Do I recommend it to others?--It's kind of hard to say, actually. If 3DS owners could download Catch! Touch! Yoshi! (or Yoshi Touch & Go) from the eShop for a couple of bucks, I'd throw my full weight behind it, as it's definitely the kind of game a lot of people would enjoy dumping a few minutes into when they have some free time. It's harder to recommend it, though, when playing it requires tracking down an actual cart that's unlikely to stay in someone's DS or 3DS for very long.

Next up--Taiko no Tatsujin DS

See also: previous #ADecadeofDS posts

#ADecadeofDS: Okamiden

Amount of time devoted to this DS game in the last week--Seven hours, 23 minutes.

Most recent boss toppled, location reached or milestone achieved--Defeated Bullhead in Agata Forest.

Overall comments on the experience--Although I've been keen on the Okami series (if such a thing can be said to exist) since it debuted in 2006, I'd only ever spent a handful of hours with the original PS2 title before I booted up Okamiden for the first time last weekend. That rather anemic playthrough took place a number of years ago, though, and I can only barely remember it today, so it may as well be said that I came into this DS follow-up with fresh eyes.

A week later, I'm flogging myself for failing to tackle the game earlier. Admittedly, it features a decent number of flaws--a dodgy frame rate, some oft-awkward controls and disappointingly constricted play fields among them--but on the whole, Okamiden offers up a rousing and beautiful adventure that's more than the sum of its parts.

It would be easy (and kind of lazy, too) for me to say that my favorite of Okamiden's many "parts" at the moment is its art style--which is, without a doubt, pretty darn stunning. In reality, though, the game's aesthetics are at least matched in my mind by its story and boss battles. The former can seem a bit trite at times, actually, but for whatever reason I've more often than not found it sweet and even touching. As for the latter, they almost always overstay their welcome, but they're also inventive and interesting--or at least the one's I've experienced so far have fit that bill.

Another highlight: getting to know and use the "Celestial Brush" that serves as the centerpiece of this portable, Zelda-like offering. Sure, the game's often a bit too willing to spell out for players when and where to utilize these stylus-enabled symbols, but thankfully that rarely seems to dent the unique appeal this gameplay element brings to the proceedings (especially the battle scenes, which otherwise would feel simplistic and repetitive).

Will I continue to play this game in the coming days, weeks and maybe even months?--Definitely, and hopefully all the way through to the end credits.

Do I recommend it to others?--Yes. Some may find the art style to be disorienting or even off-putting, but they're the only folks I'd even think of dissuading from playing this game.

Next up--Catch! Touch! Yoshi! (aka Yoshi Touch & Go)

See also: Introducing #ADecadeofDS