How I spent my time with video games in 2020

It's starting to feel like at the end of every year I either say I played more games than the year before or I spent more time with games than the year before. (See my 2019 write-up for evidence.)

For 2020, both statements are true. Big surprise considering how locked down everything was last year, right?

Speaking of surprises, it may surprise some of you to learn that Animal Crossing: New Horizons wasn't the game I played most in 2020. In fact, I didn't even put 100 hours into it. I gladly poured hundreds of hours into previous entries, so bouncing off this one so quickly shocks me, too.

Not at all shocking to me is that I spent more time with SaGa Scarlet Grace: Ambitions than I did with any other game last year. Even after I finished this most recent SaGa sequel, I didn't want to stop playing it. And although I nearly started a second playthrough right away, I convinced myself to move on to something else (The World Ends With You, I believe) before that happened.

As for the rest of my most-played games of 2020, feast your eyes on the following stats:

• SaGa Scarlet Grace: Ambitions (Switch) — 97 hours, 40 minutes
• Animal Crossing: New Horizons (Switch) — 95 hours, 30 minutes
• Pokémon Shield (Switch) — 80 hours, 55 minutes
• The World Ends With You (DS) — 39 hours, 15 minutes
• Shiren the Wanderer: The Tower of Fortune and the Dice of Fate (Switch) — 36 hours, 00 minutes
• Paper Mario: The Origami King (Switch) — 34 hours, 15 minutes
• Void Terrarium (Switch) — 33 hours, 35 minutes
• Raging Loop (Switch) — 29 hours, 50 minutes

• Deadly Premonition Origins (Switch) — 29 hours, 15 minutes
• Animal Crossing (GameCube) — 22 hours, 50 minutes
• Destiny Connect: Tick-Tock Travelers (Switch) — 22 hours, 15 minutes
• Heroland (Switch) — 20 hours, 30 minutes
• Moon (Switch) — 19 hours, 05 minutes
• Disaster Report 4: Summer Memories (Switch) — 17 hours, 15 minutes
• Kirby Mass Attack (DS) — 13 hours, 20 minutes
• Clubhouse Games (Switch) — 12 hours, 40 minutes
• Hey! Pikmin (3DS) — 12 hours, 35 minutes

• Again (DS) — 12 hours, 20 minutes
• Super Princess Peach (DS) — 11 hours, 50 minutes
• Mad Rat Dead (Switch) — 10 hours, 20 minutes
• Alice in Wonderland (DS) — 7 hours, 20 minutes
• Yomawari: Night Alone (Switch) — 7 hours, 05 minutes
• Time Hollow (DS) — 6 hours, 30 minutes
• Part Time UFO (Switch) — 6 hours, 05 minutes
• Cruel Bands Career (Switch) — 4 hours, 35 minutes

How did all of you spend your time with games in 2020? Feel free to share your own play-time stats, or simply list your most-played titles, in the comments section of this post.

See also: how I spent my time with games in 2018, 2017, 2016, and 2015

One sentence about each of the 24 games I finished in 2020

I began 2020 intending to review every one of the games I finished during the year. Although I did that—to a point, via this post and this post—until the end of June, I completely dropped the ball after that.

I'm going to try to make up for things here—although, again, only to a point. Instead of writing multi-paragraph reviews of each of the 24 games I finished in 2020, I'm going to devote just a sentence to them.

Here are the blurbs in question, which I've organized according to when I completed them. (Alice in Wonderland was the first game I beat in 2020, while Paper Mario: The Origami King was the last.) 

Should you want additional details on any of these games, let me know in the comments section of this post. Or hit me up on Facebook or Twitter.

Alice in Wonderland (DS)

A unique, touch-controlled Metroidvania that's far more challenging than its awesome, adorable art style implies.

Detective Pikachu (3DS)

This Pokémon-themed adventure game may be aimed at kids but adults can enjoy it, too—as long as they don't have a deep-seated hatred of Pikachu, of course.

Heroland (Switch)

Made by folks who previously worked on Fantasy Life and Mother 3, Heroland is a theme-park-based, board-game-esque RPG with a superb soundtrack that intrigues until it overstays its welcome.

Hey! Pikmin (3DS)

A beautiful, blissfully short side-scroller that does a surprisingly brilliant job of combining the Pikmin series' characters and controls with thoughtful platforming action.

Pokémon Shield (Switch)

I loved Pokémon: Let's Go, Eevee! when I played through it in 2018, and I loved Pokémon Shield even more when I played through it last year—thanks mainly to its charming, Pokéfied British setting, slew of appealing new 'mons, and thrilling "Wild Area."

Raging Loop (Switch)

A terrifyingly engrossing visual novel that features "Werewolf"-inspired gameplay and a Groundhog Day-ish looping story.

Deadly Premonition Origins (Switch)

One of those "greater than the sum of its parts" games, with the positive parts of Deadly Premonition Origins being its quirky, compelling characters, WTF story, and weird soundtrack, and the negative parts being its "please don't make me do that again" combat and QTE segments.

Disaster Report 4: Summer Memories (Switch)

I've never had to live through a natural disaster myself, but I kind of (only kind of!) feel like I have thanks to this adventure game, which is harrowing not just because of drama and trauma it puts you through, but because of its iffy graphics and even iffier frame rate.

SaGa Scarlet Grace: Ambitions (Switch)

Another RPG that's shockingly similar to a board game, SaGa Scarlet Grace: Ambitions offers players a wide-open world, a minimum of direction, a ton of potential party members, and a predictably sublime OST.

The World Ends With You (DS)

A dual-screened action RPG that makes full use of all that acreage during its thrillingly chaotic battles, supported by some of the most stylish visuals around and fabulous, pop-tastic soundtrack.

Void Terrarium (Switch)

One part post-apocalyptic roguelike, one part human Tamagotchi—all set to an appropriately (and enjoyably) industrial OST.

Mr. Driller Encore (Switch)

Mr. Driller goes to a theme park and adds some much needed depth and variety to his eponymous series' previously straightforward race-to-the-bottom-of-the-screen gameplay.

Moon (Switch)

A melancholy "anti-RPG" that sends you into a game world to clean up the mess of an unhinged hero by saving the souls of slain creatures and helping its human inhabitants in various ways.

A Short Hike (Switch)

If you've ever dreamt of exploring—by land or sky—a mountainside getaway as an anthropomorphized bird and at your leisure, this is the game for you.

Destiny Connect: Tick-Tock Travelers (Switch)

A touching, vaguely EarthBound-esque RPG that lets you time travel and tackle mechanical foes with the assistance of a robot that can transform into a boxer, cowboy, and more.

Kirby Mass Attack (DS)

Using your DS' touch screen to control up to 10 Kirbies through a series of side-scrolling and puzzle-filled stages is cool; if only it were more fun.

Part Time UFO (Switch)

Leave it to the masters at HAL Laboratory to create an instant classic that combines a claw crane, a balance-puzzler, and the most sickeningly sweet soundtrack you've ever heard.

Yomawari: Night Alone (Switch)

Yomawari proves that survival-horror games don't need to be remotely realistic to be fully and properly unnerving.

Super Princess Peach (DS)

Forget what you've read about this vivacious platformer; in my humble opinion, Super Princess Peach is every bit as good as your average Kirby, Yoshi, or even Mario side-scroller.

Bubble Bobble 4 Friends (Switch)

Take the Bubble Bobble that started it all in 1986, replace the simple-yet-snazzy backdrops with ones that are simply boring, remove all the character from its kooky cast, and make the overall experience more awkward as well as less enjoyable, and you've got 4 Friends.

Mad Rat Dead (Switch)

Come for the move-to-the-beat platforming action (and the amazing OST that coordinates it), stay for the surprisingly touching tale of a dead lab rat who just wants to relive his final day—OK, and exact revenge on the scientist who killed him.

Time Hollow (DS)

Anyone who had a blast playing through Hotel Dusk: Room 215, Ghost Trick, or any of the Ace Attorney games should give this similar offering from Konami a go ASAP.

Again (DS)

This CiNG-made point-and-click adventure game isn't quite as great as the company's other DS efforts—Hotel Dusk, Last Window, and Trace Memory—but it's close enough to be well worth your while if you dug those titles.

Paper Mario: The Origami King (Switch)

The Origami King gives me hope there's still some life left in Nintendo's depressingly inconsistent Paper Mario series, though I wouldn't mind at all if the next sequel's turn-based battles were more traditional than tactical as they are here.

See also: mini-reviews of the 19 games I finished in 2019

My favorite games of 2020: Moon, The Origami King, and Void Terrarium

I've spent most of 2020 ping-ponging between feeling terrified and traumatized. One of the few areas of my life that has bucked that trend over the last 12 or so months has been the time I've devoted to video games.

In fact, I've both played and enjoyed more games in 2020 than I have in many years. The three games I'm highlighting here are my favorites of the 45 or so I put at least some time into this year. Or at least they're my favorites of the games that came out between Jan. 1 and now. (I'll publish a similar post about my favorite games of 2020 that weren't released in 2020 shortly.)

Moon (Switch)

Although I'm a lifelong fan of role-playing games, I'm far from a stickler for tradition. As much as I adore old-school, by-the-numbers JRPGs (think Final Fantasy: The 4 Heroes of Light), I also appreciate attempts to deviate from the norm. Onion Games' Moon--previously known as Moon: Remix RPG Adventure--is a perfect example of the second category. So much so I hesitate to call it an RPG. What is Moon then? An adventure game, I guess. But it also features a liberal dose of simulation and puzzle elements.

Regardless, it's wonderful, not to mention wonderfully chill. There's no rushing while playing Moon. Hell, you can't even run while playing Moon. You saunter. You slowly scour Moon's modest surface in an attempt to help both its earthly inhabitants and its apparitional ones. The latter are the souls of creatures slain by a video-game's unhinged hero, while you are a real-world boy sucked into that make-believe world and charged with righting said madman's wrongs through the power of love.

Moon tends toward the obtuse and melancholic, but that just adds to its peculiar charm--as do the game's eclectic background tunes, which--in another delightful twist--you can change at will.

Paper Mario: The Origami King (Switch)

Although The Origami King is a more than fitting subtitle for this latest Paper Mario adventure, an even better one, in my humblest of opinions, would've been The Origami Odyssey. After all, this entry in Intelligent Systems' long-running RPG series feels like proper, globe-trotting trek. You zip from one eye-poppingly exotic locale to another while attempting to save Princess Peach (amongst other important--and far more interesting--tasks), sometimes via an appropriately recyclable vehicle.

The rest of The Origami King will seem a bit foreign to Paper Mario fans, too. In particular, this title's turn-based tussles are more like puzzles than the select-battle-options-from-a-menu affairs that are typical of the genre. I prefer the tried-and-true myself, though the new method introduced here grew on me by leaps and bounds once I became accustomed to it.

Even if you fall in love with these brainy fights from the word go, though, you're unlikely to consider them a highlight of the experience. Instead, you'll probably reserve that honor for The Origami King's witty text and wondrous soundtrack.

Void Terrarium (PS4, Switch)

Nippon Ichi Software's Void Terrarium does everything it can to turn off potential players. First there's its name, the full version of which is void tRrLM(); //Void Terrarium. Then there's its post-apocalyptic aesthetic, which seems more banal than breathtaking, especially early on. There's also its "human Tamagotchi" component, which is just... confounding--again, particularly at first.

And yet I found Void Terrarium utterly captivating. Sure, the desolate environments of this part-time dungeon-crawler can be samey, but if you're anything like me, you'll barely pay attention to them thanks to the game's heart-pounding soundtrack and surprisingly compelling story. Oh, and the robot-battling action on offer here is plenty exhilarating, too. Not bad for a title that started off looking like a real dud, eh?

Honorable mentions:

• Disaster Report 4: Summer Memories (PC, PS4, Switch)
• Mad Rat Dead (PS4, Switch)
• Part Time UFO (Mobile, Switch)
• A Short Hike (PC, Switch)

See also: my favorite games of 2020 that weren't released in 2020 as well as my favorite games of 2019 and my favorite games of 2018

A few thoughts on the six games I've finished so far in 2020

I came up with what I thought was a brilliant (if also unoriginal) idea for this blog about six months ago: I'd write and publish micro-reviews of all the games I finished in 2019.

Coming up with the idea proved a lot easier than following through with it, though, as I finished 19 games last year. Producing the pair of posts I just linked to took loads of work despite the fact that I limited each write-up to just a handful of sentences.

So, I'm doing things a little differently in 2020. Rather than cram all of these pithy critiques into the last few weeks of November or December, I'm spacing them out a bit.

As such, here are some thoughts on the six games I've managed to beat in the first three months of this year. Look for a similar post to appear in late June or early July--assuming I complete at least a couple more titles between now and then. (That's not a given considering Animal Crossing: New Horizons is doing its darndest to take over my life.)



Alice in Wonderland (DS)--Every single time I ask people to recommend DS games, a handful of them implore me to play this 2010 release. Did their vociferous advice prove accurate in the end? I'd say so. Although this iteration of Alice in Wonderland has its fair share of flaws, overall it's a gem. Truth be told, I'm not sure what my favorite aspect of it is: its Tim-Burton-by-way-of-Okamiden aesthetic, its Metroidvania-plus gameplay, or its near-perfect length. Regardless, I'm glad I finally got off my lazy butt and gave it a try.

Detective Pikachu (3DS)--Here's another game I dragged my feet on playing for far too long. Per the usual, I can't really tell you why. I guess I assumed it would be so "kiddie" it would be boring? Well, it's definitely aimed at a younger audience, but that didn't keep me from having a blast with it. I especially liked how it tweaked the adventure-detective genre in some surprising and intriguing ways. Oh, and it gets bonus points from me for looking great and not overstaying its welcome. (I finished it in less than 20 hours.)

Heroland (Switch)--I don't know about you, but I often have a better time with games I begin with low expectations than I do with games I dig into after anticipating them for months or years. Heroland fits into the latter category. Given that, I shouldn't have been surprised when I didn't immediately love it. It did surprise me, though--probably because the bulk of it (including its adorbs graphics, its jaunty OST, and its quirky gameplay) is my cup of tea. I came around to this weird mashup of a board game and an RPG in the end, but I'd still have a hard time recommending it to others--particularly at full price.

Hey! Pikmin (3DS)--I know everybody and their brother seemingly loves to shit on this portable Pikmin spinoff, but I'm not one of them. On the contrary, I adored the nearly 13 hours I devoted to Hey! Pikmin early this year. Oh, it's far from perfect, that's true, but it's also true that its pros far outweigh its cons--or at least they did for me. Chief among the former, by the way, are Hey! Pikmin's painterly art style and the puzzle-heavy nature of its side-scrolling action.



Pokémon Shield (Switch)--I've had a real hit-and-miss history with the world-conquering Pokémon series. After adoring, and finishing, the very first game way back when, I responded to almost every subsequent release with a shrug and a yawn. Or I did until I played, and beat, Pokémon: Let's Go, Eevee! in late 2018. As much I as loved that remake, I loved Pokémon Shield even more--so much so I've already put over 80 hours into it. The highlight for me: the thrilling and endlessly explorable "Wild Area." No joke: probably half of my Shield playthrough has been spent in this sprawling region thus far.

Raging Loop (Switch)--Although I had a feeling I'd enjoy this horror-tinged visual novel, I never dreamed I'd fall head over heels for it. What changed between when I first became aware of it and when it dug its claws into me? I got pulled into its Groundhog Day-esque story, for starters. I also got to know its curious cast of characters. Even its initially off-putting art eventually grew on me. Still not convinced? How about this: despite the fact that it took me about 30 hours to reach its end credits, I'm already looking forward to playing through Raging Loop again. If that's not a ringing endorsement, I don't know what is.

Have you finished any games this year? If so, which ones? And what did you think of them? Let me know in the comments section of this post.

10 Nintendo Switch games I want to play in 2020

I put time into a whopping 20 Nintendo Switch games in 2019. (Twelve of which are represented in this recent post.)

I'm not sure I'll be able to top, or even match, that number in 2020, but I'm going to give it my best shot--starting with the 10 existing and upcoming Switch titles below.

Alien: Isolation--I don't know if you're aware, but I'm a huge fan of the first two Alien films. For me, they're the movie equivalent of comfort food. That probably seems kind of weird given the content of those flicks and my preference for cute games, but it's true. At any rate, I've wanted to play through Alien: Isolation ever since it first came out for the Xbox 360 back in 2014. Honestly, I'm worried it's going to be too stressful for me, but I'm willing to chance it.

Animal Crossing: New Horizons cover

Animal Crossing: New Horizons--On the one hand, I'm one of those cranky old codgers who thinks the Animal Crossing series peaked with its original release. On the other hand, I put over two hundred hours into my two (or was it three?) copies of Animal Crossing: New Leaf in the year following that title's release. I get the feeling New Horizons will similarly take over my life after I get my grubby hands on it in March--despite my crotchety misgivings about the direction the series has taken since its debut.

Bravely Default II--I'm not sure why the bigwigs at Square Enix decided to call the third game in the Bravely series Bravely Default II, but whatever. All I really care about is a third Bravely game is coming out. And Revo is working on its soundtrack--I couldn't ask for anything more. OK, I guess I could ask for it to be less prone to exposition than its forebearer. But I'll gladly accept a "return to form" in that regard if everything else about Bravely Default II follows in the footsteps of its predecessors, too.

Disaster Report 4: Summer Memories--I haven't played, or even owned, a single Disaster Report game to date, but I hope to change that with the surprising Switch port of the long-running series' fourth and latest entry. To be honest, I have almost no idea what to expect from Disaster Report 4. Still, I'm champing at the bit to sink my teeth into it thanks to the positive word of mouth that surrounds its precursors.

Raging Loop--I eagerly awaited the North American release of this visual novel once I learned it was not only spooky but featured werewolves. I'm still a bit unsure about its art style, but at least it's unique. Plus, I didn't buy a copy of Raging Loop because its visuals wowed me. I bought it because I've heard only good things about its complex story, multitude of endings, and intriguing "revelation mode."

SaGa Scarlet Grace: Ambitions--My original plan as 2019 came to a close was to purchase and play this game at launch and save the Romancing SaGa 3 remake for early 2020. In the end, the opposite happened. Although I enjoyed the 26-plus hours I put into Romancing SaGa 3 well enough, I'm hoping I'll enjoy SaGa Scarlet Grace: Ambitions even more. At the very least, I suspect I'll have a blast with its battles, which sound a lot more exciting than those of Romancing SaGa 3.

Sega Ages: Fantasy Zone--No, your eyes aren't deceiving you here. This most recent port of Sega's 35-year-old cute 'em up really is one of my most-anticipated games of 2020. After stupidly turning up my nose at it for decades, I fell head over heels in love with Fantasy Zone a few years back via the PC Engine port from 1988. This release should be the best version of Sega's seminal shmup, so of course I'll be buying it the second it hits the North American Switch eShop this year.

Spirit Hunter: NG--Although I wouldn't say I adored this game's predecessor, Death Mark, I also wouldn't say I abhorred it. Actually, I had a pretty good time with it when I played through it last year. The macabre mysteries at the heart of that first Spirit Hunter title were a tad urban legend-esque, but it hardly impacted my enjoyment of it. Does the oddly named NG avoid such clichéd storytelling? I have no idea, but I'm willing to give it a try in 2020 anyway.

Tokyo Mirage Sessions #FE Encore cover

Susume!! Mamotte Knight: Hime no Totsugeki Serenade--I always find it kind of strange when I get excited about a sequel to a game I barely played. Well, in the case of Susume!! Mamotte Knight, I barely played two of its prequels--2010's Protect Me Knight for the Xbox 360 and 2016's Gotta Protectors for the 3DS. Still, I experienced enough of both titles to feel completely comfortable buying this latest entry in the Mamotte Knight series as soon as it releases in my neck of the woods--no matter what developer and publisher Ancient decides to call it this time around.

Tokyo Mirage Sessions #FE Encore--Of all the Wii U games I wanted to be ported to the Switch, this is the one I had the least confidence in ever making that leap. My interest in Tokyo Mirage Sessions is a bit peculiar, admittedly. After all, I've never been much of a Fire Emblem fan (gulp!), and my experience with Atlus' Shin Megami Tensei series has been depressingly limited thus far. Still, my gut tells me I'll get a kick out of this enhanced mash-up.

BONUS ROUND: Moon Remix RPG Adventure--I stupidly left this on-the-way port of cult developer Love-de-Lic's PSone classic from 1997 off my original version of this write-up, so I'm adding it in now. Hey, it's my blog and I can do what I want with it! Anyway, so what's the big deal? For starters, Moon has long been hailed as a quirky "anti-RPG" by those who've played it. Sadly, it's never been translated into English--either officially or unofficially. That's changing as we speak, though, and the end product of indie studio Onion Games' hard work should hit Western Switch eShops at some point in 2020. I'll buy this localized Moon the second it does thanks to my positive experiences with a pair of of Onion's previous efforts, 2018's Black Bird and 2019's Dandy Dungeon.

See also: 'Five Nintendo 3DS games I want to play in 2020'